Tag Archives: Electric guitar

The Galveston B.B. Stone

Posted on by Standard 1

OK, so I already blogged about this one. You gotta peep the comments there, one from Orjan Jacobsson is very enlightening! I gave up SquareGuitar.com a log time ago, so all those links are broken, but as of now it still lives via the Wayback Machine.

I wanted to grab some of the info I gathered from there to drop here to go along with my Dewey Decibel FlipOut and Indy Custom FlyCaster posts, hell even the custom Russ Lorenz Shitar. Sorry if most of these links below are just broken or no longer exist. I like weird guitars and obsolete websites, I guess.

A composite photo showing different angles of a uniquely shaped, rectangular-bodied Galveston electric guitar with a sunburst flamed-maple top. The left panel shows the full instrument hanging, the top-right panel shows a close-up of the body and dual humbucker pickups, and the bottom-right panel shows a close-up of the black headstock with the Galveston logo.

The short of where it stands as I understand it now:

Jerker Antony & Orjan Jacobsson designed the guitar, had it manufactured at Un-Sung in Korea, sold it under the Eagle brand in Sweden/Scandinavia and in the U.S.A. under the Galveston brand… Maybe Brownsville too? I still don’t know anything about Galveston, or really Un-Sung. B.B. Stone was a nickname for a salesman, and he was not a player who got a signature. I can assume this was inspired by Bo Diddley’s square guitar meeting 80s flash? Maybe? I should reach back out to these guys and see if I can get some updated information. It seems there are 24 worldwide, and 12 made it here to the US? There there is an orange/butterscotch option and a black/ash one. The names Dae-yong Suk & Chess Lim have come up in searches too.

I’d love to find the owners of the rest of them out there in the wild. Please, share your stories and photos in the comments!

An image comparing two guitar headstocks side-by-side against a wooden background. The left panel shows a black Galveston headstock with strings, and the right panel shows a natural-wood Eagle headstock with a cutout center and three tuning pegs on each side. Blue text at the bottom reads: "The headstock is the main difference between the Galveston B.B. Stone model & Eagle B.B. Stone model."

The original synopsis from me (via SquareGuitar.com):

My band was playing show at the American Music Café, a venue in Murrysville Pennsylvania with an attached music store. The venue & music store would be described by many locals as a “shady” business place. We played there a lot because it was easy to book shows, & a lot of our fans & friends all seemed to gravitate to the place because of the growing (at the time) void of live all-ages music venues. Every once in a while a cool or strange guitar went through the store among the usual myriad of second-rate knock-offs. On Saturday December 23rd, 2000… I saw the “square guitar”, and bought it that day. I actually ended up trading in a Cimar by Ibanez Strat clone guitar that I had purchased earlier in the week in trade for it.

Trying to find out anything about the guitar manufacturers that use the Galveston brand can prove to be difficult. The best I can gather is that they’re made in a factory somewhere in Korea.

The model name is not listed anywhere on my guitar, & I didn’t know what it was until I came across a black & white photo on some discount guitar store’s website. I noticed that he headstock is quite different from my guitar though, and there was no visible name on the headstock of the pictured guitar, but I’m getting closer.

  • The first piece of useful information about the Galveston B.B. Stone that I came across was a review found at Harmony Central. Check it out here. – I don’t know if I agree with this guys ratings 100%, but he seems to have a lead on Galveston, Silverstar, and Un-Sung Musical Insruments… and what he’s equating it to as far as existing models. I haven’t been able to find anything out about Silverstar or Un-Sung Musical Instruments either, but if you have any information on any of the aforementioned companies, please let me know.
  • Through my searching, I did find two useful sites: Eagle Instruments & B.B. Stone & Son Musical Instruments. Eagle instruments apparently makes the exact same B.B. Stone Signature model, & they’re actually the originator. They give these Specifications.
  • From that website, I was able to discover & e-mail the actual designer of the guitar, Jerker Antoni. This is my correspondence with him, we were sightly confusing each other at the beginning. Maybe it has to do with the language barrier?
  • I sent the same e-mail to B.B. Stone himself, and got a little less of a reply. I think there was a slightly stonger language barrier here.
  • I can only see one major difference between the Galveston & Eagle models, the headstock. Also, the Eagle models appear to have the words “B.B. Stone” on them.
  • Know anything about this guitar? Where did you find it? Remember the day you bought it? Please share it with us!

