A lifetime ago, I was in a few bands. I have an Ernie and the Berts sticker on my “punk rock venue” door in the garage, but my AiXeLsyD & Gasoline Dion sticker supply has long since been exhausted. I figured why not clean up the old logos and upload them to my TeePublic & RedBubble shops? I may get myself some stickers, pins, & a hoodie or something. I didn’t draw the Ernie and the Berts logos, so I don’t want to upload & sell those.
Everything at TeePublic seems to be on sale as of this posting for up to 35% for the next 2 days. The new stuff is in my AIXeLsyD13 album there, but everything is on sale. It’s in the AiXeLsyD13 collection at RedBubble too. They both have rotating sales often, and I have been pleased with the stickers & clothing I bought from each. I wear my amp maze collage hoodie all the damn time. The designs & merch differ slightly across the two platforms, so I encourage you to poke around at both.
It took me forever to get into podcasts. Some I have been enjoying lately are Chris DeMakes a Podcast, One Hit Thunder, & more recently A Band Called Punchline. (The former two break-down & deep-dive into songs in totally different yet incredible ways… I highly recommend them to musicians and fans!)
You can listen to all of these anywhere you find podcasts, but I do mostly all of my listening on Amazon Music.
I have absolutely no idea why I didn’t get big into Punchline in the very late 90’s or early 00’s. We all frequented the same places. I had to have seen them. I was active in AiXeLsyD then Gasoline Dion at the time. Their music is in my wheelhouse. I have heard a lot of Chris Fafalios because he produces on Chris DeMakes a Podcast & co-hosts One Hit Thunder. Chis is a great co-host with Matt Kelly & producer with involvement in 2 quality shows. This came up, and I was like… I have no excuse to not check this out as I love music, music documentaries, stories about songs, stories about playing & touring. It’s a no-brainer, right?
Well, I’m 3ยฝ episodes in and the name-dropping alone is mind-blowing. Laga, Logic, AMC, Berlin Project, Mr. Smalls, Soundscape Studios, Garfield Artworks, Josh Bakaitus, Drusky, Joker Productions, mp3.com, practicing in McKees Rocks, and more I am surely forgetting. It puts me back into the days when I worked on the assembly line at Sony with Alf from Circle of Dead Children, or when me & An-Die ran into the Zao guitarist at Westmoreland Mall. Everyone was in a band. Ha ha. I remember Dirtbag Rob saying he had an AiXeLsyD T-shirt or patch before he was in the band.
I was at so many shows at Laga. That’s where I got to see Doyle play the Misfits intro in their green room one time. I remember Logic from that killer Take Me To Your Leader compilation CD. Man I miss punk comps. AiXeLsyD was practically the house band at AMC for a bit. We played every open stage we could. Berlin Project always worked the crowd well. I remember playing Mr. Small’s at least once with Gasoline Dion, not sure if Ernie and the Berts ever played there or not. I also remember being in the back for some reason. Maybe hanging out with Dethlehem? Me & Jason were hanging out with Next Stop Detox when they recorded at Soundscape in McKeesport. I was in Detox for like 30 seconds and recorded a single at Studiophonix in Mt. Pleasant. I think Gasoline Dion played Garfield Artworks… Maybe EaTB too? I know I saw a bunch of shows there. Ernie and the Berts recorded drums there once, I think? (It’s oddly not on my places I have played map.) We practiced at the shady ABC Storage in McKees Rocks and up in Allentown for a bit.
It makes me think of all the cool bands & all the fun times we had back then!
But, the cool part is hearing Berlin Project’s story, from the guys themselves. They seem like genuine nice people who set out to make some music, make a living doing it, and accomplished that! It’s presented documentary style and sort of gives me NPR vibes.
I am rooting for them every step of the way while I listen, When they talk about literally losing a tire off their van, using calling cards & pay phones, running up cell phone bills in the Nokia brick & flip phone days, purposely putting music on Napster just to get it out there, paying way too much for recording, sleeping on floors & booking tours, meeting other great and not-so-great bands… it all just hits. I am not and never was a pro touring musician, but I get it. I respect the hustle, and I appreciate the insight & shared experiences.
