Tag Archives: 🎸

Is AI music toothpaste out of the tube?

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So, I guess I had no idea that AI music was as advanced as it is. I assumed the stuff I saw on social medial was from paid or sophisticated programs. I have been monkeying casually with text prompts at ChatGPT or Meta AI, and image generators at DALL-E 2, Craiyon, & in the PicsArt app for a while. Luma AI even animates photos in the creepiest way possible. I have recently started messing with Google’s Gemini, too.

While the first two AI song generators that popped up when I googled did not require me to download an app or pay any money, I was able to have them bang out a song in less than a minute. The second one even let me insert lyrics, so I used ChatGPT & Gemini to write lyrics. Of course I chose punk rock, and the subject matter was just me poorly describing the blog. This stuff is wild.

The prompt was: “World (and Lunar) Domination” a punk rock song about drawing mazes and writing goofy letters.

For some reason, I can’t seem to embed these ones. 🤷

AI Music Factory automatically spits out 2 songs from the same prompts.

All of the songs are generic pop punk, street punk, and a weird attempt at some uncanny valley-ish horns. They are formulaic pop punk, of which I could certainly be accused of doing when I was actively playing in bands. The weird part is that is not all that dissimilar from my actual creative output. The lyrics have some interesting ideas & hooks too, if I’m being honest. Does that mean I am a terrible and generic songwriter? Perhaps my lack of commercial success in that area speaks to that. 😆

Self-depreciating humor aside, I feel like I have been involved in the creation of some fun, silly, & kick-ass music, and I was never really doing it for financial gain or recognition. It was an itch that I needed to scratch. I needed to make art via punk rock.

The above songs are derivative of a thousand different punk bands, but the one vocalist sounds oddly like Bad Religion. All of it is stealing from something though. Is it scouring the whole internet? Is it using Spotify, YouTube, Pandora, Apple Music, or Amazon Music? Is it creeping on hard drives in home studios or at record companies?

I feel like this is really close to having the ability to be passed off as a real band. It even reminds me of Crotchduster,

Is it theft, or inspiration? I would not have picked up a guitar and tried to write punk rock songs if I had not heard the Ramones & the Misfits doing what they did. Led Zeppelin’s entire catalog is arguably not entirely derivative of everything that passed through Jimmy Page’s earholes. (I mean, George Lucas did the same thing with Star Wars – it was just Flash Gordon, The Seven Samurai, The Hidden Fortress, & Dune.)

It can be argued that the music is soulless. I get that. I need music to move me in some way, in order to feel that connection. There are already lots of human generated songs out there that don’t really hit me that way. It’s terrible when a song evokes no emotion. I feel that way about Nickelback, even though it’s unironically cool to like them now. Ha ha.

In keeping with the theme of this post, I also used a bunch of AI image generators with various prompts about my blog, and got some weird weird wild stuff. None of them seem to accurately display text whatsoever at all… but the compositions, colors, & design choices are interesting. Is is stolen work though?

It was said that Robin Williams was notorious for stealing bits, but I have read/heard that he was always “on,” and just pulling in ideas and churning out jokes at a constant speed… he may not have realized that his thoughts weren’t entirely his own. But then again, were they? Everything we think, say, & do is a response to our own audio & visual input. (And, all the other senses.)

If AI is putting something out, and the way it “senses” is browsing the internet, what’s wrong with that? Is it stealing because it is not alive? Is it just a tool like a paintbrush or a calculator? Is AI song generation different than loops or sampling or guitar pedals that drastically change a tone?

Images generated by various AI image generators, with prompts pretty much just describing my blog.

🤘🐈‍⬛🎸

Because every single one of my thoughts also has an incomprehensibly tangential aside, I just did this as the idea came to me while blogging:

𝕿𝖍𝖊 𝖉𝖊𝖆𝖙𝖍 𝖒𝖊𝖙𝖆𝖑 𝖐𝖎𝖙𝖙𝖊𝖓 𝖘𝖔𝖓𝖌 – I had ChatGPT write those lyrics a long time ago to be silly. It deleted the chat from the history as it found the content to perhaps be “inappropriate.” Luckily I grabbed a screenshot. I just used my last freebie at AI Music Factory to make this, and unlike with the other songs, I actually downloaded the mp3’s because I find it wildly amusing. AI plays guitar better than Kerry King.