My Emails from Jerker Antony:

—–Original Message—–
From: Jerker Antoni
To: ERiC AiXeLsyD
Sent: 7/8/2004 11:54 AM
Subject: SV: Mail från hemsidan (Galveston B.B. Stone?)

OK – now I understand what model it is – it is the B.B. Stone model, not
the Flash B.B. model.
In Scandinavia we used the Eagle head as you can see on attached
picture. We sold just 24 pcs all in all world wide I think.

I designed it (like I told you about the Flash B.B.) – but this model
was designed totally from scratch, and not like the other models with
the B.B. names like Flash B.B. aso.
Still with indonesian mahogany body and canadian hard rock maple neck.
It was never imported by Sam Ash or anybody else from what I know, I
think there are just 8 or 12 pcs in the USA and all imported by
Galveston.
Thanks for the pictures, I might put one up on our hompage later and
link to your homepage if that is OK.
Take care!


—–Ursprungligt meddelande—–
Från: ERiC AiXeLsyD
Skickat: den 7 juli 2004 23:44
Till: ‘Jerker Antoni‘
Kopia: ‘eric@aixelsyd.com‘
Ämne: RE: Mail från hemsidan (Galveston B.B. Stone?)


Wow Jerker,

You don’t know how long I’ve been searching for the origins of my
guitar! Here’s a picture of my collection:


When my band plays out though, people always ask to see the “square
guitar”, ha ha ha. It’s what I use on stage mostly. I love the feel of
the fretboard, and I love the sound. It does have great sustain, &
someday I might replace the pickups with something a little screamier…
but for now, I love what I’ve got. I’m assuming it was made in Korea &
it’s from a small run. It’s next to impossible to find anything out
about the company Galveston, but it looks like I somehow surpassed them
& got right to the source!

I don’t know how I can thank you enough for the explanation, or for the
great guitar design. I will tell you to keep up the great work, & link
you to some photographs of me with the guitar in action:


You’re my hero, dude!


Rock on!
-Eric Carroll a.k.a. ERiC AiXeLsyD – www.aixelsyd.com

—–Original Message—–
From: Jerker Antoni 
Sent: Wednesday, July 07, 2004 2:47 PM
To: ERiC AiXeLsyD
Subject: SV: Mail från hemsidan (Galveston B.B. Stone?)

Dear Eric,
I designed that model. It is a great guitar, light and easy and with
better sustain than most Les Pauls, as the body is from indonesian light
mahogany, and the neck is not from mahogany but from hard rock canadian
maple. Pickups are OK for korean made, but that is easy to change if you
want.
They got so popular here that Gibson sent their lawyers to sue us, they
thought it was a copy of their LP model but they just had the picture,
and they did not see the backside of the instrument with the body shape
going through the neck like an S-curve. So I took a picture of the
backside and they gave that thing up.
We called it Eagla Flash LP as all models I designed with star inlays in
the fretboard were called Flash something, but Gibsons lawyers thought
LP stood for Les Paul so they were still angry.
So we changed the name to Flash B.B. as B.B. Stone was the boss of the
factory that produce them, Un Sung in Inchon, Korea, south of Seoul.
The B.B. Stone name is another story, his korean name was very odd, so I
asked him to interprete it in english, and it meant Big Brave Stone, so
I thought he would be better remembered as B.B. Stone. So he changed his
name and he also put up his own company later on using this name.
We sold a few hundred of this model in Sweden, and also a few hundred in
the USA, some to Sam Ash (they used the Brownsville logo for their own
imports), and some to other importers like the guys with the Galveston
logo.
They all use other headstocks, we had our own Eagle headstock which I
think looks better.
Later on we made other versions of it like the Mezz signature model, the
same instrument but with oil finish for even better sound. The guy Mezz
is a great guitar player and singer, american that lives in Europe.
His father was jazz musician Mezz Mezzrow, who wrote a classic jazz book
in the 50’s.
Take care of the guitar – it is really a great instrument – especially
compared to the Gibson models which I think are great looking junk for
the guys that were not allowed to play with doys when they were young,
so now they compare the looks of the birds maple tops of their Les
Pauls…
Best regards

Jerker

—–Ursprungligt meddelande—–
Från: ERiC AiXeLsyD
Skickat: den 7 juli 2004 20:07
Till: ‘eagle@eagleinstruments.nu‘
Ämne: Mail från hemsidan (Galveston B.B. Stone?)