If you were around the southwestern PA scene in the late 90’s or early 00’s, ever picked up a guitar (or bass or drums or keys or horns), or are a fan of punk, indie, & DIY… you gotta check this out.
It’s on a bunch of platforms, so find it how you find yours… or start here:
I’m starting to dive into their stuff. I really dig the old stuff on their bandcamp that they sort of don’t recognize as much any more. Check out their website. I also want to see their music special on Amazon Prime. Punchline fans, what are your favorites? Can you make me a top 20 playlist in the comments? What are your memories of seeing them play or hearing their songs for the first time? What about if you played your own shows in & around that time?
I guess I never did update, lots of the listings are down or read as “Temporarily Unavailable.” I would like them to read as “โ 404 Page Not Found.“
I did get two short emails from the offender. Thank you to Jakob Mewes for reaching out! I never did hear back from Jakob after reaching out for further details. Did you Google AiXeLsyD and/or Gasoline Dion and find me here? I’d love to know!
I did get two emails from Mr. Heppke.
From: Kurt Heppke <mail@kurtheppke.com>
Date: Mon, Jun 30, 2025 at 8:22โฏAM
Subject: Re: Unauthorized Use of My Artwork in Your Book โ DMCA & Cease-and-Desist
To: Eric Carroll <red@acted.yo>
Dear Mr. Carrol,
I'm sorry for using your trademarked images and I really want to apologize for that. I took the images from Pinterest and did not check the license. I made a mistake.
I have requested today that the book be stopped selling immediately and will send you confirmation as soon as I have it.
I hereby give you written confirmation that I will no longer use your work.
I also confirm the immediate cessation of any further use or reproduction of your work in any form.
I am truly sorry for the trouble I have caused you.
I would like to make one more point about your WordPress post " Stolen Mazes! (Someone took my art.)". It gives the impression that I have flooded half the world with my books. No. I've sold the book 8 times in the last 3 years. So I think the damage is limited.
That's not an excuse!
Anyway, thank you for your patience and kindness and I will definitely change my behavior when it comes to checking licenses.
Best regards
Kurt Heppke
---
Kurt Heppke
Tel: +## ### ########
Mail: mail@kurtheppke.com
Homepage: www.kurtheppke.com
And, then this, referencing the photo below:
From: Kurt Heppke <mail@kurtheppke.com>
Date: Tue, Jul 1, 2025 at 11:01โฏAM
Subject: Re: Unauthorized Use of My Artwork in Your Book โ DMCA & Cease-and-Desist
To: Eric Carroll <red@cted.yo>
Dear Mr. Carroll,
I have withdrawn my book "Labyrinthe" from sale and would like to inform you of this, as promised:
Labyrinthe
Leichte Schwere und ganz ganz Schwere
ISBN-13: 9783756233120
Verlag: Books on Demand
Erscheinungsdatum: 30.06.2022
the German sentence:
"Wir haben Ihr Buch wunschgemรคss fรผr Bestellungen aus dem Buchhandel gesperrt. Auch die Listung fรผr den internationalen Vertrieb und der E-Book-Vertrieb wurden damit automatisch ausgesetzt."
means:
"We have blocked your book from bookstore orders as requested. The listing for international distribution and e-book distribution have also been automatically suspended."
I would like to apologize once again and thank you for your patience and kindness.
Best regards
---
Kurt Heppke
Tel: +## ### ########
Mail: mail@kurtheppke.com
Homepage: www.kurtheppke.com
And this was in there:
โ๏ธ
I did not reply, as I am still salty about it. A little theft is still theft. I know Joe Wos sent something over to the effect of a Cease & Desist or DMCA, and Brian Hilbert commented on my last post. I never did get a comment from Sean C. Jackson. Not sure how many other maze artists were robbed. I never did track any others down.
I’m sadly still morbidly curious to get my hands on a copy of this outrage. Share your stories of art theft in the comments, or comment here if your stuff was also uncredited in this book!