A gothic metal style painting of an adorable black kitten dining with a fork and a knife, created by Meta AI as an album cover for a song generated by an AI song generator.
“FEED THE KITTEN” album art by Meta AI
Claws like razors, eyes like night My little beast, always ready to fight Hungry and restless, a bundle of fury I open the can, to feed the furry Feeding my kitten, hear her growl Tiny teeth and a vicious scowl Feeding my kitten, blood and meat Ripping and tearing, nothing sweet Pouncing and hissing, she's always keen Greedily slurping, the viscous cream Bones and gristle, she loves the gore My little predator, always wants more Feeding my kitten, hear her growl Tiny teeth and a vicious scowl Feeding my kitten, hear her growl Tiny teeth and a vicious scowl Feeding my kitten, blood and meat Ripping and tearing, nothing sweet Pouncing and hissing, she's always keen Greedily slurping, the viscous cream Bones and gristle, she loves the gore My little predator, always wants more Feeding my kitten, hear her growl Tiny teeth and a vicious scowl Feeding my kitten, blood and meat Ripping and tearing, nothing sweet My little monster, a killing machine Feeding frenzy, a fearsome scene No mercy, no pity, no retreat My kitten's hunger, can never be beat!
“Feed The Kitten” by ChatGPT

So, did I just write a song? No. But… I had the idea for one. It, much like my own artistic output, was a silly idea. (I was always sad that Gasoline Dion never completed songs that we were working on, including but not limited to “667, Across the Street From the Beast” and the ever poetic line “Let me put my meat hook in your beef curtains.”)

I just let my 10yo daughter hear the metal kitten song. She laughed and said it sounds like everything else I listen to (she’s a Taylor Swift fan). When I told her it was AI generated in under a damn minute & that ChatGPT wrote the lyrics, her eyes got wide and was all “That’s not good…”

She immediately understood the implications. Anyone could make a hit album. We could all be Milli Vanilli. Even better, you could probably create a video avatar of an artist or band. I haven’t delved into AI generated video past the tiny Luma AI clips.

Would using AI as a muse, or to flesh out partial lyric ideas be “wrong?” Are we in an era like the early days of sampling where soon someone will figure out how to give artists royalties for music or artwork being fed into AI? I know there are already cases out there. I also know you can’t copyright AI images. Not sure about music, though? I know Mötley Crüe was accused of using AI to write songs.

Will commercials, social media, radio, TV, & movies forgo traditional composers and just make their own jingles, scores, & soundtracks?

It was fun to play with, but do I like it enough that I will pay for it? I doubt it. I can’t think of a practical use for myself other than making a fictional band or something… and who would want AI generated crap content right now? If I paid to put it on streaming services (if you can even copyright it), how would that generate income or even be sustainable? Live shows would be (for now) out of the question. I don’t think it would “feel good” to put that out, like it does to release actual music you created. Maybe kids will dig AI music in the future… or our eventual robot overlords might.

Because I can’t stop, Luma AI animations of AI generated images:

OK, I went back & messed with Udio again. I found where you could pop in the kitten lyrics from Chat GPT. I do not like the output nearly as much, but it’s still pretty wild:

So, what are your thoughts on AI generated stories, art, music, & video? Are we in the wild west? Do you use any of it? If you do use it, what sites/apps, and to what end? Please, hit up the comments!

Oh yeah, those sites automatically generated videos I could download too.

What should go on a 30 song punk rock playlist?

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So, I recently got my 9yo a guitar for his birthday. We’re belaying lessons until after his current soccer and lacrosse seasons, but I will be showing him a bit. He seems to like all kinds of rock, but I was telling him how easy it is to play most punk rock. He has heard a lot of Ramones, Misfits, etc. from me… But I got the idea of putting together a punk rock playlist for him.

Well, I tend to over-do things. I started a playlist on Amazon (yeah, already have a ton of Amazon stuff and I refuse to pay for Spotify) called Punk Rock 101. It grew quickly to over 300 songs, and that was without thinking much about it. I thought that was unwieldy, and no 9yo is going to sit still even that long.

I thought it would be fun to challenge myself to come up with a 30 song punk rock playlist… that jumps subgenres and provides a CliffsNotes version of the history of punk rock.

I made up an apparently divisive graphic of only 25 punk rock band logos. Apparently this was a bad list and not at all comprehensive… even though it was not even a playlist. Punk rockers on the internet have strong opinions. I reached out on a few social media platforms and groups, mostly to no avail, save for one private FB group and r/punk on Reddit. I was told my list was junk before I even made a list! Are these hipsters masquerading as punks?

There are not many rules.

  • 1 playlist.
  • 30 songs.
  • Punk rock.

