Tag Archives: Hard Rock

Playlist | Bass Case

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I’m building a Bass Case playlist on Amazon Music. I’m looking for songs with a killer bass-only or at least bass-heavy intro. Mostly punk, metal, rock, etc. but open to just about anything. Bass guitar or a bass VI, not electronic bass or keys.

This is the start of it (but not all of it) so far:

  • Metallica – “(Anesthesia)—Pulling Teeth”
  • Black Sabbath – “N.I.B.”
  • Misfits – “London Dungeon”
  • Type O Negative – “Black No. 1 (Little Miss Scare-All)”
  • Rancid – “Journey to the End of the East Bay”
  • Alice In Chains – “Would?”
  • Beastie Boys – “Gratitude”
  • Queen – “Under Pressure [feat. David Bowie]”
  • Green Day – “Longview”
  • Ozzy Osbourne – “No More Tears”
  • Motörhead – “Ace of Spades”
  • AFI – “Miss Murder”
  • Primus – “My Name Is Mud”
  • The White Stripes – “Seven Nation Army”
  • Metallica – “For Whom the Bell Tolls”
  • Beastie Boys – “Sabotage [Explicit]”
  • Queen – “Another One Bites The Dust”
  • The Cure – “Just like Heaven”
  • Guns N’ Roses – “Rocket Queen”
  • Megadeth – “Peace Sells”
  • Anthrax – “Got The Time”
  • The Cure – “Burn”
  • Operation Ivy – “Sound System”
  • Jimi Hendrix – “Born Under a Bad Sign”
  • Black Flag – “Six Pack”
  • Primus – “Jerry Was A Race Car Driver”
  • Fugazi – “Waiting Room”
  • Faith No More – “We Care a Lot”
  • Guns N’ Roses – “You Could Be Mine”
  • TOOL – “Schism”
  • The Dead Milkmen – “Bitchin’ Camaro”
  • Red Hot Chili Peppers – “Higher Ground”
  • Black Flag – “TV Party”
  • Violent Femmes – “Blister In The Sun”
  • Metallica – “Crash Course In Brain Surgery”
  • NOFX – “The Idiots Are Taking Over”
  • Faith No More – “Falling to Pieces”
  • The Breeders – “Cannonball”
  • Rick James – “Super Freak”
  • Duran Duran – “Rio”
  • Jane’s Addiction – “Mountain Song”
  • The B-52’s – “Rock Lobster”
  • Rage Against The Machine – “Bombtrack”
  • A Flock Of Seagulls – “What Am I Supposed To Do”
  • Weezer – “Only In Dreams”
  • The Commodores – “Brick House”
  • Death Cab For Cutie – “I Will Possess Your Heart”
  • Iron Maiden – “Killers”
  • Nirvana – “Lounge Act”
  • Jane’s Addiction – “Three Days”
  • Van Halen – “Runnin’ with the Devil”
  • The Cure – “Fascination Street”
  • The Smithereens – “Blood And Roses”
  • The Stone Roses – “I Wanna Be Adored”
  • Metallica – “King Nothing”
  • The Byrds – “Eight Miles High”
  • The Stone Roses – “She Bangs the Drums”
  • The Clash – “The Magnificent Seven”
  • Lou Reed – “Walk On the Wild Side”
  • Joe Jackson – “Got The Time”
  • Stevie Wonder – “I Wish”
  • War – “Low Rider”
  • The Jam – “Pretty Green”
  • The Temptations – “Papa Was A Rollin’ Stone”
  • Sonic Youth – “My Friend Goo”
  • Pennywise – “Ace of Spades”
  • The Beatles – “Come Together”
  • AFI – “Death Of Seasons”
  • NOFX – “Hobophobic (Scared of Bums)”
  • Thin Lizzy – “Dancing In The Moonlight (It’s Caught Me In It’s Spotlight)”
  • The Monkees – “You Just May Be The One”
  • Metallica – “The God That Failed”
  • Bad Brains – “The Regulator”
  • Rancid – “Maxwell Murder”
  • Deee-Lite – “Groove Is in the Heart”
  • Talking Heads – “Psycho Killer”
  • Dead Kennedys – “Viva Las Vegas”

Song name/artist would be more helpful than a Spotify link because I can’t copy/paste from there into Amazon Music.

…and this is subject to change pretty quickly & often.

A screenshot of a playlist titled 'Bass Case' on Amazon Music, featuring various songs with prominent bass lines.

For those about to rock, we salute yinz! (AC🗲DC • PWR🗲UP • Pittsburgh)

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• AC🗲DC • PWR🗲UP • Acrisure Stadium • Pittsburgh PA • Thursday May 8th, 2025 •

So, I have been a casual AC/DC fan for as long as I can remember getting into music. They were always there, always a mainstay, always the butt of “same sounding songs” jokes alongside fellow icons the Ramones. I believe I bought Razor’s Edge & Back in Black about the same time in Jr. High. I really dug “Big Gun” from the Last Action Hero soundtrack, and of course, loved the older stuff with Bon Scott as I got into them.

My kids heard me playing “Big Balls” when they were younger, and of course glommed onto it as the most hilarious song ever. I think I created a rock fan with my son, as he has really dug into the AC/DC catalog.

He wanted AC/DC tickets for his birthday, so we got some… then later traded up when a good friend said he wanted to come to town to catch the show with another buddy, as the speculation spread that it may be their last tour and they weren’t playing out his way.

I prepped by making a playlist of suspected tunes on Amazon Music & Spotify thanks to Setlist.fm. I also have one called 100% Certified Angus on Amazon & Spotify that we rock sometimes too! And my son has been spinning Back in Black on vinyl of all things. (I refuse to get into vinyl or guitar pedals, because I already have a guitar problem.)

Off we went for my son’s first stadium show, first time seeing Heinz Field Acrisure Stadium, & first time seeing AC/DC live! We did catch The Aquabats! at the Roxian last year and that was super badass. That was his 1st concert (if we don’t count the incredible & talented Laurie Berkner for a Christmas concert when the kids were super small) and 1st punk rock show!

A pastiche of images from the AC/DC show in Pittsburgh in 2025.
🤘 For those about to rock, we salute you! 🤘

Just a mashup of clips I got that evening of my dude enjoying his night:

If you follow me on the socials, you probably saw a few signs that we were there. It’s super exciting to me to bond over music as it has been such an important thing to me over the years, as a creative outlet, a place of joy, and comfort.

I can say he said it was “the best night of his life,” so I think he had fun! Ha ha. I am glad I got to see Angus & Brian perform. Man, the band are tight, but with a nice loose groove. I knew they were powerhouse rock icons, but to see it? Absolutely amazing. The show production was crazy with the infamous bell, canons, fireworks, huge LED screens, pyrotechnics, confetti, on-the-fly graphics enhancing live video… but at the same time it all seemed very simple. I’m not sure how to convey it. The frills were not the focus. Obviously Angus and his SG’s are the focus. Even Brian knows this, and he looks like he is having the time of his life up there, knowing he has the coolest job in the world.

I think Angus may be slightly slower now that he was in the 80s or 90s, but at 70 years old… he is undeniably crushing it skipping, shimmying, and duck-walking around the stage while playing rambling angry blues licks, goading the crowd into cheering, stripping off parts of the schoolboy uniform, & taking 17 minute extended guitar solos. At one point, he even defiled the fretboard with his necktie as a slide. That is how you put on a show. Some sources online seemed to think Brian’s vocals were low in the mix. I think that was the case where we were at on the floor… but videos from elsewhere have it perfect. His voice is amazing, and again, at 77… he is running around belting out these immortal songs like it’s nothing for 2 damn hours.

The crowd was sedate, lots of people fist-bumping or throwing horns or thumbs up to my dude as we went through the crowd & got to our seats. There were obviously visible drunks, but nothing I saw got too out of hand, even the tailgating outside seemed to be chill.

Scott Mervis has a great review from the PG, and Mike Palm has one from the Trib. I was also able to find a TON of video on YouTube so we can remember the night as long as YouTube is a thing. Ha ha. Check out this bonkers playlist that I am still updating:

It has all kinds of videos from promo stuff, to stage setup, to pyrotechnic stuff, vloggers, and nearly every song individually, from a bunch of different vantage points, and someone grabbed the whole show!

We have had a lot of craziness going on lately, so this was a fun respite and I think we needed it. Hopefully this will be a day long remembered by both of us as a highlight to this year.

So, were you there? Share your stories, pictures, & videos in the comments! I’d love more YouTube stuff to add to the playlist too. I think the only individual song I’m missing is “Rock N’ Roll Train.”

If you weren’t there, or saw them some other time, or in your city, or just want to drop some AC/DC memories or lore, do that too!

🤘⚡🎸

Metallica – “Lux Æterna”? I like it.

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So, I’ve written about Metallica before (twice). I can see all this shenanigans about the new single. Honestly, I like it. Hating on Metallica has become low hanging fruit at best to edgelording or gatekeeping at worst, As fans, we all poke fun at our favorite stuff. I’m looking at you, Star Wars and Danzig people.

Metallica Fans: We want more sounds that sound like Kill 'Em All." Metallica: [Releases "Lux Æterna"] Metallica Fans: NO, NOT LIKE THAT!
Lux Æterna

I found the new one to be a banger. It feels thrashy like KIll ‘Em All, with pop sensibilities like the black album.