Every once in a while, I just throw this into the รฆther just to see if it gets any response. One time, I got to pop up on stage and sing “I Turned Into a Martian” while Jerry Only played bass, sang, & Doyle Wolfgang Von Frankenstein played guitar, & Goat (a.k.a. Eric Acre, a.k.a. “Chupacabra”) played drums. I’d love to find a video of it if it’s out there.
We take for granted that everything is recorded these days, but back then it wasn’t. Misfits bootleg videos were a hot trade commodity at one point online. I’m pretty sure this show was recorded, because Crowbar had closed-circuit TV’s that were displaying the show as it happened. It may have been deleted or not recorded, it may have hit a personal private collection. Someone else may have been in-house recording. Not sure if Doug Evil was there?
Thanks to Misfits Central & Concert Archives, I now have a specific date: Sunday, November 5, 2000. It was at the now-defunct Crowbar in State College, PA.
An-Die & I road-tripped to State College several times with several different groups to see the Misfits in several iterations in addition to seeing them a bunch in Pittsburgh… so my memories may be conflated. I know Russ from TVCasualty.com was there!
I’m pretty sure Murphy’s Law & Impotent Sea Snakes also played. I only remember this because Goat was pulling double duty, and our friend Laurel was apparently hit in the face with an… adult toy… during the ISS set.
I remember An-Die telling me that I had stage presence, and obviously Jerry Only has a huge stage presence, and it did not jive. Ha ha. I’m sure I looked weird, but holy shit it was fun. (I always feel weird signing without a guitar in my hands anyway.)
Another fun fact, this was after I had broken my nose, and i was wearing a bandage covering most of my face. I know I have photos of that somewhere but I cannot find any.
The Misfits – 11/05/2000 lineup @ Crowbar in State College PA | Jerry Only, Doyle Wolfgang Von Frankenstein, Eric Goat/Chupacabra Acre, & some random a-hole.
Oh yeah, I broke my nose stage diving at American Music Cafรฉ. Who’s set was it? I think it was Third Place, Tybalt, or maybe even Ten Pounds Lighter/Secrets Lie Within. I just remember someone fake kicking me that ended up not being a fake kick, a weird celery crunching noise, and my nose being mostly under one eye. I ought to try to chronicle old show stories some day.
I was the Fiend Club “Chapter Head” for a minute in the late 90’s early 00’s, so I got to see the band when they were in & around town. I think Jerry & Rocky sort-of kind-of knew who I was, but I always tried to not be a pain in the ass & ask for stuff or to get on the Turbo Die or anything. It was a fun time in life.
If you have the video, or have info that could help me track it down, I’d really appreciate it! Feel free to help by sharing this in fan forums & what-not online. We Are 138!
So, I recently got an interesting message via my contact form:
I did write back, but have yet to receive a reply. I would like to thank you Jakob, for reaching out! Not sure how you found me, but then again maybe I am sure as the one stolen maze is kind of highly specific in subject matter, but we’ll get to that.
I did do some light Googling though, like a modern-day super lazy Sherlock Holmes (or at least Dick Tracy). The ever-so-helpful auto AI summary was actually kind of enlightening…
Yeah. That one past stuck out.
“He finds inspiration for his books by browsing graphic portals and libraries.”
I take that to mean “Bruh finds shit on Pinterest or Google image search and steals it to put into his books.”
Mr. Heppke has a website, and apparently several books. I know that print-on-demand can be looked down upon by “real” publishers, and these are considered “low content” books, but theft is theft.
I have been drawing mazes since I was a kid, maybe 4th grade or so? I have put a bunch up on the internet (especially at this blog among other older sites) for free over the years. I don’t need this dude or anybody stealing my stuff, taking credit for it, or making money off of it. Oh yeah, taking credit? Dude has stones. That sure looks like a ยฉ 2022 to me by his name in a book full of mazes that he didn’t draw.