It can be a comprehensive history of punk, it can lean into one era. What would the 30 “greatest hits” of punk rock be? Does any band get more than one slot? Which songs from which bands merit entry? I kind of started with “Blitzkrieg Bop”, “Knowledge”, & “Last Caress” because I feel like those are the most covered punk rock songs that I noticed throughout the years playing shows. Do you include crust, street, oi, hardcore, proto-punk, post-punk, emo, 3rd wave ska, japunk, skate punk, pop punk, “pop punk™”, Celtic, folk punk, rockabilly/pshychobilly, cowpunk, or bands like Devo and/or the Cure? Do the Decendents and ALL or Operation Ivy and Rancid both make the cut? You may hate Blink 182 or Green Day, but they inarguably introduced many to the genre. Do the Beastie Boys make the cut with their OLD stuff? Do Motörhead or GWAR make the cut? What about Me First and the Gimme Gimmes?

Hit me up with your list and/or arguments for or against certain songs or bands here in the comments or on social media. Just try not to slag my list that I haven’t even created yet. Type it out or link me to your list. Is the list too short? Too long? Let me know.

Honestly, check the Reddit thread too, lots of people put in some killer playlists & even linked some!

Once I whittle it down, I’ll come back & post it. I’ll try to put it up on Amazon Music, Spotify, & YouTube.

Reddit:

Intro to Punk 30 song playlist?
byu/AiXeLsyD13 inpunk

Twitter 𝕏:

Facebook:

Instagram:

Threads:

TikTok:

@aixelsyd13

If you had to make a #punkrock playlist to explain the sound of #punk from the beginning to now, but had to cap it at 30 songs… what would you put on it? Who am I missing here? What songs would you put on it? #Punk101 #PunkHistory #PunkTop30

♬ Blitzkrieg Bop (2016 Remaster) – Ramones

BlueSky:

🤘Bring it, punk rockers & music fans! 🎸

Crazy Tube Circuits | Unobtanium

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I obtained the Unobtanium! Well, I was gifted the Unobtanium through an Instagram contest. What is it? It’s like two Dumble Amps and Two Klon pedals all in one box.

Check out the narrative…

The Giveaway:

The win announcement:

I got it!
Here’s what they posted:

These Instagram stories may disappear:

I tried to save them to a reel:

Check out this killer pedal & all the demos/reviews here:

Check out my crappy video here:

Here’s what I used in the demo:

Anything I should try with it?

I have been toying with doing dumbass-style pedal reviews for a while, as my base instincts are to dime every knob. Would that be something anyone is even interested in?

🎸🎸🎸

The FedExpackage…
The box!
The Bubble Wrap!
The fancy packaging.
Pretty bag inside the box.
UNOBTANIUM OBTAINED!
How to not be a dumbass when using the pedal.

🎸🎸🎸

Harley Benton & Darth Vader GAS.

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I think I’m over it, but I recently had some bad Harley Benton related GAS. Look how awesome and cheap these things are! You know I have a thing for weird guitars. You know I have a thing for cheap guitars. This one like the Travecaster is cool. That’s on another list.

And, in the ridiculous category, these keep popping up…

Someday I will have $1000 to waste, or I’ll build one with those killer V-shaped boomerang pickups. I’m just glad I bought the Vader knob for my Strat before it was $75!

What’s giving you GAS lately? Would you buy any of these? Let me know in the comments.

Check out my other wish lists & all my current guitars:

Christmas Playlists

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Despite Halloween and Thanksgiving being more my favorite… I do enjoy Christmas & Christmas music, both traditional and decidedly not-so.

I resisted streaming for a long time, in favor of just popping mp3’s on to a thumb drive & listening in the car/truck. I’m still in a lot of remote areas, and I think I clung to a desktop setup for a while longer than the rest of the world.

Someday, someday, I will rip all my CD’s, corral all of my purchased mp3’s or FLAC files, & pop the stuff on some kind of server so I can call it up at will.

I use Spotify occasionally. I would use it more, but I refuse to pay for a premium account, and sometimes I swear songs vs. commercials are 1:1 if not 1:3. I refuse to pay for Spotify premium account because we have whatever all-encompassing Amazon plan gives you Prime and Amazon Music.

I’m still building my Amazon playlists… I may pay for one to move to Spotify lists over. Maybe. I’d rather just by records, CD’s, & downloads directly from artists.

I haven’t dipped into YouTube Music yet. I think I have 2 or 3 Pandora accounts, but they’re just frustrating these days when you can actively pick a song with other services.