Hello,

I found your sites at www.bbstone.co.kr & www.eagleinstruments.nu and
I was wondering if you knew anything about the Galvestion B.B. Stone
model guitar? I belive that I own one, only it does not have the B.B.
Stone logo, or the correct headstock… I cannot find any history on
Galveston or the guitar itself. I was wondering if you could possibly
help me out?


Thank you,
-Eric

My Email from B.B. Stone:

—–Original Message—–
From: BB.Stone
To: ERiC AiXeLsyD
Sent: 7/10/2004 11:38 AM
Subject: RE: Galveston B.B. Stone Model Guitar?Dear Eric

I have developed “BB.Stone” guitar before I established my own company.
At that time, Galveston purchased guitars. I am now selling various
kinds of musical instruments and guitar parts. I hope this will help
your questions.


Best Regards.


BB

Insight from Orjan Jacobsson:

Orjan Jacobsson's avatarOrjan Jacobsson

 says:

Edit

Hello I was one of the owners of Eagle Instruments AB Sweden. Jerker Antoni and I Orjan Jacobsson. This guitar was designed by Jerker that´s right. We made about 12-18 pcs of it under our brand Eagle. Since there are too many Eagle branded products out there we could not use that name in other countries than Sweden. Other companies like Galveston bought guitars under their own labels to sell. Some of them through Sam Ash under the brand Brownsville. Made by Un Sung in Inchon Korea.
BB Stone is no blues guy from Korea. He was the salesman at Un Sung. Hes name was something like Dae Young Suk. That did not sound so good Jerker thought. He asked him to translate this korean name into English. He said it means “Big Brave Stone” Hence that: BB Stone. So Jerker named him that. Today he uses this on his buisness card. He has his own Company today and don´t work for Un Sung. Funny story isn´t it?

A wide shot of a guitarist performing live on stage with a wide stance. He is wearing a dark t-shirt, a black beanie, and light-colored jeans, playing the rectangular yellow sunburst electric guitar with a microphone stand in the foreground.
A live action shot of a guitarist wearing a cap and playing the yellow sunburst electric guitar while standing directly behind a large, ornate carved wooden statue of a standing bear that matches his height on stage.
A composite image showing three electric guitars mounted side-by-side on a rustic wooden plank wall. From left to right: A Dewey Decibel FlipOut, a sunburst double-cutaway guitar with a white pickguard, The Indy Custom FlyCaster a bright yellow V-shaped-bottom guitar with a black pickguard and a matching yellow neck, and the yellow sunburst flamed-maple Galveston BB Stone guitar with a rectangular body.

The story of the Dewey Decibel FlipOut guitar.

Posted on by Standard 3

Bert - a.k.a. ERiC AiXeLsyD - rocking the Dewey Decibel FlipOut Lit Cigarette model.
Bert – a.k.a. ERiC AiXeLsyD – rocking the Dewey Decibel FlipOut Lit Cigarette model.

OK. So, you probably know I like weird guitars. Someday I will have profiles up of all of them on another blog. You may have even read about my Dewey Decibel FlipOut before, or have seen the FlipOut before (or even the knock-off Flipped brand). While the Galveston BB Stone certainly started my weird guitar obsession, the FlipOut solidified it. Sadly, I came to it after AiXeLsyD had been done for a while, and I think even after Gasoline Dion. It some incredibly small and ancient circles I will always be known as ERiC AiXeLsyD. I did, get to gig out with the FlipOut, quite a lot, with Ernie and the Berts.

A while back, I had the opportunity to reach out to Jimmie Bruhn about the Indy Custom Flycaster, and way way back I did some research on the BB Stone. (I have to try to recover all the stuff that used to live on SquareGuitar.com, all those links are now dead.)

I thought it would be fun to try and track down Dewey Decibel (a.k.a. Joe Jerardi – or is it Joe Geradri? Stage names are fun.), and get some insight on the inception and production of one of my favorite axes!

After some emails exchanged, here’s the story from the man himself!

Line of FlipOut guitars & BottomOut basses from the Dewey Decibel website.