I know I have pinned them in the past, so they may be floating around there too. There are probably about 100 people on the planet who have heard, saw, heard about, or remember my old punk band, AiXeLsyD. Why take that maze? Our logo is right there beside a terrible drawing of my 1986 Buick SkyHawk. Weird. Also, it name drops Sheetz & Wendy’s as places to not stop (as well as a nudie bar). They may have a harder copyright infringement case than me? ๐คฃ I’m sure the maze is much older than 2012. The quality of the scan & the coloring is BAD.
I have thought about collecting all my old stuff for a book… but the thought of checking to see if they’re passable & providing solutions is overwhelming, and now that I put out You Can See Yourself Out, I feel like I have a level of quality that I need to maintain. Drawing the mazes & posting them has always kind of been a creative outlet & stress relief for me. I think I’d need to re-scan the pile of stuff that I have, and the stuff that I just posted to social media with phone pictures if I were to do it right… and include solitions.
I’m not doing art to get rich, or even make a living… but if I can fund keeping this blog AiXeLsyD13.com, and buy some art supplies, that would be awesome. I have made tens of dollars off of my books and merch. That’s not a complaint by any means, but some dude across the globe shouldn’t be making money off of my art. (As an aside, check this shit out! Art theft is rampant, and following @kilkennycat_art on Threads has opened my eyes to it.)
I’m unsure of my next step. Is reaching out directly to Norderstedt Books on Demand and/or Kurt Heppke directly via email with some sort of cease and desist the way to go? Is that at all official? Is Google Translate even gonna get it right?
I don’t have any written verbiage here about my mazes being copyrighted, but I do have dated posts, and I think copyright is implied with any created works… no? I have no idea how any of it works really within the US, let alone internationally & specifically in Germany.
It also looks like this damn thing is available on more than a few sites:
At any rate, I implore you to by mazes (or any art) from the artist through their official channels… or enjoy the many free mazes that are put out there by all of us.
So, Cease-and-Desist email or letter? DMCA Takedown? Both? Lawyer up? I’m assuming there is not much to financially recover with print-on-demand sales. I just don’t want anyone making money off of my art other than myself.
Hey, I know I have the two maze books, and I have posted before about a lot of other maze artists, but I know some other people who are authors too! Check out these books if they hit your interest.
R.C. Wagner (Some of you may also know him as Dirtbag Rob, drummer of AiXeLsyD!)
I have only sold 7 of the books, but I was excited to get this finally accomplished, so I got some stuff…
Check it out, grab some & represent your favorite maze artist. ๐คฃ Drink from your matching coffee mug while you solve mazes.
Speaking of the latest maze book, the proof came the other day. It’s bigger & better than the last book. It looks great inside. It even includes the maze solutions. I ordered a handful to pop into some of those local little free library boxes so some people can maybe find some unexpected fun!
Thanks to everyone has bought one so far! Even if it’s not for you, I’d dig if you could even just share the link.
Well then, it’s finally here. I finished maze book number two! This one is better than the last one, I promise. The first was sort of a test run just to see how Amazon KDP works. I wholeheartedly appreciate everyone that bought that book, but this one just objectively looks better and much more time was put into its creation. It ought to be much more challenging and enjoyable, IMHO.
This book a collection of a bunch more larger mazes, and a few small ones that I have been drawing since late 2023. There’s no common theme other than most of the mazes have a silly vibe. A few have no vibe at all. There’s aliens, rodents, yard work, holiday stuff, rock n’ roll, a treasure map, food, retail aversion, gross stuff, & more.
You Can See Yourself Out: A Collection of Fun, Irreverent, Festive, & Wild Hand-Drawn Mazes (Front Cover)
I hope you consider picking up a copy for yourself, & maybe even one for a friend? If not, just sharing the link to someone who you think may enjoy it, or just sharing it in general would be awesome.
The link is https://www.amazon.com/dp/B0F9Y7SFXS and I’d love if you could share it, review it, favorite it or save it to a list… anything to help even if you’re not interested in a purchase. You could give me a good (or terrible) review or add it to your list on GoodReads too, if that’s your thing.
