Tag Archives: guitars

Guitarz 2012 Calendar!

Posted on by Standard 5

Some people who read this blog may, like myself, have an appreciation for guitars.  I like the weird, the odd, the strange, & the rare.

Not Enough Batman
Not Enough Batman

Guitarz is putting together a 2012 calendar of such guitars.

These guys put together a great blog, and I’m looking forward to their calendar.  I might take an artful photo of one of my weird axes, but with only 12 months in the year mine won’t be a slam-dunk… and sadly aren’t the weirdest/rarest out there.

Take some photos of your weird/rare/beautiful guitars and send them in!

They probably won’t take this photo.  So, get your axe in gear!  (Get it?)  Submit a photo of your rare/weird/cool guitar, or take a photo of a friend’s to submit.

Guitar Blog: The Paradox of Tone

Posted on by Standard 1

DuncanDesigned

Image via Wikipedia

Killer article about tone & the myriad of choices available today:

Guitar Blog: The Paradox of Tone

I don’t know how I missed it, it’s a rather old post… but is a great read.  I’ve gone through bouts of “I don’t care what it sounds like as long as it’s loud and dirty”… mostly to ignorance, and I’m still like that for the most part… but I do know bad tone when I hear it, at least as it stems from my guitars/amps (the rare effect), and any more I’d rather not put out bad tone… I’d like my bad playing to come through as well as possible.  Ha ha.

The Dewey Deceibel FlipOut Guitar

Posted on by Standard 22

FlipOut Guitars

FlipOut Guitars

I have a problem with weird guitars.  I’m drawn to them.  I love the classic Les Paul shape and sound, but something about goofy-looking guitars really speaks to me.  I’ve blogged before about my Galveston B.B. Stone, and drooled over the fanboy/kitsch factor of the Millennium Falcon guitar.  Now, I’d like to blog about my most recent 6-string purchase… the Dewey Decibel FlipOut Guitar.

I was drawn to the goofiness when I saw it somewhere online.  I even saw it hanging in Pittsburgh Guitars once, but I had no play money at the time, and couldn’t justify getting the thing.

I bought it through ebay a while ago, as my last band (Gasoline Dion) was kind of petering itself out of existence.  I hadn’t really gotten the chance to use it on stage until recently.  It always draws out a question or admiration.  I don’t think I’ve drawn ire from anyone yet… except the expressed-yet-repressed hatred that my friend and guitar-guru Dave has toward just the general idea of the thing.

Dewey Decibel FlipOut Models

Dewey Decibel FlipOut Models

Yet despite his disdain for the abomination of an axe, Dave did help me install some GFS pickups to replace the stock ones… since I do like that beefier fat-Strat sound.  They’re some great pickups for the price.  Ernie and the Berts recently recorded a demo, and I’m quite happy with the tone coming from the guitar.  I also like the feel of the frets.  This has become my “it” guitar of the moment.

The weird thing about these guitars other than the backwards body is the color schemes and names.  I oddly enough chose the “Lit Cigarette” color scheme.  I wouldn’t mind  a black pick-guard, but I don’t think you can walk into any guitar shop and just pick one up.

Eric Aixelsyd - Dewey Decibel FlipOut Guitar Lit Cigarette

Fallout Shelter - Oct 30th, 2010

Obviously, I like the whimsical/goofy factor with this thing, and my “stage name” being ERiC AiXeLsyD, I felt that that backwards guitar should certainly fit that quite well.

I’m glad that Dewey Decibel makes this guitar, and I’m glad that I found one… or it found me.  I’d love to see photos of other FlipOuts in action.  I know they even have basses if you want some backwards bottom-end.  They may just be prototypes, their web page hasn’t changed for quite some time… and as it last stands they’re available for pre-order, “to be filled in 2005.”

If you have one of these guitars, or know someone who does… post photos!

The Millennium Falcon Guitar

Posted on by Standard 8

While doing a Google image search for Star Wars Guitar, I came across several photos of this…

Millennium Falcon Guitar | Travis Stevens
Millennium Falcon Guitar | Travis StevensMillennium Falcon Guitar | Travis StevensMillennium Falcon Guitar | Travis StevensMillennium Falcon Guitar | Travis StevensMillennium Falcon Guitar | Travis Stevens

Now, that’s a hell of a guitar.  It’s made from guitar parts (obviously) and an old toy Millennium Falcon.  It’s even got Han & Chewie action figures inside.  How insane is that?  Despite the plastic-laden sound that it gives off (you can hear it in the video below), I’d love to have something like this, just for the sheer oddity and geekiness.  Can you imagine rolling up to a show, and pulling that out of a case on stage?  People wouldn’t know what to think.  (Unless you were in the Phenomenauts and they’d already seen your van.)

Urlesque has a cool initial interview and a nice follow-up about the guitar and the process that Stevens used to put it all together.  Oddity Central has a good article too.  I’d love to see how much this goes for when it sells.  Sadly, probably more than I can afford to drop on a guitar right now… but maybe I’ll hit up some toy shows & build my own.  Ha ha.

Guitars & Rock N’ Roll

Posted on by Standard 2

I like guitars.  I blog about a bunch of stuff, but I can’t believe I neglected adding a guitar category before now.  Perhaps because I’m back to rocking out again, I’ve been more aware of guitars and music in general.

I have always loved music from an early age, and the guitar has always been my favorite instrument.  Of course I wanted to learn how to play.  I took a class in school because I needed 2 music electives one year.  We did the Mel Bay “Marry Had a Little Lamb” crap and I skimmed through only sort-of learning to read music while I bought guitar magazines and learned my favorite riffs by tab at home or from the kids in the guitar class who already knew how to play & were taking it for an easy A.

