Playlist | Proto-Punk πŸ§·


Inspired by the comments on a reddit post, I wanted to dig into some pre-“punk” proto-punk. I set Gemini, ChatGPT, Perplexity, & Copilot to the task as I’m fascinated by their ability to parse & compile information if prompted accurately. (I’m also fascinated my their penchant to provide completely incorrect or even made-up information. Some time I will have to blog about my experiment in having them search restaurant menus in an area to see if they serve shellfish. Copilot recommended some seafood places, so clearly it wants to kill me.)

I added my own stuff that some of them disagreed with, but it is my list after all. 🀣 Going back to little Richard and including Black Sabbath’s “Paranoid” were points of contention, as I would expect from a conversation with people.

Music snobs aficionados, audiophiles, and punk rock gatekeepers will argue all day every day about the origin of punk… but for me, to be clear, it’s the moment that the Ramones’ self-titled album dropped. So, with that in mind I gave the language models this prompt:

There is and always will be constant debate, but if we agree for the premise of this exercise that the Ramones self-titled debut album was the first punk album… What are 25 songs that should belong on a proto-punk or punk precursor playlist?

I would assume bands that get mentioned as the progenitors would most likely include The Kinks, the Sonics, Link Wray, The Stooges, the MC5, the Velvet Underground, New York Dolls, & more I’m sure to be missing. Maybe even the band Death who hailed from Detroit MI?

All songs on the list should have been released before April 23, 1976… and be listed in order if release date by single or album, whichever dropped first.

This has been corrected for my typically egregious spelling/typing/lack-of-proofreading errors. After tossing the rules to the wind, keeping to the spirit of punk rock, we arrived here:

  • “Little Demon” – Screamin’ Jay Hawkins (1956)
  • “Tutti Frutti” – Little Richard (1955)
  • “Whole Lotta Shakin’ Goin’ On” – Jerry Lee Lewis (1957)
  • “Rumble” – Link Wray (1958)
  • “La Bamba” – Ritchie Valens (1958)
  • “Love Me” – The Phantom (1958)
  • “Louie Louie” – The Kingsmen (1963)
  • “Surfin’ Bird” – The Trashmen (1963)
  • “Baby Let Me Take You Home” – The Animals (1964)
  • “House of the Rising Sun” – The Animals (1964)
  • “I’m Crying” – The Animals (1964)
  • “You Really Got Me” – The Kinks (1964)
  • “Gloria” – Them (1964)
  • “I Can’t Explain” – The Who (1964)
  • “Dirty Water” – The Standells (1966)
  • “My Generation” – The Who (1965)
  • “Strychnine” – The Sonics (1965)
  • “I’m a Man” – The Yardbirds (1965)
  • “We Gotta Get Out of This Place” – The Animals (1965)
  • “96 Tears” – ? & The Mysterians (1966)
  • “Wild Thing” – The Troggs (1966)
  • “Complication” – The Monks (1966)
  • “Psychotic Reaction” – Count Five (1966)
  • “Pushin’ Too Hard” – The Seeds (1966)
  • “7 and 7 Is” – Love (1966)
  • “I’m Not Like Everybody Else” – The Kinks (1966)
  • “You’re Gonna Miss Me” – The 13th Floor Elevators (1966)
  • “Talk Talk” – The Music Machine (1966)
  • “I’m Waiting for the Man” – The Velvet Underground (1967)
  • “Doctor Please” – Blue Cheer (1968)
  • “Sister Ray” – The Velvet Underground (1968)
  • “Fire” – The Crazy World of Arthur Brown (1968)
  • “Jigsaw Puzzle” – The Rolling Stones (1968)
  • “Kick Out the Jams” – MC5 (1969)
  • “I Wanna Be Your Dog” – The Stooges (1969)
  • “Little Doll” – The Stooges (1969)
  • “TV Eye” – The Stooges (1970)
  • “Paranoid” – Black Sabbath (1970)
  • “Get It On” – T. Rex (1971)
  • “School’s Out” – Alice Cooper (1972)
  • “Suffragette City” – David Bowie (1972)
  • “Raw Power” – Iggy & The Stooges (1973)
  • “Search and Destroy” – The Stooges (1973)
  • “Personality Crisis” – New York Dolls (1973)
  • “Jet Boy” – New York Dolls (1973)
  • “Urban Guerrilla” – Hawkwind (1973)
  • “Violence” – Mott the Hoople (1973)
  • “Cum On Feel the Noize” – Slade (1973)
  • “Editions of You” – Roxy Music (1973)
  • “Ooh La La” – Faces (1973)
  • “Subway Train” – New York Dolls (1974)
  • “Hey Joe” – Patti Smith Group (1975)
  • “Piss Factory” – Patti Smith (1975)
  • “Roxette” – Dr. Feelgood (1976)
  • “The Next Big Thing” – The Dictators (1975)
  • “Chez Maximes” – The Hollywood Brats (1976)
  • “After Eight” – Neu! (1975)
  • “Ghost Rider” – Suicide (1977)
  • “Little Johnny Jewel” – Television (1975)
  • “30 Seconds Over Tokyo” – Pere Ubu (1975)
  • “Burn My Eye” – Radio Birdman (1976)
  • “Politicians in My Eyes” – Death (1976)
  • “Cherry Bomb” – The Runaways (1976)
  • “Roadrunner” – The Modern Lovers (1976)
  • “She Cracked” – The Modern Lovers (1976)
  • “Shake Some Action” – Flamin’ Groovies (1976)
  • “Blank Generation” – Richard Hell & the Voidoids (1977)
  • “Anarchy in the U.K.” – The Sex Pistols (1976)
  • “Sonic Reducer” – Dead Boys (1977)
  • “Neat Neat Neat” – The Damned (1977)
  • “Chinese Rocks” – Johnny Thunders & The Heartbreakers (1977)
  • “Psycho Killer” – Talking Heads (1977)

I used Tune My Music to import it to Spotify from a text file, then copy to Amazon Music from there. I tried to go to Amazon first, but it messed up quite a bit of the songs. I did have to add “7 and 7 Is” by Love manually as it shows as “Seven and Seven Is” on Spotify. It weirdly plopped a Bob Marley song in that spot. Amazon was full of weird covers and the wrong songs when trying to import from text.

So, what do you think of the list? What’s missing? What needs added? Are my parameters skewed? Do you not accept anything past the date of what parameters were set? What obscure band that 14 people heard at the time is missing from this list? Don’t come at me with the Sex Pistols over the Ramones. Should we whittle it back to 25? Only have 1 song per artist? Come at me with healthy discourse.

Getting the itch to set up a place to rock.


So, as you may know, I have a few guitars. Β Once upon a time we had an extra room that was going to be adorned with said guitars. Β Things changed, and that room serves a much more awesome purpose as my son’s room.

We do, however, have a garage that we don’t use at all. Β We have talked about closing it in to make more room. Β It might be a bit of a project getting the garage door turned into a wall & man door, and will take a bit of interior TLCΒ like more electrical outlets and some type of climate control. Β It should keep the aforementioned son’s room a little warmer if it’s an “inside” room.

I’d like to put my guitars in there, and have them ready to play at any give moment when inspiration strikes.

AiXeLsyD13's Guitars - Oct. 2015

AiXeLsyD13’s Guitars – Oct. 2015

I’ve been drooling over different types of guitar storage for a while now, and stowing ideas away on pinterest.

I’d really like to use the house’s old storm windows that we no longer need to build a permanent version of these cool cabinets:

I have the drive, and I can learn the know-how, but I may need the intervention of someone that actually knows what they’re doing at some point.

Anyone else have a DIY rock n’ roll room setup? I’d like to house my CD’s, records, etc. too instead of them suffocating in storage bins. Maybe some recording gear and/or a PC could find a home there? There are so many options. Like a true punk rock musician I’d like to work close to a nonexistent budget.

Hit me up with your experience and ideas in the comments!

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Locksley is a class act.


Last night Ernie and the Berts had the opportunity to share the stage with D.I.Y. wizards, Locksley.Β  First off, these cats exude cool.Β  They look like they just walked out of the studio at Sun Records, or belonged on the Chess Records roster in the late 50’s.Β  In full confidence of all my manhood, I can say that if I were a woman, and into dudes, my panties would have been thrown onto the stage last night.Β  The best part is that they lack the pretentiousness sometimes associated with such a look.

Locksley is self-described as “doo-wop punk”, but it sure sounds like straight-up super poppy rock n’ roll to me.Β  Part 50’s ballads, part garage rock, part “Beatles just slashed the speakers” kind of vibe…. I even picked up a little Who and maybe even Pinhead Gunpowder.

These dudes explode on stage.Β  After their roadies got them all set up, drummer Sam Bair took nonchalantly to the stage, sat down, and started pounding like a madman.Β  As everyone in the room was spinning their head to see what was going on… the rest of the guys hopped up on stage, picked up their instruments, and joined in with a catchy number.Β  Bass player Jordan Laz called us all to action, Eastwood Airline bass slung to the side; No feet were to be still, no hands were to be left idle.

They actually implored us to go downstairs during the second song, and try to bring up Smiling Moose bar patrons from downstairs.Β  Not even the incredible fans that drove in from Ohio donning homemade letter jackets and poodle skirts emblazoned with Locksley logos went downstairs as we was requested.Β  No one wanted to miss whatever happened next!

Hooky melodies with a beat meant to keep your feet tapping is Locksley’s thing, and they do it well.Β  Their self-titled record comes across as a little softer, more polite, and gentle than the live show… but make no mistakes, these guys are mean on stage.

Guitarist Kai Kennedy was channeling Johnny Cash in all black with his well-worn cream colored Stratocaster wailing crazy poppy licks, and sweating bullets from the get-go.Β  Lead vocalist Jesse Laz let bass player & brother Jordan handle most of the inter-song banter, then would step in to croon and make jangly chord changes with his Epiphone Wilshire… A commanding presence that reminded me of Morris Day in Purple Rain.

Locksley

These guys have crazy stage presence.Β  Any inter-song banter was backed by soft rocking that ramped up just in time to jump into the next tune.Β  Moves that had to be choreographed but looked like they may have had an organic origin peppered the set.Β  Microphone sharing with killer vocal harmonies was all over the place.Β  Everyone who wasn’t tied to a drum kit was in the audience at one point, dancing, rocking, and singing away.Β  Kai and Jesse locked into this weird grappling maneuver where they played each others’ guitars while spinning around looking like someone trying to get out of a straightjacket.

After the set, handlebar-moustached drummer Sam wouldn’t let me purchase a CD.Β  Instead, he gave me a stack to pass along.Β  We gave some out to those who had attended the show, but I still have 2 unclaimed.Β  Let me know if you’re interested.Β  The 1st 2 to claim the disc in the comments below, it’s all yours.

Erin “Ernie” Payne & Dave “Bert” (or “the other Bert”) Warren went to a Fountains of Wayne show in Philly a while back, and Locksley was the opener.Β  Erin really dug what they were all about, and set out on a personal mission to bring them to the ‘Burgh.Β  I’m glad he did.Β  I had a great time last night, and I know the whole shebang was a big deal to Erin.Β  From what I can tell, all of the guys in Locksley and their friends/crew are all-around nice guys who have a genuine love for the music, the stage-show, and the adventure of being a rock n’ roll band.

Stay tuned to Ernie and the Berts’ Facebook page to see photos of the show!

http://twitter.com/#!/LocksleyMusic/status/136883071373942785

Your attendance is required.


Sun. 08/14 @ The Fallout Shelter:

☒ Ernie and the Berts
☒ Hopeless Otis
☒ The Awful Waffles

$5 / 21+ / 9:00pm

Click the link for details & links to the venue & other bands.

Sun.08/14 @ The Fallout Shelter - Ernie and the Berts/Hopeless Otis/The Awful Waffles - $5/21+/9:00pm Beat the heat, not your meat! Β Hang out in the cool relaxing not-humid soothingΒ basement of Sheffield Lanes… a little place we like to call the Fallout Shelter. Β Well, they called it that, so that’s why we call it that. Β We didn’t name it. Β Although, it is a pretty good name. Β For some reason, they like us there, and keep letting us come back. Β Randy just may be a little insane. Β That’s OK, I think we are too. Β At any rate, theyΒ haveΒ good drink … Read More

via Ernie and the Berts

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Just a little shameless self-promotion:

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