I had fun making a collage with punk ‘zine vibes for the cover. I busted out the mixed media, printed on weird paper, got two cutting, ripping, & coffee staining… and unearthed the leopard & cheetah print tape.
All of the mazes were hand-drawn, scanned in, edited (& “solved”) in paint.NET, & put together with Open Office. I haven’t stepped into the world of digital drawing yet, and I like my free programs. Someday, I’ll probably dive into GIMP a little more.
I love drawing the mazes, and it’s a great creative outlet like blogging or making music or playing out live. I’m sitting on a pile of old ones that I can convert into a book… but I need to make sure they’re all solvable and do the solutions.
Some are too big to fit on my scanner, and scanning with my phone has less than desirable results… so I’m gonna have to go somewhere like a FedEx Office store and hope they can help before they all disappear. I have a problem picking up any notebook that catches my eye and is the right price, regardless of size & paper type. I like the feel & the calming of pen on paper.
Because I have been excited about this, and I made a small collage with leftover bits, I popped up some new merch designs in my TeePublic & RedBubble stores with that new collage & the book cover images. I do have some older designs there with a few of the mazes that are featured in this book too. If you have an account & follow me on either of those sites, it may help my stuff get seen a bit more. I’d appreciate any form of liking/sharing/tagging if you’re so inclined!
In fact, check out all these designs from or inspired by the book, you can get them on all kinds of merch at each store! (I ordered a sticker, a magnet, a coffee cup, & a hoodie so I’m already in the hole.)
I don’t have a pedal-mobile like the savagely sardonic Pat Finnerty, but I do have some weird mostly cheap pedals. You’ve seen my guitars, you may have heard some of my musical output, but I need to set up a spot to rock again after letting chaos accumulate in my jam space.
Pedals-Schmeadals
I posited the following to social media, and AI:
How would you hook up the following components to maximize use/effectiveness of the given equipment for a guitar rig?
The Amps:
Gorilla TC-35 (Combo)
Fender Blues Jr. (Combo)
Positive Grid Spark (Combo)
Lil’ Smokey (Combo)
Orange Micro Terror (Head)
Laney 2×12 (Cab)
Yamaha MSR 100 (PA)
The Pedals:
D’Addario/Planet Waves PW-CT-04 Tuner
Ernie Ball 6185 Wah
Quinnamp Dirt & Ernie (Distortion/Boost)
The Spamp+ (Amp / Preamp)
Ammoon Pock Loop (Looper)
LiveWire Solutions ABY1 ABY Box
Joyo BAATSIN (Overdrive/Distortion)
Crazy Tube Circuits Unobtanium (Overdrive)
Mooer E7 Synth
DigiTech Trio Band Creator + FS3X Footswitch
Is there a good order to the pedals? Typically I have the Trio going out to the Yamaha PA, and the ABY going into the Micro Terror/Laney and the Blues Jr. Ignoring the Spark & (sadly) the TC-35. I’m not sure which way to order the pedals, though.
Also, do I split the signal early & put different effects to each amp? I have done that with the wah and it sounds neat.
I get that it’s all subjective, but I love to over-think things… so help me do that.
I did ask Perplexity, ChatGPT, & Gemini for advice, and they seem to provide pretty standard stuff that you may see in guitar forums.
From Perplexity:
๐ธ
To set up your guitar rig effectively, the goal is to optimize signal flow for tonal clarity while integrating the ABY box and DigiTech Trio Band Creator with your PA system. Here’s a structured approach:
Pedal Order Recommendations
Tuner (D’Addario PW-CT-04): Place first to ensure a clean signal for accurate tuning136.
Wah (Ernie Ball 6185): Follows the tuner, as wah pedals interact best with an unaltered guitar signal135.
Distortion/Boost (Quinnamp Dirt & Ernie): Early gain staging preserves dynamic response. Stack with subsequent drives145.
Overdrives (Joyo BAATSIN, Crazy Tube Circuits Unobtanium): Order these based on preference (e.g., lower-gain first into higher-gain)146.
Preamp (The Spamp+): Acts as a tone-shaping buffer. Place after drives to avoid coloring their response34.
Synth (Mooer E7): Position after drives for consistent tracking. Synths can behave unpredictably with distorted signals45.
DigiTech Trio Band Creator: Place here to analyze your processed guitar signal. Route its output to the Yamaha PA for bass/drum separation24.
Looper (Ammoon Pock Loop): Last in the chain to capture the entire signal, including the Trioโs guitar input. This ensures loops include all effects34.
ABY Box (LiveWire ABY1): Split the final signal to your Orange Micro Terror/Laney 2×12 and Fender Blues Jr.2.
Enable ground lift/isolation if using both amps simultaneously to avoid hum2.
Amplifier Configuration
Orange Micro Terror: Connect to the Laney 2×12 cab (ensure impedance matching).
Fender Blues Jr.: Use as a standalone combo.
Yamaha PA: Dedicated to the Trioโs band mix for a full stereo/backing track experience24.
Key Considerations
Experiment with Drive Order: Test the Joyo BAATSIN and Unobtanium in different sequences (e.g., BAATSIN as a mid-boost into the Unobtaniumโs higher gain)14.
Synth Placement: If tracking issues arise, try moving the Mooer E7 earlier (post-wah)5.
ABY Ground Noise: Use the LiveWire ABY1โs ground-lift feature if humming occurs2.
This setup balances conventional signal-chain logic with your specific gear, ensuring the Trioโs band tracks and dual-amp rig work cohesively. Always test and tweak to suit your playing style!
Perplexity would not generate a schematic, but ChatGPT & Gemini did… or they tried. They look cool upon first glance, then get real weird when you zoom in… and they don’t even follow the advice of the chain setup. Clearly there is a disparity between the text generation & the image generation. Some of the pedal representations are really cool though, especially with GhatGPT. I can’t help but wonder where it is stolen from. Guitar mag/website rig rundowns?
I dunno when Fender started using orange tolex & separate heads… but the pedals look fancy.
It clearly used the Dirt & Ernie art for the Unobtanium, but it stole that gorgeous Micro Terror from somewhere… and WTF is a Crazy Tauloc? Sounds like an extra on Star Trek.
Granted, I am generally a plug-in, crank the gain, and keep the volume low kind of player. I don’t so effects much. I would like to monkey around with that I have.
Here is where I solicit your advice in the comments and on social media. ๐ค
Despite Halloween and Thanksgiving being more my favorite… I do enjoy Christmas & Christmas music, both traditional and decidedly not-so.
I resisted streaming for a long time, in favor of just popping mp3’s on to a thumb drive & listening in the car/truck. I’m still in a lot of remote areas, and I think I clung to a desktop setup for a while longer than the rest of the world.
Someday, someday, I will rip all my CD’s, corral all of my purchased mp3’s or FLAC files, & pop the stuff on some kind of server so I can call it up at will.
I use Spotify occasionally. I would use it more, but I refuse to pay for a premium account, and sometimes I swear songs vs. commercials are 1:1 if not 1:3. I refuse to pay for Spotify premium account because we have whatever all-encompassing Amazon plan gives you Prime and Amazon Music.
I’m still building my Amazon playlists… I may pay for one to move to Spotify lists over. Maybe. I’d rather just by records, CD’s, & downloads directly from artists.
I haven’t dipped into YouTube Music yet. I think I have 2 or 3 Pandora accounts, but they’re just frustrating these days when you can actively pick a song with other services.
I just reached out on a couple of FB forums asking for suggestions, and I’m still pouring through, but these are my playlists across different platforms…
I ‘m still adding/shuffling on the Amazon lists and they’re good for all-day playing. I might have to make one narrowed-down with my absolute favorites.
So, what’s on your Christmas playlist? Any glaring omissions? Any you love or hate with a passion? Tell me about your holiday music in the comments. Am I missing any good Festivus or Hanukkah songs?
World (and Lunar) Domination 