Anyone remember punk rock compilation CD’s, & their ‘zine/catalogs? I remember lots of ‘zines out there, and still love all the great punk rock that I found through Fat Wreck, Epitaph, Lookout!, Asian Man, Honest Don’s, Drive-Thru, No Idea, Hell Cat & more.
It was fun to be included in stuff like this! (I got some art in the 90’s FIEND CLUB Bleeder’s Die-Gest too!)
It took me forever to get into podcasts. Some I have been enjoying lately are Chris DeMakes a Podcast, One Hit Thunder, & more recently A Band Called Punchline. (The former two break-down & deep-dive into songs in totally different yet incredible ways… I highly recommend them to musicians and fans!)
You can listen to all of these anywhere you find podcasts, but I do mostly all of my listening on Amazon Music.
I have absolutely no idea why I didn’t get big into Punchline in the very late 90’s or early 00’s. We all frequented the same places. I had to have seen them. I was active in AiXeLsyD then Gasoline Dion at the time. Their music is in my wheelhouse. I have heard a lot of Chris Fafalios because he produces on Chris DeMakes a Podcast & co-hosts One Hit Thunder. Chis is a great co-host with Matt Kelly & producer with involvement in 2 quality shows. This came up, and I was like… I have no excuse to not check this out as I love music, music documentaries, stories about songs, stories about playing & touring. It’s a no-brainer, right?
Well, I’m 3½ episodes in and the name-dropping alone is mind-blowing. Laga, Logic, AMC, Berlin Project, Mr. Smalls, Soundscape Studios, Garfield Artworks, Josh Bakaitus, Drusky, Joker Productions, mp3.com, practicing in McKees Rocks, and more I am surely forgetting. It puts me back into the days when I worked on the assembly line at Sony with Alf from Circle of Dead Children, or when me & An-Die ran into the Zao guitarist at Westmoreland Mall. Everyone was in a band. Ha ha. I remember Dirtbag Rob saying he had an AiXeLsyD T-shirt or patch before he was in the band.
I was at so many shows at Laga. That’s where I got to see Doyle play the Misfits intro in their green room one time. I remember Logic from that killer Take Me To Your Leader compilation CD. Man I miss punk comps. AiXeLsyD was practically the house band at AMC for a bit. We played every open stage we could. Berlin Project always worked the crowd well. I remember playing Mr. Small’s at least once with Gasoline Dion, not sure if Ernie and the Berts ever played there or not. I also remember being in the back for some reason. Maybe hanging out with Dethlehem? Me & Jason were hanging out with Next Stop Detox when they recorded at Soundscape in McKeesport. I was in Detox for like 30 seconds and recorded a single at Studiophonix in Mt. Pleasant. I think Gasoline Dion played Garfield Artworks… Maybe EaTB too? I know I saw a bunch of shows there. Ernie and the Berts recorded drums there once, I think? (It’s oddly not on my places I have played map.) We practiced at the shady ABC Storage in McKees Rocks and up in Allentown for a bit.
It makes me think of all the cool bands & all the fun times we had back then!
But, the cool part is hearing Berlin Project’s story, from the guys themselves. They seem like genuine nice people who set out to make some music, make a living doing it, and accomplished that! It’s presented documentary style and sort of gives me NPR vibes.
I am rooting for them every step of the way while I listen, When they talk about literally losing a tire off their van, using calling cards & pay phones, running up cell phone bills in the Nokia brick & flip phone days, purposely putting music on Napster just to get it out there, paying way too much for recording, sleeping on floors & booking tours, meeting other great and not-so-great bands… it all just hits. I am not and never was a pro touring musician, but I get it. I respect the hustle, and I appreciate the insight & shared experiences.
If you were around the southwestern PA scene in the late 90’s or early 00’s, ever picked up a guitar (or bass or drums or keys or horns), or are a fan of punk, indie, & DIY… you gotta check this out.
It’s on a bunch of platforms, so find it how you find yours… or start here:
I’m starting to dive into their stuff. I really dig the old stuff on their bandcamp that they sort of don’t recognize as much any more. Check out their website. I also want to see their music special on Amazon Prime. Punchline fans, what are your favorites? Can you make me a top 20 playlist in the comments? What are your memories of seeing them play or hearing their songs for the first time? What about if you played your own shows in & around that time?