Hi Eric,

I’m awfully sorry there was a delay on getting back to you.  I honestly have had my hands full this year, and it slipped my mind.  Just for your patience, I can offer the most information I’ve shared about my FlipOut days to this point.  And thanks for asking.

I was performing solo in NY back in the 90s, playing CBGBs and many of the NY clubs. My stage name was Dewey Decibel, and I always performed hooked up to an IV pole.  Just a thing I did – never mentioned it on stage.  Played electric guitar, with synth sequencers for backing, plus voice. 

One day I thought of this backward guitar – Its just wood I thought – so it would play the same, just super unsettling, and deeply rock and roll to my mind.  I found one shop out of all the NY guitar techs who would follow my instruction. It was Rick from Carmine Street Guitars.  I love him because he didn’t even blink, just said “sure, I can do that”.  I went on to form a band called… Dewey Decibel, and kept doing shows, and finished up my third album “Unnecessarily Beautiful” with those guys, great players Jon Howard, and Martin Miller.  We did good work.  I always played the original FlipOut, which started its life as a Fernandes brand Strat.  I always had the IV drip by my side.

Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!
Back cover for the Dewey Decibel album Unnecessarily Beautiful | Original FlipOut prototype of a modified Fernandes Strat copy pictured!

We did no real promotion for the album, for any of my albums, so they reside in resplendent obscurity, rarely to surface.

Here is what exists online, though there are 3+ albums and an EP somewhere:

https://deweydecibel.bandcamp.com/

Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Guitar & Vocals) ● John Howard (Bass)
Dewey Decibel | Unnecessarily Beautiful | Pictured: Martin Miller (Drums) ● Dewey Decibel (Voice/Guitar/Keys) ● John Howard (Bass)

At shows, my guitar got so much crazy attention I conceived of the nutty plan to use a release of these guitars to bring attention to my band.  In 2003 I went to the NAMM show on the recommendation of a friend, to look for a manufacturer.  There I approached many confused factory reps from Asia, and ended up having luck with a Korean group who were ready to please.  I ordered some prototypes during that year, and tweaked things.  Then at 2004 NAMM I introduced them to the unsuspecting earthlings, took orders, and started shipping out of San Francisco once the container ship arrived.  That first NAMM show was funny funny stupid funny. 

Dewey Decibel - FlipOut & BottomOut
Art from the Dewey Decibel website.

The stupid part was that Fender lawyers sent me a letter on the opening day of my NAMM  launch that I was in breach of their trademarks.  This is a much longer story but I ended up licensing with Fender later, which was great for name dropping and demonstrating to folks that it was a quality guitar.

I was living in a warehouse with boxes of these guitars and my drum set.  It was a time of odd existence, taking orders, shipping, doing R&D, and lining up reviews with the big guitar magazines.  The FlipOut got strong thumbs up reviews in Guitar Player as well as Guitar One.  I did care about the feel of the neck and the pickups.  It’s self evident I think when you handle one.

I was moving forward on the BottomOut bass, having received a few prototypes which worked nicely.  Even took orders.  The problem was that the whole business had me working in too many directions, and exhausted.  I’d gone to Europe, and did a bunch of sales, there and in Australia too.  I was overworking, and getting wiped out.  This was all on my own, and I’d been living with some fantasy that these cool guitars would elevate the music, and demonstrate my sovereign rock and roll whimsy.   But alas, the FlipOut project ended at around 500 guitars because I was exhausted, the R&D was too slow, and I couldn’t parlay the thing into working for another manufacturer.  I was too much of a lone wolf for them.  So I went back to graphic design and animation.  I’m an animator today living in incredible San Antonio. I also continue writing and recording a new album, to be released secretly into thrift store bins.

The guitar colors were just my favorites at the time, the names were inspired by memories. Barry Leventhal was I think a kid I played in little league with.  Austin really had cabs colored like the guitar.

I’ve seen the FlipOut rip-offs coming from Europe/China, and they look ridiculous, all backward and stuff.  Just joking – I guess it was inevitable someone would cash in.

Hey thanks for your interest.  Hoping it fills in some detail. 