I just reached out on a couple of FB forums asking for suggestions, and I’m still pouring through, but these are my playlists across different platforms…

I ‘m still adding/shuffling on the Amazon lists and they’re good for all-day playing. I might have to make one narrowed-down with my absolute favorites.

So, what’s on your Christmas playlist? Any glaring omissions? Any you love or hate with a passion? Tell me about your holiday music in the comments. Am I missing any good Festivus or Hanukkah songs?

AI Generated punk rock Christmas art.

SPAMP+ :|. ¼” Stereo to Mono Adapter Cable!

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So, remember the SPAMP+? It was a ton of fun. I wrote to ask the SpampMAN if I could get a ¼” stere-to-mono adapter for the headphone jack to make the headphone jack essentially an “out” for a guitar amp so I could use the Spamp+ as an effect or pre-amp.

Dude is solid, and sent me one! He may include it as an option with future builds! The grilled, chilled, & fried all work as you would expect and sound gorgeous coming through my Blues Jr.

Here I used my New York Pro StarGazer (with GFS Lil’ Killer Rails) into the SPAMP, then my Fender Blues Jr. The tones are still awesome! the volume differences are there, but if you pick one & go that rally shouldn’t be a problem. This is totally cool as a pre-amp effect! There’s no on-off, but I do have an A/B/Y switch that I could maybe use to put it in & out of the loop. At any rate, this is still super fun, and that’s what it’s all about!

I would say this cable is a resounding success!

Check out the Spamp page and Spamp Etsy Shop!

Jamming with the Spamp+ right out of the box.

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I always forget to post YouTube videos here. Here I am, reminded, and on a New Gear Day!

Got a new fun little toy, and ran it through some paces.

I ran a few of my guitars into the Spamp+ to see what’s up. Check them out: https://spamp.com & https://www.etsy.com/shop/SpampMusic

I dimed the SPICE and HEAT knobs, but left TASTE at 12:00. Why? I always dime all the knobs. I like gain and dirt and punk rock. I ran each guitar through the CHILLED, FRIED, and GRILLED settings.

I like FRIED and GRILLED, but there was a noticeable volume drop with Grilled with all the guitars/pickups. This is a super fun little amp. I may get the normal one to use as a distortion pedal… as I don’t think this headphone out is suitable to run to an amp.

I will eventually get to using a 9V & rocking the headphones. This was plugged into a 9v power supply for the video.

I did test a 9V in it, and it had the same volume drop to GRILLED. Of course I used the oil can guitar in the Spam can amp first.

The guitars…

❶ Bohemian Moonshine 🎸 https://www.instagram.com/p/B_gCZ35Dz4_/

❷ New York Pro Stargazer 🎸 https://wp.me/pwqzc-1qP 🤘 https://www.instagram.com/p/B_OMXvwjDxa/

❸ Indy Custom FlyCaster 🎸 https://wp.me/pwqzc-2z4

❹ No Name LP Copy 🎸 https://www.instagram.com/p/B_Vs6BtDLFv/

❺ Russ Lorenz Shitar 🎸 https://wp.me/pwqzc-2AJ

❻ BC Rich Dagger 🎸 https://www.instagram.com/p/B_QfM3TDnZm/

You can see what kinds of pickups they have and if not just ask me in the comments. You get single coils, humbucker/single split, lipstick, humbuckers, hot rails, and P-90-ish ones. I think the SPAMP+ sounds absolutely killer with the P90’s.

I try not to ruin my guitar/gear videos with talking.

Should I explain things for the 3 of you that watch? Lemme know what you think. Do I need the one that acts as a pedal?

Send me a pedal and I will demo it with all the knobs or almost all the knobs dimed.

Spamp+ Mini Practice/Headphone guitar amplifier.
Spamp+

@ me on teh social medias:

The Pedal Itch.

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So, we all know I have a thing for guitars. I like ’em weird and I like ’em cheap. Anyone who plays & reads about guitars on the internet knows about the reality of G.A.S. and all its warning signs.

The Falcondrive guitar pedal from Rude Tech & Eaglebones Falconhawk (Ian Fowles) of The Aquabats!
Rude Tech Falcondrive

I only have a few pedals. I mean, I could always use more. Right? I think the Falcondrive sparked this most recent attack. Eaglebones Falconhawk is the renowned stringman and Fender aficionado of the insanely fun band, The Aquabats!

It’s overdrive and distortion all in one… and I like all kinds of noise. I like high gain, overdrive, distortion, chorus, fuzz… all of it.