Inspired by the comments on a reddit post, I wanted to dig into some pre-“punk” proto-punk. I set Gemini, ChatGPT, Perplexity, & Copilot to the task as I’m fascinated by their ability to parse & compile information if prompted accurately. (I’m also fascinated my their penchant to provide completely incorrect or even made-up information. Some time I will have to blog about my experiment in having them search restaurant menus in an area to see if they serve shellfish. Copilot recommended some seafood places, so clearly it wants to kill me.)
I added my own stuff that some of them disagreed with, but it is my list after all. 🤣 Going back to little Richard and including Black Sabbath’s “Paranoid” were points of contention, as I would expect from a conversation with people.
Music snobs aficionados, audiophiles, and punk rock gatekeepers will argue all day every day about the origin of punk… but for me, to be clear, it’s the moment that the Ramones’ self-titled album dropped. So, with that in mind I gave the language models this prompt:
There is and always will be constant debate, but if we agree for the premise of this exercise that the Ramones self-titled debut album was the first punk album… What are 25 songs that should belong on a proto-punk or punk precursor playlist?
I would assume bands that get mentioned as the progenitors would most likely include The Kinks, the Sonics, Link Wray, The Stooges, the MC5, the Velvet Underground, New York Dolls, & more I’m sure to be missing. Maybe even the band Death who hailed from Detroit MI?
All songs on the list should have been released before April 23, 1976… and be listed in order if release date by single or album, whichever dropped first.
This has been corrected for my typically egregious spelling/typing/lack-of-proofreading errors. After tossing the rules to the wind, keeping to the spirit of punk rock, we arrived here:
“Little Demon” – Screamin’ Jay Hawkins (1956)
“Tutti Frutti” – Little Richard (1955)
“Whole Lotta Shakin’ Goin’ On” – Jerry Lee Lewis (1957)
“Rumble” – Link Wray (1958)
“La Bamba” – Ritchie Valens (1958)
“Love Me” – The Phantom (1958)
“Louie Louie” – The Kingsmen (1963)
“Surfin’ Bird” – The Trashmen (1963)
“Baby Let Me Take You Home” – The Animals (1964)
“House of the Rising Sun” – The Animals (1964)
“I’m Crying” – The Animals (1964)
“You Really Got Me” – The Kinks (1964)
“Gloria” – Them (1964)
“I Can’t Explain” – The Who (1964)
“Dirty Water” – The Standells (1966)
“My Generation” – The Who (1965)
“Strychnine” – The Sonics (1965)
“I’m a Man” – The Yardbirds (1965)
“We Gotta Get Out of This Place” – The Animals (1965)
“96 Tears” – ? & The Mysterians (1966)
“Wild Thing” – The Troggs (1966)
“Complication” – The Monks (1966)
“Psychotic Reaction” – Count Five (1966)
“Pushin’ Too Hard” – The Seeds (1966)
“7 and 7 Is” – Love (1966)
“I’m Not Like Everybody Else” – The Kinks (1966)
“You’re Gonna Miss Me” – The 13th Floor Elevators (1966)
“Talk Talk” – The Music Machine (1966)
“I’m Waiting for the Man” – The Velvet Underground (1967)
“Doctor Please” – Blue Cheer (1968)
“Sister Ray” – The Velvet Underground (1968)
“Fire” – The Crazy World of Arthur Brown (1968)
“Jigsaw Puzzle” – The Rolling Stones (1968)
“Kick Out the Jams” – MC5 (1969)
“I Wanna Be Your Dog” – The Stooges (1969)
“Little Doll” – The Stooges (1969)
“TV Eye” – The Stooges (1970)
“Paranoid” – Black Sabbath (1970)
“Get It On” – T. Rex (1971)
“School’s Out” – Alice Cooper (1972)
“Suffragette City” – David Bowie (1972)
“Raw Power” – Iggy & The Stooges (1973)
“Search and Destroy” – The Stooges (1973)
“Personality Crisis” – New York Dolls (1973)
“Jet Boy” – New York Dolls (1973)
“Urban Guerrilla” – Hawkwind (1973)
“Violence” – Mott the Hoople (1973)
“Cum On Feel the Noize” – Slade (1973)
“Editions of You” – Roxy Music (1973)
“Ooh La La” – Faces (1973)
“Subway Train” – New York Dolls (1974)
“Hey Joe” – Patti Smith Group (1975)
“Piss Factory” – Patti Smith (1975)
“Roxette” – Dr. Feelgood (1976)
“The Next Big Thing” – The Dictators (1975)
“Chez Maximes” – The Hollywood Brats (1976)
“After Eight” – Neu! (1975)
“Ghost Rider” – Suicide (1977)
“Little Johnny Jewel” – Television (1975)
“30 Seconds Over Tokyo” – Pere Ubu (1975)
“Burn My Eye” – Radio Birdman (1976)
“Politicians in My Eyes” – Death (1976)
“Cherry Bomb” – The Runaways (1976)
“Roadrunner” – The Modern Lovers (1976)
“She Cracked” – The Modern Lovers (1976)
“Shake Some Action” – Flamin’ Groovies (1976)
“Blank Generation” – Richard Hell & the Voidoids (1977)
“Anarchy in the U.K.” – The Sex Pistols (1976)
“Sonic Reducer” – Dead Boys (1977)
“Neat Neat Neat” – The Damned (1977)
“Chinese Rocks” – Johnny Thunders & The Heartbreakers (1977)
“Psycho Killer” – Talking Heads (1977)
I used Tune My Music to import it to Spotify from a text file, then copy to Amazon Music from there. I tried to go to Amazon first, but it messed up quite a bit of the songs. I did have to add “7 and 7 Is” by Love manually as it shows as “Seven and Seven Is” on Spotify. It weirdly plopped a Bob Marley song in that spot. Amazon was full of weird covers and the wrong songs when trying to import from text.
So, what do you think of the list? What’s missing? What needs added? Are my parameters skewed? Do you not accept anything past the date of what parameters were set? What obscure band that 14 people heard at the time is missing from this list? Don’t come at me with the Sex Pistols over the Ramones. Should we whittle it back to 25? Only have 1 song per artist? Come at me with healthy discourse.
Every once in a while, I just throw this into the æther just to see if it gets any response. One time, I got to pop up on stage and sing “I Turned Into a Martian” while Jerry Only played bass, sang, & Doyle Wolfgang Von Frankenstein played guitar, & Goat (a.k.a. Eric Acre, a.k.a. “Chupacabra”) played drums. I’d love to find a video of it if it’s out there.
We take for granted that everything is recorded these days, but back then it wasn’t. Misfits bootleg videos were a hot trade commodity at one point online. I’m pretty sure this show was recorded, because Crowbar had closed-circuit TV’s that were displaying the show as it happened. It may have been deleted or not recorded, it may have hit a personal private collection. Someone else may have been in-house recording. Not sure if Doug Evil was there?
Thanks to Misfits Central & Concert Archives, I now have a specific date: Sunday, November 5, 2000. It was at the now-defunct Crowbar in State College, PA.
An-Die & I road-tripped to State College several times with several different groups to see the Misfits in several iterations in addition to seeing them a bunch in Pittsburgh… so my memories may be conflated. I know Russ from TVCasualty.com was there!
I’m pretty sure Murphy’s Law & Impotent Sea Snakes also played. I only remember this because Goat was pulling double duty, and our friend Laurel was apparently hit in the face with an… adult toy… during the ISS set.
I remember An-Die telling me that I had stage presence, and obviously Jerry Only has a huge stage presence, and it did not jive. Ha ha. I’m sure I looked weird, but holy shit it was fun. (I always feel weird signing without a guitar in my hands anyway.)
Another fun fact, this was after I had broken my nose, and i was wearing a bandage covering most of my face. I know I have photos of that somewhere but I cannot find any.
The Misfits – 11/05/2000 lineup @ Crowbar in State College PA | Jerry Only, Doyle Wolfgang Von Frankenstein, Eric Goat/Chupacabra Acre, & some random a-hole.
Oh yeah, I broke my nose stage diving at American Music Café. Who’s set was it? I think it was Third Place, Tybalt, or maybe even Ten Pounds Lighter/Secrets Lie Within. I just remember someone fake kicking me that ended up not being a fake kick, a weird celery crunching noise, and my nose being mostly under one eye. I ought to try to chronicle old show stories some day.
I was the Fiend Club “Chapter Head” for a minute in the late 90’s early 00’s, so I got to see the band when they were in & around town. I think Jerry & Rocky sort-of kind-of knew who I was, but I always tried to not be a pain in the ass & ask for stuff or to get on the Turbo Die or anything. It was a fun time in life.
If you have the video, or have info that could help me track it down, I’d really appreciate it! Feel free to help by sharing this in fan forums & what-not online. We Are 138!
So, I recently got my 9yo a guitar for his birthday. We’re belaying lessons until after his current soccer and lacrosse seasons, but I will be showing him a bit. He seems to like all kinds of rock, but I was telling him how easy it is to play most punk rock. He has heard a lot of Ramones, Misfits, etc. from me… But I got the idea of putting together a punk rock playlist for him.
Well, I tend to over-do things. I started a playlist on Amazon (yeah, already have a ton of Amazon stuff and I refuse to pay for Spotify) called Punk Rock 101. It grew quickly to over 300 songs, and that was without thinking much about it. I thought that was unwieldy, and no 9yo is going to sit still even that long.
I thought it would be fun to challenge myself to come up with a 30 song punk rock playlist… that jumps subgenres and provides a CliffsNotes version of the history of punk rock.
I made up an apparently divisive graphic of only 25 punk rock band logos. Apparently this was a bad list and not at all comprehensive… even though it was not even a playlist. Punk rockers on the internet have strong opinions. I reached out on a few social media platforms and groups, mostly to no avail, save for one private FB group and r/punk on Reddit. I was told my list was junk before I even made a list! Are these hipsters masquerading as punks?
There are not many rules.
1 playlist.
30 songs.
Punk rock.
It can be a comprehensive history of punk, it can lean into one era. What would the 30 “greatest hits” of punk rock be? Does any band get more than one slot? Which songs from which bands merit entry? I kind of started with “Blitzkrieg Bop”, “Knowledge”, & “Last Caress” because I feel like those are the most covered punk rock songs that I noticed throughout the years playing shows. Do you include crust, street, oi, hardcore, proto-punk, post-punk, emo, 3rd wave ska, japunk, skate punk, pop punk, “pop punk™”, Celtic, folk punk, rockabilly/pshychobilly, cowpunk, or bands like Devo and/or the Cure? Do the Decendents and ALL or Operation Ivy and Rancid both make the cut? You may hate Blink 182 or Green Day, but they inarguably introduced many to the genre. Do the Beastie Boys make the cut with their OLD stuff? Do Motörhead or GWAR make the cut? What about Me First and the Gimme Gimmes?
Hit me up with your list and/or arguments for or against certain songs or bands here in the comments or on social media. Just try not to slag my list that I haven’t even created yet. Type it out or link me to your list. Is the list too short? Too long? Let me know.
If you had to make a #punkrock playlist to explain the sound of #punk from the beginning to now, but had to cap it at 30 songs… What would you put on it?
If you had to make a #punkrock playlist to explain the sound of #punk from the beginning to now, but had to cap it at 30 songs… what would you put on it? Who am I missing here? What songs would you put on it? #Punk101#PunkHistory#PunkTop30
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.
OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.
A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)
I thought it would be fun to try and track down Dewey Decibel(a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!
After some emails exchanged, here’s the story from the man himself!
Hi Eric,
I’m awfully sorry there was a delay on getting back to you. I honestly have had my hands full this year, and it slipped my mind. Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point. And thanks for asking.
I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole. Just a thing I did – never mentioned it on stage. Played electric guitar, with synth sequencers for backing, plus voice.
One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind. I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars. I love him because he didn’t even blink, just said “sure, I can do that”. I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller. We did good work. I always played the original FlipOut, which started its life as a Fernandes brand Strat. I always had the IV drip by my side.
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.
Here is what exists online, though there are 3+ albums and an EP somewhere:
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)
At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band. In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer. There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please. I ordered some prototypes during that year, and tweaked things. Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived. That first NAMM show was funny funny stupid funny.
Art from the Dewey Decibel website.
The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM launch that I was in breach of their trademarks. This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.
I was living in a warehouse with boxes of these guitars and my drum set. It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines. The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One. I did care about the feel of the neck and the pickups. It’s self evident I think when you handle one.
I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely. Even took orders. The problem was that the whole business had me working in too many directions, and exhausted. I’d gone to Europe, and did a bunch of sales, there and in Australia too. I was overworking, and getting wiped out. This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy. But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer. I was too much of a lone wolf for them. So I went back to graphic design and animation. I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.
The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with. Austin really had cabs colored like the guitar.
I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff. Just joking – I guess it was inevitable someone would cash in.
Hey thanks for your interest. Hoping it fills in some detail.
Until now, this is pretty much all that was out there on the FlipOut!
FlipOut models & colors
How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.
The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.
The song “Degenerated” from the movie Airheads is one of my all-time favorites. If you’re a fan of the movie, you no-doubt know the song. And if you’re a music nerd in general, you probably know that it’s a Reagan Youth cover. I would love to know more about the song. I have collected most of the “who,” but I would love to know the “why.”
Check out the two songs and then we’ll get into why I have so many questions & what they are.
OK, here are the players involved from the information that I gathered on Wikipedia, IMDB, Discogs, & wherever else I clicked;
Jay Yuenger and Sean Yseult of White Zombie fame played on the recording of the song, with Brendan Fraser on vocals. (Seriously, that bass part so damn awesome, & the guitar solo is blistering. Sean & Jay both really rocked it.)
Yuenger & Bryan Carlstrom produced the track. Bryan produced & engineered stuff by White Zombie, Alice in Chains, Anthrax, The Offspring, Social Distortion, & more.
Who decided to use the song? The director, the music guy, the writer, the musicians?
Why that song? The running joke about Chazz writing the song for his girlfriend or before he met her makes it even funnier because I wouldn’t remotely call it a love song. Did someone just really like the song? Was licensing cheap all around? Did they ask Paul Cripple for permission? What does he think of the song? Did Dave Insurgent ever get to hear it?
Why metal up a punk rock song? They seemed like an 80’s holdover kind of band. Was it a statement on Grunge being a punk n’ metal hybrid?
Why are there different chord changes? The chord progression is different, but the melody (and I use the term loosely) is the same. The cover may be tuned below standard if I remember correctly? Someone more musically versed may be able to explain the difference I just know when playing by ear on guitar they’re totally different progressions.
Why the lyric change?( I assume to keep the movie rated PG-13?) Most notably a removal of the F-word and references to constipation (Lone Rangers Lyrics/Reagan Youth Lyrics). Who made the changes?
Who played drums? Jay, Sean, Bryan, or were there other uncredited musicians?
“The Lone Rangers? That’s original. How can you pluralize ‘Lone Ranger?'”
I’m sure I have more questions that I haven’t thought of here. Does anyone out there know the explanation?
It is 2017. I may have to reach out via Facebook , Twitter, or email to all of the players involved to see if I can get an answer. (If they even remember.)
Sadly, Dave Insurgent passed away in 1993 & Bryan Carlstrom passed away in 2013.
I just really dig both versions of the song, the movie, and that it led me to checking out more Reagan Youth. Is it weird to be a fan of a song by a fictional band? Hey, I dig “Three Small Words” too, and that was produced by Babyface.
Do you like either version of this song? Do you have a song by a fictional band that you really dig? Do you know any of the relevant information here? Let me know in the comments!
Now I’m off to look at naked pictures of Bea Arthur and eat cottage cheese out of a football helmet.
So, recently turning 40 has me reflecting on life in general (which is pretty damn great) & on my accomplishments as a “musician” even though I’m not actively gigging right now.
I’m pretty self-deprecating of my musical talents, but I am proud of the major part of the aural art that I helped create. I compiled and uploaded a few of my favorites after using Audacity to clip out some silence and mp3Gain to try to get all the volume levels somewhat similar.
If you’ll indulge me I’d like to give my thoughts & memories on each of these songs that I was proud to be a part of with AiXeLsyD, Gasoline Dion, & Ernie and the Berts. If I have any of the stories, names, etc. wrong, please correct me in the comments. Being that these are punk rock(ish) bands, you may find the content explicit and/or objectionable. Don’t say I didn’t warn you.
🎸
Gasoline Dion – “Shameless Plug”
[SoundCloud/YouTube] | Tommy came up with this cool shuffling progression and I played a super easy solo over it. I believe we kept the first take of the solo even though at the time I thought I could do better. It’s not perfect, but it’s fun. It was cool to open shows with this then rip into something completely different. It was called “Tommy’s Jam” until an inside joke on a local message board inspired the new name.
AiXeLsyD – “Wait”
[SoundCloud/YouTube] | Probably the first song that I wrote that I liked, and probably the first original that we worked on in the band. We dug on this & recorded it a million times. It morphed a bit, but was basically the same simple jam. Ben doubling the vocals an octave lower and the guitar part at the end really fills it out.
Gasoline Dion – “Pickle Farm”
[SoundCloud/YouTube] | Tommy had recorded this song solo, and it contributed to the itch that I needed to scratch when we formed Gasoline Dion. I really liked the melody. I think he stole the lyrics from Space Ghost or Brak. This song to me is about not being a square peg that’s forced into a round hole. I liked singing background vocals & playing guitar.
Ernie and the Berts – “Toybox”
[SoundCloud/YouTube] | Erin wanted to start a band to play rocked-out Willy Wonka covers. That never happened. This did. It was the first original that stuck, and an early recording became the soundtrack to a friend’s video project. Dave learned to play drums in/for this band. This is a nice simple driving groove and is the perfect vehicle for the introduction of Erin’s gnarly gravelly voice.
AiXeLsyD – “Hopeless & Heartless”
[SoundCloud/YouTube] | I wrote this on the outside of seeing someone with a broken heart. I thought it was pretty catchy. The “whoa-oh’s” are overkill but oddly necessary in my humble opinion. I think An-Die, Ben, & I are all singing on multiple tracks here.
Gasoline Dion – “Cold”
[SoundCloud/YouTube] | This riff was a leftover AiXeLsyD riff that almost became part of two songs but never really went anywhere. Mike had some leftover Who’s.Keeping.Score? lyrics that Dave & I re-arranged. Dave & I work really well on arranging musical parts & lyrics. I really really dig Tommy & I singing together on this one.
Ernie and the Berts – “Fred Rogers”
[SoundCloud/YouTube] | Erin supposed that a local hero may not really be a hero on this one. Maybe he read that weird urban legend. I really like the guitar part here, although it’s missing some kind of effect in my head. Wah? Phaser? Not sure. Erin let me just go goofy with background vocals here. I felt like Danzig or that Not-Danzig guy in the Cult. I love how this song builds into chaos.
AiXeLsyD – “Stand Up”
[SoundCloud/YouTube] | This is where it all pulled together, and it was the last proper thing we recorded. Ha ha. An-Die wrote the riff & lyrics, I arranged them. Ben came up with the guitar noodling& octaves riff. I think I came up with the stupid guitar part for the verse. I really dig my guitar solo here,even though I went too long. (Oddly, this sounds a lot like “Anything, Anything (I’ll Give You)” by Dramarama as played by Buckcherry.)
Gasoline Dion – “Political Songs (With Deep Meaning)”
[SoundCloud/YouTube] | I was listening to a lot of the Unseen, I think. I don’t really write political stuff that often. This was taking the piss out of that genre. Dave sounded better on it with vocals. I scream “feet” in the background and give the creepy laugh at the end. We lost the original lyrics, so Dave used what he remembered and made the rest up on the fly. I don’t really think any one ever tried to intemperate a deeper meaning. If they did, they didn’t tell us.
Ernie and the Berts – “Don’t Fuck With Ernie”
[SoundCloud/YouTube] | It was hard to tell if Erin was serious or joking a lot of the time. He had a deadpan delivery, and it was hilarious. To deliver this ridiculousness so seriously is hilarious to me. I think I sort of came up with this riff over top of his bass line.
AiXeLsyD – “Dave Ugly’s Girlfriend”
[SoundCloud/YouTube] | It’s “Dave Ugly’s Girlfriend”, not “Dave’s Ugly Girlfriend.” People always seemed to get that wrong. Dave Ugly played bass & sang for one of our favorite local bands, Useless Torment. I don’t tell the story as well as An-Die, but Dave was apparently saying he loved him, and An-Die was playing the “even if…” game, and arrived at this. I remember being “mad” when Sum 41 came out as a punk band rapping. I think Boner played guitar on this one and Ben played Drums?
Gasoline Dion – “Bitch Pants Opera”
[SoundCloud/YouTube] | I don’t know if we could do this one today. People seem so easily offended. It’s just a joke. We don’t really care if you wear girl pants. We’re not insinuating or implying anything. We look ridiculous too. Another Dave vocals song, I am screaming the high parts. All of us are in the beginning. I think the breakdown was inspired by hardcore /screamo kids in skinny jeans doing the windmill and Peelander-Z’s “S.T.E.A.K.”
Ernie and the Berts – “Ikea”
[SoundCloud/YouTube] | Dave suggested I try a little more dynamics with space and clean. Dave is usually right. You can do a lot with the same 3 chords over & over. This was a slice of Erin’s life, full of his observations. We almost got permission to go in & shoot a video there. Somebody must have really listened to the lyrics. He had “nicer” ones prepared just in case we needed to sell out.
AiXeLsyD – “Love, Hopes, Dreams, & Smiles”
[SoundCloud/YouTube] |I think An-Die hated this one. I liked the noodling& the melody. The lyrics are super dumb & trite. The song was made infinitely cooler when Ben put in that volume swell in the final mix. That was never there, then we started doing it live after he did that to the recording. This could probably be punched-up a little bit more.
Gasoline Dion – “Two of a Kind”
[SoundCloud/YouTube] | Tommy sings like an angel. I have no idea what in the hell he’s talking about here. I think Dave & Mike made this honky-tonk-ish. I played a little solo under Tommy’s vocals at the end because nobody ever told me not to. The end sounds like the Misfits’ “NY Ranger.”
Ernie and the Berts – “I Don’t Wanna”
[SoundCloud/YouTube] | Erin stole this one from a band called Suck-Your-Brains-A-Go-Go. I don’t know if they ever recorded it. I should ask the man who wrote it some time. We made it ours. I think Bengt punched-up some of the guitar & added a bit of harmonies during the recording process.
Gasoline Dion – “Shameless Plug (Reprise)”
[SoundCloud/YouTube] | Same thing as the first track, second solo take by me with a wah pedal this time. Dave is also on guitar making crazy noises and soloing in between all of my notes. Ha ha. If you don’t “get” the speaking part, watch the Josie and the Pussycats movie some time.
I’d love to know what you think, or to read/see/hear your own memories about these bands or in any bands or projects in which you have participated. Did I miss a song or two that you may have remembered or liked? Comments (or likes or whatever is deemed social-media-appropriate) on the songs on SoundCloud or YouTube would be awesome and greatly appreciated, too.
I think you should be able to download a zip of the collection on Google Drive or SendSpace if you’re so inclined. If you can’t get it there, let me know and I can email it to you.
So,what awesome cheap guitar moves have you pulled on stage? I’m a horrible guitar player, but I can wow a crowd with some flash, flair, and goofy-looking guitars. I’m guilty of the checked following…
Dancing E.
☑ Playing behind the head.
☑ Playing while squatting with guitar in between knees, reaching arm through legs from behind.
☑ Playing while falling/laying down.
☑ Dropping-trou and continuing to play.
☑ Playing on knees bending back until head almost touches the ground.
☑ Sad 80’s dance move with shuffling feet while playing.
☑ Playing on chairs.
☑ Playing on tables.
☐ Playing on the bar.
☑ Walking outside & in another door if possible with a wireless.
☑ Sitting in a seat with a wireless.
☑ Stage-diving.
☑ The Chuck Berry/Angus Young walk.
☑ Switching instruments mid song.
☐ Using a beer bottle as a slide.
☑ Using a mic stand as a slide.
☐ Blowing bubblegum bubbles. (Like Doyle.)
☑ Drinking mid song.
☑ Injuring a band mate by accident. (I chipped the lead-singer/bass player’s tooth.)
☐ Injuring a band mate on purpose.
☑ Improvising a mic stand out of duct tape, a hockey stick, & gatorade bottles. (Hey, we were playing at a dek-hockey rink.)
☐ Playing on someone’s shoulders.
☐ Playing while someone is on your shoulders.
☑ Playing from behind a wooden bear statue with the guitar on the front of the bear.
☐ Putting a lit cigarette under the strings in the headstock.
☐ The amp-hump. (Like Jimi.) ☑ The guitar-as-a-phallic-symbol air-hump. (Like Rex from the Lone Rangers in Airheads.)
☐ The guitar toss – Badass edition. (Like Prince – also, check out the falling into the crowd move!!!)
☐ The guitar toss – Oops edition. (Like Prince with the borrowed Epiphone or Krist Novoselic on MTV.)
☐ The guitar toss – Someone else catches & starts playing.
☐ Smoke-bombs. (Like Ace Frehley.)
☐ Set Fire to the guitar. (Like Jimi.)
☐ The windmill. (Like Pete.)
☑ The powerslide.
☑ The failed powerslide.
☐ Swinging from the rafters. (Hard to do while actually playing? This dude did it.)
☐ The “‘round the world” spin.
☐ The failed “round the world” spin.
☑ Yelling out a second story window mid-set for people to come into the bar.
☐ The “nyah-nyah you can’t see me” EVH turn-around.
☐ The flying karate kick.
☑ On the knees.
☐ On top of a piano. (Like Slash.) ☑ Dancing with the crowd.
☑ Duel of the Fates – using another musician’s fretboard as a slide. ☑ The salute – All in the air.
☑ The Poison-ish choreographed lean.
☑ Lean on a bandmate.
☑ Lean into a bandmate.
I know there are more. I know photos & videos exist of some of these with me. I know this post can get goofy. Please, I implore you to share your moves, including videos, animated gifs, and photos in the comments! This kind of stuff is hilariously entertaining to me.
What’s your favorite to do? What’s your favorite to watch? What have you copied? What have you invented? What did I miss on this list? Share your stories and images and favorite stuff from your favorite performers!
Now, for the self-indulgence:
Dancin’!
On yo’ knees.
Duel of the fates
The campfire solo
Three Axe Salute
Sweep the leg.
The other choreographed lean
Lean on me
The Digleberry?
Push n’ shove
Wireless Table Dance
En garde!
Behind the Dome (Again)
The choad-tickler.
Turducken Walk
BEER!
Under the nuts.
Through the legs!
Lean back ’til you can’t no mo’
I’m Broken
The Showoff
Attention, bear-f__ker, do you require assistance?
…and check out this incredible entire live show! Apparently all these cats ever left was one EP & a handful of performances. Their guitars have so many strings, it takes 12 parsecs for any non-force user to make their way across the fretboard.
I did download all I could form MySpace, but all I could get of some of the stuff was some snippets of songs. Their interpretations are proggy, masterful, eerie, and dark. I would love to get my hands on the EP.
Obviously, these scruffy-looking Nerf Herders rock too. The costumes and video production are all-out. The metal seems happier if that’s even a thing. They used kickstarter to fund their eventual takeover of the galaxy. Galactic credits go far with the Empire. I’m anxious for their full-length album, too.
It looks like of the two, these guys are the only ones currently in existence.
Vote for Your Favorite:
I would love to see a fan mix of the movies using either of these guys to score the entire thing. I don’t think Disney would go for it, unless like Darth Lucas they realize they can make more money by selling the movies again to the same people that already own all possible formats & variations.
World (and Lunar) Domination 