Thanks

joe

For the Raging Guitar Houdini in you! (ddB)™ What led Dewey Decibel, Brooklyn's recording enigma, to do what he did to his guitar that night? Frustration. His friends had snubbed him, his car had been totaled, but worst of all, his reading comprehension was way down, and he could feel the stares when he entered a room. That fateful night, Dewey did grab for his guitar, slamming his bedroom door, not to emerge for countless weeks (though he did leave once to go to a class on "Appalachian Fingertip Dancing"). It was during these weeks, through a period of painstaking research, made even more difficult by an ill-fitting lab coat, Dewey did travel to the edge of insanity. But once there, decided he'd rather be at the brink of madness, so he quickly switched when no one was looking. And when at last he did emerge, witnesses reported he held in his hand something resembling a guitar on muscle relaxant. Dewey Decibel's FlipOut™ was in their midst. And now, it is in yours. www.flipoutguitar.com Write to us at flipout@deweydecibel.com The guitar design configuration of Dewey Decbel's Flip Out™ is a trademark owned by Joe Gerardi of Dewey Decibel Inc. Any replication of this trademark is prohibited by law. Dewey Decibel
Until now, this is pretty much all that was out there on the FlipOut!
Dewy Decibel FlipOut models | Invisible, Lit Cigarette, Barry Levelthal, Austin City Cab, Scandalicious, Shameless.
FlipOut models & colors

How cool is that? The entire story from the man himself! I urge you to go check out the music of Dewey Decibel.

The only mods I had done to mine is the inimitable Aaron Hutzel drop in some GFS Lil Killer rails. This was not a kock at all to the original sound, but the humbuckers are more my thing.

Check out the Facebook fan page if you’re a fan, would like to share photos of yours or you with it in action, have one for sale, or are looking for one: Facebook | Dewey Decibel FlipOut

I would also, of course, love to hear from you in the comments!

If you want to see me and my FlipOut in action, check out the stuff below this list of links.

Also, check out these links if you’re looking for more:

Ernie and the Berts “Toybox”:

Ernie and the Berts – “Everybody Poops”:

Ernie and the Berts – “Kate Winslett” (A poor cover of The Silver Brazilians):

Ernie and the Berts – “Ikea”:

Me just rocking this one in the basement in 2016:

The Christmas Carrolls: “Jingle Bells”

Posted on by Standard Reply
The Christmas Carrolls: "Jingle Bells"

The kids & I apparently have a band called the Creepy Kittys. While we haven’t released any official music, we have already successfully completed a minute-long side project. Here’s “Jingle Bells” by The Christmas Carrolls.

We were going to go a more traditional route, but Molly insisted on a bit of punk rock energy. I also wanted to go right into the song, but Ian insisted on an introduction.

I hope you enjoyed this one, maybe I’ll get some more out of them as the holiday approaches!

For you guitar & gear nerds, this featured my acrylic Strat copy with the Green LED’s;

Posting #AllMyAxes. 🎸 (Part 2)

Posted on by Standard 6

Did you see part one?  I felt like posting all my guitars online simply for something else to look at, and I thought others might enjoy.

I still plan to blog about some of the more interesting ones.  Hopefully you guys enjoy the content.  Thanks for the likes on social media.  I don’t think anyone else started to use the #AllMyAxes hashtag.  Oh well.  Ha ha.

Show me some of yours in the comments, tag me on social media, or use your own hashtag!

 

The Family Ukuleles & Mandolin

The Kids' Guitars

 

Guitars & Virtual Window Shopping 🎸

Posted on by Standard 6

Is there a word for the internet version of window-shopping?  I certainly have enough guitars.  I really dig my oddball collection.  But, I’m always looking.  I made a wishlist before, so I thought I’d update it.  Of course, this list is subject to change by the minute, and like a rodent with shiny objects I can be easily distracted.

 

-🤘🎸🤘-

 

Traveler Guitar TravelcasterTraveler Guitar Travelcaster – It’s no secret that I dig weird guitars.  This is pretty neat.  I love the idea, even if ESP had it first.  Supposedly, the ESP ones were only made & sold in Japan.  The Traveler  Travelcasters look pretty snazzy, and Traveler makes some other really cool stuff.  I bet it really would be useful in a travel capacity, & provide some fun on stage.  I see these ads constantly.

BOHOBohemian Guitars Oil Can Guitar – Who doesn’t want one?  It’s like a cigar box guitar cranked up to 11.  They look like a ton of fun, and they’re not really all that expensive.  These Boho axes are real attention grabbers.  I also see these ads constantly.  The reviews appear to be fanrastic.

Millennium Falcon GuitarA Millennium Falcon Guitar – There have been various builders to create this to varying degrees of success.  I’d love to get my scruffy nerf-herding paws on one.  I even blogged about it before (check the comments).  You know I have an appreciation of weird guitars and of Star Wars, so this is a natural.  Bonus if it includes lights and sounds!

Peavey T-60Peavey T-60 – These Peaveys seem like a sort of underground or unspoken holy grail, especially if you get the amp in a case.  The T-30 and T-15 look cool to, but I dig humbuckers. so 60 may be the way to go.  Hell, a Peavey Mantis would kick some butt too.

Gibson Reverse Flying VGibson Reverse Flying V – I mean, I already have a Dewey Decibel FlipOut, so why not continue the trend?  This one will probably never happen unless I win the lottery.  I like my guitars cheap, and this one is not cheap.  Epiphone, how about a limited run here?  The hate for it online alone drives my want for it.

Archer Flying Cheese WedgeArcher Flying Cheese Wedge – This thing is absolutely ridiculous.  I love it.  If I ever found a cheap one, I would pounce.  I mean, CHEESE.  Who doesn’t like cheese (besides the lactose intolerant)?  I think it has something to do with Wisconsin sportsball.  I just like cheese.  A lot.

Hello Kitty Squier StratocasterHello Kitty Squier Stratocaster – This is another gem sought after by a bunch of weirdos. The quality is the stuff of legend if you can snag it for the right price.  They were cheap for a bit until someone let out the secret they they’re no joke.

Dean ML Acoustic, Kramer Imperial aXAcoustic Explorer – Kramer made one, Dean sort of makes one.  They are so ridiculous.  I may settle for a Flying V one. Ha ha.  Even the little ukes may satisfy this yearning.

Esteban Midnight LegacyEsteban Midnight Legacy Electric Guitar – These were going for $75-ish online for a bit, then they jumped up.  Strat pickup configuration on a Les Paul shape?  All black?  “E” shaped headstock?  Sign me up!

Gianni Doubleneck SG/Telecaster HybridGianni SG/Tele-style doubleneck – As with Bigfoot, some people refuse to believe that these even exist.  The cries of “fake” and “photoshopped” abound with this type of axe online.  It is ridiculous.  Really, I don’t have a double-neck.  I need one, right?  I do have a 12 string… so a 6/12 would be boring.  I would love to get one of these and make one neck a baritone or Bass VI scale.  I mean, this is cool too if we’re getting really weird.

Wylde Audio Warhammer, Dean Split Tail, Gibson ZVOne of those goofy Zakk Wylde guitars – Any of the trifecta of insanity will do.  The Gibson ZV, the Dean Split Tail, and the Wylde Audio Warhammer are all sort of the same shape.  I don’t know the story behind the jumps from manufacturers, and I don’t really care.  They are so metal, it hurts.  I play so poorly for metal, it hurts.  So, it’s a natural fit of pain.  Right?  Right?  This may have trumped my old longing for a Transparent Green Lucite BC Rich.

Xaviere 550SCE_BKXaviere RTS_550SCE_BK Dreadnaught – This is all cosmetic.  I just really dig the look.  Plus, I really dig Guitar Fetish.  I might even sell the 12-string to get this.  Maybe?  Anyone heard anything about the quality?  I really like the look and sort of want to jump before they’re gone.  I mean, if I sell the 12-string… that opens up my double-neck options.  Right?

 

-🤘🎸🤘-

 

What’ on your list?  Gimme something awesome in the comments, bonus points for sub-$300-ish.  What haven’t I heard of yet?  What am I forgetting?  What need to I need to meet or gap do I need to fill?  What is your holy grail guitar?  Post some photo or links too!

 

If I ever buy another guitar…

Posted on by Standard 8

I certainly don’t need another guitar.  I’m always looking at them though.  There are just so many different kinds out there, and I can appreciate almost all of them.  Some I actually sort of drool over, & eventually I end up with one.  I don’t think 13 Guitars in 2013 will ever become a reality.  I can always add cool guitars to my Pinterest board, right?

These are some that I’m always thinking about…

Epiphone USA Map Guitar

Epiphone USA Map Guitar

Goofy Map

Like this…

The Epiphone USA Map Guitar – It has to be ridiculously cumbersome to play, but no more than my Galveston B.B. Stone.  The brown finish is neat, but I’d love it to look like an old-school pastel textbook map of the USA.  They pop up on ebay every once in a while, but none are ever priced low enough that I feel it’s a “must buy” because I’ll never see the same deal again.  There are other companies that make them too.  I’m not picky, I just like the shape & the idea.  It would certainly be a fun one on stage.

Fernandes Ravelle

Fernandes Ravelle

Fernandes Ravelle Deluxe

Deluxe

The Fernandes Ravelle – I’d like any of them really, but the green Dave Kushner model is awesome.  I dig the green color, and the sweet pick guard with holes in it.  I love how it takes the classic Les Paul shape, and makes it a little Alien.  The curves are awesome.  I dig the sound too, on the Velvet Revolver albums & live show.  I’ve seen a few in action at shows around here, but I’ve only seen one for sale at Guitar Center in Robinson.  I almost dropped more money than I could afford on it… it was only around $500 which seemed reasonable.   Sadly, I made a sound financial decision that day.

Fretlight Guitar

Fretlight Guitar

Fretlight® Guitar – It seems like it would just be really fun to play with one.  I might even learn a scale other than the pentatonic with one.  I like the old school one with the knobs & switches.  I don’t know if I’d even gig out with it, unless you could program it to make a cool light show or spell out the name of your band or something tasteless & offensive on the fretboard.  Maybe even the word “POOP” because, well, that’s always funny.

Hallmark Guitars Wing-Bat

Hallmark Guitars Wing-Bat

Hallmark Guitars Wing-Bat – Or the George Barris Batman guitar.  I’ll probably never have enough money to own this thing, but it sure is cool.  No Batmobile beats the 60’s Batmobile… and this thing looks like it was in the trunk all along.  If anyone has one that needs a good home, let me know.  I’ll play it & take care of it quite well.  I’d gig out with it too.  It’s a shame when these collector guitars hit a shelf somewhere never to be played again.

DIPinto Mach IV

DIPinto Mach IV

DiPinto Mach IV – One of my favorite guitars playersplays one of these sweet-looking axes. It’s very eye-catching.  It’s almost like a Mosrite, but not quite.  Gel from The Eyeliners is one hell of a guitar player, & the reason I want one.  I’m generally not a fan of red guitars, but with this… I’d like a red one.

Annihilator

Annihilator

Annihilator copy by Oktober Guitars – I’m not nearly as cool as Doyle, but I’d love to play one… being a Misfits Fiend for all these years.  I’m not sure I’ll ever have $600 lying around for a guitar that I wouldn’t play all the time.

I do also want a bunch of other stuff that’s not so specific.   I’d love to have a hollowbody, something like an Ibanez Artstar/Artcore or Epiphone Flamekat.  I’d love a custom Millennium Falcon guitar.  I’d love one of Tom Bingham’s creations like the Record guitar or suitcase guitar.  I like weird stuff, like the Bigfoot Guitar or the Electric Ant Farm guitar.

I’d like a translucent guitar.  I did want one of those lime green BC Rich models that were out a while back.  They had them in Warlock, Bich or Mockingbird styles, but I’m not sure I could pull that off.  I’d also like a see-through Galveston (or any “off “brand) Les Paul or Telecaster.  A translucent guitar with LED’s in it would be incredibly fun.

I would like a Fender Toronado or Gibson Firebrand too.  Maybe any sort of double-neck or even a 6-string banjo.  I’m sure there are other guitars out there that I want that I just don’t know about.

Check out my Guitars Board on Pinterest for an ever-evolving list.

What’s on your wish-list?

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The path is clear

Posted on by Standard 7

GuitarSquid is awesome.  Sometimes, I wonder if I have too many guitars (or if there is such a thing).  Happily, all my answers quickly led to “Buy more guitars.”

GuitarSquid.com | Flow Chart: Do You Have Too Many Guitars?

GuitarSquid.com | Flow Chart: Do You Have Too Many Guitars?

It’s apparently as simple as this, my friends:

Got a wife? → Yes → How many pairs of shoes does she own? → 10+ → Buy more guitars.

I really do need an amp before another guitar though…

You can never have too many guitars

Impossible.

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