Eaglebones sounds great, and he’s a killer player… this takes two of his older beloved modified pedals and combines them all into one package. What’s not to dig about it?

Yeah. That got my interest piqued. Then between AliExpress and Amazon, I ended up in a cheap-ass pedal deep dive. I love cheap gear. But not garbage. We’ll say inexpensive gear.

Mooer E7 | Mooer Pitch Box RudeTech Falcondrive | Flamma FC01 Drum Loop

How do the algorithms know? They’re listening. They’re reading. They’re watching. They’re pressuring.

I have sort of always been looking at an EHX B9 or the Earthquaker Organizer (or the EHX C9, Bass9, Key9. or Synth9 really). Honestly though, let’s face it; Most of my guitars cost as much as or less than these inarguably awesome quality pedals.

I found a super cheap and entirely crappy sounding sort of competitor online, then I found a slightly less crappy but seemingly more useful competitor online… still also pretty damn cheap.

Obi Wan, doing the thing. 👋
“You want to buy the pedals.”

Behold the Aural Dream Organ Synthesis B & Organ Synthesis A. They sound like hot buttered ass.

That though, somehow led me to this, which does not sound super terrible: The Mooer E7 Synth. It is not quite as expensive as the big boys, but also doesn’t sound like a dying sound card from a Commodore 64. (Arguably, even that could be a valid fun sound to chase… but if you’re not going for that, then you probably don’t want it by accident.)

Why do I want a synth pedal? Because, for years when playing out in bands, one of the songs I always dug covering was “Cool Kids” by Screeching Weasel. It has two super short keyboard parts that I always just played on the guitar. I would be immensely amused by the 3½ seconds of satisfaction that would provide.

That’s how G.A.S. works, right?

That led me to the Mooer Pitch Box. I don’t even need a pitch box, but is sure sounds cool. And it’s cheap. Damnit. That just led me to the even cheaper VSN Harmonizer. And a drummer pedal! The struggle is real. The pedals have gained sentience and are conspiring.

Then, I found the Flamma FS01 Drum Loop, which looks like ridiculous amounts of fun.

Then there are the other pedals that I can’t forget. I love my Orange Micro Terror. Apparently they make it as a pedal now, The Terror Stamp. I use an A/B/Y sometimes to play through both the Micro Terror and the Fender Blues Jr. at once. It would be fun to Orange-up the Blues Jr., or to play the Terror Stamp into the Micro Terror to make the Orange even more Orange.

Gorilla TC-35 Tube Crunch guitar amplifier.

That got me to seeing about the recent Acorn Amps Solid State pedal made to emulate an old Peavy Decade amp made famous by Josh Homme. That made me nostalgic for my first amp, the Gorilla TC-35. It had a “Tube Crunch” knob, but no tubes. After I got a larger amp to be in a band setting… we used to use it as a PA at AiXeLsyD practice, and I think even at some living room and basement shows.

Gorilla Amps Logo

Is it possible to make into a pedal? I don’t have the skills. I have a soldering iron, but I am no good with it. I used to do drafting in high school, but I am lost on the schematics for electronics. It looks like at least two people have made the combo into a head (…OK, one was for bass). A schematic exists online. Someone even has a circuit board which emulates the circuits for the amp, but is small enough to fit in a pedal. Why make a $200 pedal for a $50 amp? Yes. Why? Also, why not?

I wrote all of that, and still don’t know the point. To relieve G.A.S.? I would guess it should only serve to exacerbate it.

My current guitar effects pedals: Quinnamp Dirt & Ernie DigiTech Trio DigiTech FX3X Planet Waves PW-CT-04 Ammoon Pock Loop LiveWire Solutions ABY Box Ernie Ball Wah
YesFX

I mean, I do have a few pedals. They’re not even on a board. I had them on the cut-off bottom of a milk crate, but then I wanted to remove one. They are fun, and they do indeed do things.

This, hive mind, is where I need your help. Do I want more pedals? Yes. Do I need more pedals? Also, yes. They are sure to spark creativity. Use your wisdom to teach me. Can anyone build me a TC-35 pedal? I can get my wife to Cricut the logo in vinyl! Ha ha. Which pedals should I go for? What would you go for? I’m looking for those people experienced with these cheap pedals all over the internet. Send me your thoughts, reviews, & opinions!

The story of the Dewey Decibel FlipOut guitar.

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Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you! (ddB)™ What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours. www.flipoutguitar.com Write to us at flipout@deweydecibel.com The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law. Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016: