I obtained the Unobtanium! Well, I was gifted the Unobtanium through an Instagram contest. What is it? It’s like two Dumble Amps and Two Klon pedals all in one box.
I have been toying with doing dumbass-style pedal reviews for a while, as my base instincts are to dime every knob. Would that be something anyone is even interested in?
🎸🎸🎸
The FedExpackage…The box!The Bubble Wrap!The fancy packaging.Pretty bag inside the box.UNOBTANIUM OBTAINED!How to not be a dumbass when using the pedal.
I’m excited to see The Batman Flash movie! Michael Keaton is the GOAT. I remember the absolute fervor when he was cast. Everyone was sure he would fail, but he became an icon and ushered in an era of superhero films. Hearing Danny Elfman’s theme gave me chills I tell you.
And I’m excited to see Guardians of the Galaxy Vol. 3. These were irreverent films full of insanity & heart.
I enjoyed the other Guardians movies, Gunn‘s Suicide Squad, and I think Peacemaker is the best DC television show ever. I think the soundtrack is better than the GotG movies really. I have really been enjoying the soon-ending runs of Titans and Doom Patrol too. I get that Gunn has virtually nothing to do with this Flash film, but I’m excited to see what he has in store for the DC universe… and have dug his contributions to Marvel.
Is James Gunn the key to Marvel vs. DC at the movies, or the Amalgam Cinematic Universe???
Despite Halloween and Thanksgiving being more my favorite… I do enjoy Christmas & Christmas music, both traditional and decidedly not-so.
I resisted streaming for a long time, in favor of just popping mp3’s on to a thumb drive & listening in the car/truck. I’m still in a lot of remote areas, and I think I clung to a desktop setup for a while longer than the rest of the world.
Someday, someday, I will rip all my CD’s, corral all of my purchased mp3’s or FLAC files, & pop the stuff on some kind of server so I can call it up at will.
I use Spotify occasionally. I would use it more, but I refuse to pay for a premium account, and sometimes I swear songs vs. commercials are 1:1 if not 1:3. I refuse to pay for Spotify premium account because we have whatever all-encompassing Amazon plan gives you Prime and Amazon Music.
I’m still building my Amazon playlists… I may pay for one to move to Spotify lists over. Maybe. I’d rather just by records, CD’s, & downloads directly from artists.
I haven’t dipped into YouTube Music yet. I think I have 2 or 3 Pandora accounts, but they’re just frustrating these days when you can actively pick a song with other services.
I just reached out on a couple of FB forums asking for suggestions, and I’m still pouring through, but these are my playlists across different platforms…
I ‘m still adding/shuffling on the Amazon lists and they’re good for all-day playing. I might have to make one narrowed-down with my absolute favorites.
So, what’s on your Christmas playlist? Any glaring omissions? Any you love or hate with a passion? Tell me about your holiday music in the comments. Am I missing any good Festivus or Hanukkah songs?
This stated as a Twitter post/thread, and is ending up here.
Streaming services like @spotify and @amazonmusic need a feature that adds in related bands. I can tell @alexa99 to play Rancid, but I also wouldn't mind Lars Frederikson and the Bastards being in there, or Transplants, or Tim's solo stuff. Or even Rancid covers.
Streaming services like Spotify and Amazon Music need a feature that adds in related bands. I can tell Alexa to play Rancid, but I also wouldn’t mind Lars Frederiksen and the Bastards being in there, or Transplants, or Tim’s solo stuff. Or even Rancid covers.
Streaming needs to get smarter already. The Spotify “super grouper” feature picks the absolute worst songs from each selected artist.
Of course, I could just make a playlist. But, with a band like Blink-182 in the news, I wanted to dig into Angels & Airwaves, Boxcar Racer, & +44. I don’t know which songs to add to a playlist.
Also, if I want to listen to ALL, I could want to listen to the Descendents too. What about Guns N’ Roses, Velvet Revolver, Izzy Stradlin and the Ju Ju Hounds, Loaded, Neurotic Boy Outsiders, Slash, Slash’s Snakepit, Miles Kennedy & The Conspirators, all of it.
Snuff, Duncan Redmonds, Dogpiss, Guns ‘n’ Wankers would be another example. As would Misfits, Danzig, Samhain, Son of Sam, etc.
Saying one phrase or typing one into a searchboith to be able to bring them all up.
Is that bandtoband.com still a thing? That could be a reference for connected bands.
Teenage Bottlerocket & the Lillingtons. Screeching Weasel & The Riverdales. Ann Beretta, Foundation, Rob Huddleston, & Sixer. Metallica & Megadeth. Green Day, Foxboro Hot Tubs, The Network, & 300 other bands.
Even unrelated bands. Can I just say “Alexa play songs by Flogging Molly and The Dropkick Murphys” and not confuse the shit out of it?
I have an Ozzy/Black Sabbath playlist on Spotify with a ton of great stuff, including a plethora of killer covers. It took time to curate. I have similar ones for Metallica, Misfits, Guns N’ Roses, & Rancid. I need to transition them all to Amazon Music… we have the family account there since we’re using the firestick. I like Spotify’s suggestions better… but I can listen to Amazon sans commercials. I refuse to subscribe to another service, sorry Spotify. Oddly, most of those transfer services have a paywall once you surpass an unreasonably low amount of songs. I don’t even my remember my Pandora logins.
I would think AI could have probably pretty quickly picked up what I was putting down & fleshed it out.
I wouldn’t expect it to go this deep, but it could link Flogging Molly to Fastway.
With Hip Hop too… say all the solo projects of the members of N.W.A.? All that in one would be awesome.
Does something like this exist and I’m just not aware of it? I miss WinAmp.
I need to rip all kinds of older, local, & obscure stuff and put it on my own damn streaming server. I understand Google Music would let you do that before it collapsed? There is really a lot of stuff out there that you can’t stream, and some of my favorites don’t have their entire catalogs available to stream.
Help me out, audiofiles, music nerds, and techno geeks!
If you don’t know about Pat Finnerty, you should. He has a YouTube channel and he does a series of videos titled What Makes This Song Stink? among others (Now there’s a podcast too!). He has some witty observations, harsh truths, and is just lampooning guitar guy videos on YouTube. The pedal mobile is a thing of genius and pure hilarious delight. He says what a lot of us are thinking. He catches some wild connections or callbacks. He takes a joke way too far, which has always been something I am a fan of. It’s defiant. It’s hilarious.
As someone who has made art for it to mostly serve as a creative outlet that happens to have a very small circle of people who may have enjoyed it to varying degrees… It’s nice to see this guy get traction.
Writing, recording, and performing your own stuff lends itself to a certain level of judgement of others’ art. There’s probably some narcissism in there, but not at an unhealthy level. It’s not necessarily mean spirited, but it can be. I remain humble and understand that my creative output is not for the masses. I cater to a very small crowd with very similar tastes and no hang-ups about production quality. You have to wonder though… on some stuff… Why is this objectively certifiable crap popular? It’s hard to pin. It’s hard to point out.
I have played with some awesome musicians that “get it.” I have encountered many who do not. We are not on the same page. You’re not wrong in your opinions, but then again… you are. Pat gets it. Pat & I would probably disagree on a lot of things…. but we’d both have arguments to back it up. I appreciate his overall music nerdiness.
So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.
Rude Tech Falcondrive
I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!
It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.
Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?
Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.
How do the algorithms know? They’re listening.They’re reading.They’re watching.They’re pressuring.
I have sort of always been looking at an EHX B9 or the Earthquaker Organizer(or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.
I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.
That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)
Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.
That’s how G.A.S. works, right?
That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.
Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.
Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.
That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.
Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head(…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?
I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.
YesFX
I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.
This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.
OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.
A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)
I thought it would be fun to try and track down Dewey Decibel(a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!
After some emails exchanged, here’s the story from the man himself!
Hi Eric,
I’m awfully sorry there was a delay on getting back to you. I honestly have had my hands full this year, and it slipped my mind. Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point. And thanks for asking.
I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole. Just a thing I did – never mentioned it on stage. Played electric guitar, with synth sequencers for backing, plus voice.
One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind. I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars. I love him because he didn’t even blink, just said “sure, I can do that”. I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller. We did good work. I always played the original FlipOut, which started its life as a Fernandes brand Strat. I always had the IV drip by my side.
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.
Here is what exists online, though there are 3+ albums and an EP somewhere:
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)
At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band. In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer. There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please. I ordered some prototypes during that year, and tweaked things. Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived. That first NAMM show was funny funny stupid funny.
Art from the Dewey Decibel website.
The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM launch that I was in breach of their trademarks. This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.
I was living in a warehouse with boxes of these guitars and my drum set. It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines. The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One. I did care about the feel of the neck and the pickups. It’s self evident I think when you handle one.
I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely. Even took orders. The problem was that the whole business had me working in too many directions, and exhausted. I’d gone to Europe, and did a bunch of sales, there and in Australia too. I was overworking, and getting wiped out. This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy. But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer. I was too much of a lone wolf for them. So I went back to graphic design and animation. I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.
The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with. Austin really had cabs colored like the guitar.
I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff. Just joking – I guess it was inevitable someone would cash in.
Hey thanks for your interest. Hoping it fills in some detail.
Until now, this is pretty much all that was out there on the FlipOut!
FlipOut models & colors
How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.
The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.
I tried to pick the most odd & attention grabbing of my herd. Do you think I missed the boat by not including some of my other notable oddballs? He didn’t even mention the amps or pedals. Ha ha.
Shout-out to my peeps at Actual Ugly Guitars! It’s a Facebook group focused on looking for guitars ranging from the weirdest of the weird to just pure abominations with strings and sometimes even frets. If you’re gonna join, answer the questions or you won’t get in.
Here’s a rundown of what’s pictured if you’re interested:
Click the links on the guitar names to go to my Instagram posts where I posted all my axes at the beginning of the Covid shutdowns. You can check out most of them (& more) at Posting #AllMyAxes. 🎸 (Part 1) & Posting #AllMyAxes. 🎸 (Part 2) too. I posted all of them individually and some fun group shots & extras under the #AllMyAxes hashtag on Instagram.
If not rocking the Spark for practice or jamming along to YouTube or the built-in drummers, I like to rock a guitar through the tuner then into the A/B/Y into both the Blues Jr. and the Micro Terror through the Laney. Sometimes I put the wah up front, or sometimes on just one amp. I had a Dunlop CryBaby for years, then once I heard the “tone-suck” even when it was off, I couldn’t un-hear it. Same with the Dirt & Ernie… sometimes I just use it as a boost. It will come in handy if I ever get back to live stuff. My “sound” is pretty much gain on 10 master volume on 2 through both amps because I love the sound of the overdriven amps, so I don’t really need to add much dirt. If I set up the Trio, I run the “band” out to the PA so drums & bass come out of that nice & clean instead of one of (or both of) my amps. I am terrible with the POCK LOOP looper. The Lil’ Smokey is also a ton of fun, and I have used to to drive a 4×12. I think I need simpler one or more patience. Maybe both.
So, that’s my setup. Yes, I do play these guitars. Yes, they’re all playable. (I have a go-to guitar guy that is like a guitar-whisperer.) Yes, I have gigged & even recorded with some of them and would gig with all of them.
Which ones do you dig or hate the most? Got any oddballs you want to share? Hit me up with some comments!
I ordered it from AliExpress. It seems to be a copy of the Oktober version. I think Jerry & Doyle originally worked with Rand to build the guitars… then Oktober made a run but Doyle has publicly and often decried their quality. Word on the street is that Dean will be making a production model. Doyle’s have been made from wood, graphite, and metal… with bolt-on sides since he can be a bit rough on them.
I love it. I know its not “real.” I know it’s ridiculous. It’s fun. I’m too punk rock and too old to care what anyone thinks of the look, legitimacy, or irony of it all. Ha ha.
Check out Empire Music if you want to see some really nice high-end Fender, Gibson, Martin, Taylor, & more guitars. Check out some of Aaron’s work on his Instagram, he gets to see some beautiful axes! If you’re in or around Pittsburgh, I highly recommend him for all your guitar repair, revision, and setup needs.
I may eventually set up a website just to catalog/showcase my collection. I have it, I just need to populate it. Would anyone be interested in that, or just me?