I was also learning at church camp… the minister in charge used to play campfire standards & hymns for the sing-alongs, and taught me how to play chords to a whole song instead of the riffs that I was used to half-assedly piecing together.  I think through this is where I first felt comfortable singing & playing at the same time.  I remember that being a huge obstacle at one point, but now it almost seems ridiculous.

I took lessons at a music store for a while, and it was cool… but basically I learned 1 scale and how to play by ear.  It wasn’t very structured, and I wasn’t a great student.  I just wanted to rock… not learn.

Around the same time, I re-discovered punk rock.  I had always been a fan of pop rock, punk rock, metal, & more… but when I learned that I could pop in the Misfits or Ramones and play along to the whole record, something just clicked.  I fell into a three-chord way of life… and discovered that I didn’t need to be a great guitar player.  Sure, there’s always room to improve, but I’m not trying to be Yngwie Malmsteen or Jimi Hendrix or anything.

With the punk re-awakening that I had, I wanted to write songs and be in a band.  Playing the guitar was the means to that end.  Luckily this was happening at the same time for me as some other good friends & eventually AiXeLsyD was born.  I’ve played on & off in a handful of bands & projects since then and been part of a few different scenes.  I’m very thankful for being introduced all the people that I’ve met through those endeavors.  There’s a weird bond with other people in bands that you just don’t get if you’re not part of the whole thing.  It’s like a weird brotherhood or religion or secret club… even within that I guess there are still more than a few who still don’t get it once they’re in it, but that’s a whole other blog.

This went a different direction than I intended, but you’ll have that.  Maybe I’ll blog more about the band experience… I’ve had a few standard rants about bands over the years that I’ll have to rehash here.

My original intent was just to say that I was going to start blogging about guitars.  I love guitars.  I like to play all kinds, I’d love to own them all.  I like normal guitars, but I gravitate toward the weird ones.  I’ll blog about all of them here.  Hopefully it’ll spark some discussions, awe, and ire.

The Trans-Siberian Orchestra @ Mellon Arena (Review)

Posted on by Standard 2

You may have read my earlier posts about the seats for Star Wars: In Concert, and how complaining about them eventually translated into two free seats for yesterday afternoon’s Trans-Siberian Orchestra show.

Our seats were in the EI-2 section, row L.  We were ridiculously close to the stage and not so far up & to the side that we couldn’t appreciate the view.  I need to write to Mr. Scalzott again for providing the free tickets and hospitality of the arena.

I’ve got to say, this was an excellent show… and I’d love to go back if I can afford to next time they’re in town.  The TSO really knows how to put on an event.  The Star Wars: In Concert crew could learn a lesson from them in lighting, lasers, fog machines,  floating remote stages, hydraulics, and pyrotechnics.  Actually, they could learn a few lessons.  I can imagine a hybrid of the two that would be absolutely ridiculous.  Maybe I need to write to the TSO, John Williams, and George Lucas.  Ha ha ha.

A few things surprised me about the show…  I had no idea that there were vocals & power-ballady type songs, and that there  was a cohesive story for the most part.  I feel like it kept it entertaining for all types of people.  The narrator & vocalists were awesome.  Sadly my prior knowledge of the TSO consisted of an mp3 with an incorrect ID3 tag, mislabeling “Christmas Eve/Sarajevo 12/24” for “Carol of the Bells” (which it arguably is… along with “God Rest Ye Merry Gentlemen”).

I had no idea that Alex Skolnick or the other guys from Savatage were associated with this.  Skolnick wrote articles for just about every guitar magazine that I ever picked up back when I was learning to play & read tab.  They made the show like a metal concert at times… I thought one guy in the front was going to have a heart attack and die when he threw metal with both hands as Alex was molesting the fretboard in front of him.  When the show reached it’s second half, they introduced some stuff from the new album, Night Castle.  I swear they snuck some Sabbath & Metallica riffs in there.  There was even an old-school 80’s-rock drum solo… and I think I loved the fact that old ladies were watching the solo in abject horror as much as I liked the spectacle itself.  They also had a girl playing the electric violin… I saw it more than I heard it… but it was visually pretty cool element, like the spinning keyboard.

I didn’t know that it had heavy religious overtones.  I mean, I knew it was a holiday concert… and I’m certainly not opposed to religious ideals.  I just didn’t know, and found it surprising… especially with tightly clothed women dancing like strippers in front of fire.  I think it’s cool that they can integrate the stuff, maybe some overzealous idiot out there got the message to loosen up a bit.  While they played a medley that included the melody of “Canon in D”, the girls were dancing scantily-clad on the stage… and I asked my wife Bethany if we had to call t “Canon in Double-D”.

Like I mentioned before, it being entertaining to everybody…  I mean everybody.  There were all kinds of people there… classes, ages, stereotypes, whatever group  you want to name, they were there (except maybe race… it was all crackers up in there).  I did see an extraordinarily high amount of mullets though.  I’m talking prize-winning specimens like the comb-over on top/hair down to my ass & the trimmed up top/pony tail in the back.

I can’t say anything negative about the show itself, the seats, or the arena… except (you knew it was coming) that I found the parking rate to be amusing.  By looking on the Arena website, it listed parking in the lot where we parked as $7, but it does note “Event parking rates differ for each Mellon Arena event. Check your event’s information page on this website for specific parking rates”.  The funny part is that it said nothing about parking on the event page other than the fact that no pre-sold parking would be available.  Parking was $15… more than double the normal rate, which is fine, but there was no prior indication.  I paid in mostly $1’s and even some quarters.

I hope the TSO and the Mellon Arena don’t mind if I share some crappy quality cell phone photos…