I recently posted a reply to a comment of my posting of the video on Facebook, but the original comment was deleted by the author and my subsequent reply has been lost to the 1’s & 0’s I guess.

The gist of what I was getting at was as follows…

To say metallica has lost or hasn’t been good for decades? I get it, and it’s certainly a valid opinion. People have been saying they “sold out” since Ride the Lightning.

Metallica didn’t hit my radrar until …And Justice for All came out. I hadn’t listened to anything much beyond Top 40 radio or oldies at that point. I worked backwards and was caught up in the magic of Kill ‘Em All and Master of Puppets. I wasn’t aware of the punk scene in 1977 when I was born, but I wouldn’t call myself less of a Misfits fan because I wasn’t around? You could probably assume with great certainty that each Metallica album brought in new fans upon it’s release.

I could also argue that Metallic’s output is quantifiably better than most when compared to their peers or contemporaries.

Say in sheer influence in heavy music, Black Sabbath comes the closest. (OK, maybe Led Zeppelin too, but I’ll go with Sabbath here as Zeppelin ended.) You could say that there drop-offs in interest post-Ozzy & again post-Dio. Does that mean that Iommi and Geezer are any less lauded in the riff lord category? I don’t think so. Their early output is so epic and influential, they could release an album of pip farting on a snare drum and it shouldn’t detract from their legacy. James still writes killer riffs. Kirk is still a master of stringing together wah-fueled madness. Lars is a great arranger and cunning businessman. I wish they hadn’t done Newsted dirty, but Rob seems like a great fit.

In 1991/1992, Metallica and Guns N’ Roses where arguably the most lucrative and widely known hard rock acts on the planet. They were two of my favorites at the time and I still have fond memories of that epic show at Three Rivers Stadium. Look at what both bands have put out since then. Sure, Metallica dropped a Lulu turd in the sandbox, but you can scoop that out and keep playing. Guns N’ Roses pissed into the swimming pool with Chinese Democracy and everyone had to get out of the pool. This is coming from a guy that liked The Spaghetti Incident?. I liked Death Magnetic & Hardwired to Self-Destruct. Even St. (B)Anger got better with time. James, Lars, Kirk, & Rob seem on top of their game. Maybe the rhythmic chugs are more of a gallop these days. Slash has improved so much over time, Duff got sober. Axl’s voice went out the window with his grasp of reality & last vestiges of sanity. I couldn’t even tell you who else was in the band, to the end that I actually just miss Velvet Revolver at this point.

Megadeth? Sure, Dave Mustaine can arguably play guitar better than James or Kirk… may be better at writing or arranging songs… has definitely put out more albums in the same timespan… But who has heard them? There have been a revolving cast of players, each successively thrown under the bus, probably the same Greyhound that drove Dave from NYC home to San Francisco. Seriously, the only press that they have received in the last decade that wasn’t Dave commenting on Metallica has been Dave Ellefson’s whacking it on webcam. This led Dave M. to discount all of the former’s contributions over the years.

AC/DC can make the same album over & over again for decades and it can be great… but not everyone can get away with that.

I’m anxious to hear your thoughts in the comments. What do you think? I’m looking forward to the new album. Will I still poke fun at Metallica? You bet I will. Will I enjoy the rest their new stuff? I sure hope so.

Check out my Metallica related playlists. I had a good one on Spotify that I am in the process of rebuilding for Amazon Music.

Dear Mr. Rose,

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Dear Mr. Rose,

Thanks for pissing on the remaining shreds of hope that I had that there could ever be an Appetite-era lineup reunion of the infamous Guns N’ Roses.  I wasn’t hoping for a world tour or anything.  Just a 1-time set at the Rock & Roll Hall of Fame would have been gracious and exciting.

I watched as the band burned bright, then fell apart.  Illusions I & II are the sound of a band imploding, and Spaghetti Incident is the sound of a band phoning it in.  Chinese Democracy is the unsettling ranting of a lunatic.

I have read the biographies, and I have made a public plea for a reunion.  Appetite for Destruction floored me when I was a teenager.  The guitars were blaring and dancing around each other perfectly.  The drums made my heat beat faster.  The bass managed to weave it all together.  The vocals made me want to scream and yell.  Lies was absolutely brilliant.  The raw aggression of the earlier “live” tracks were the Guns, & the stripped down yet edgy acoustic tracks were the Roses.

You could have been a grown-ass-man, and set aside your ego, your demons, and whatever else is plaguing you.  You could have probably even gotten away with not showing up for rehearsal, sound check or even acknowledging the existence of the other guys off stage.  Everyone knows you’re supposedly some sort of “temperamental genius” by now, and would have let it slide.  I mean, you really never got much more than a monetary slap on the wrist for inciting multiple riots.  If you can get away with that, you can pretty much get away with anything.

It seems that you fear reuniting with the old lineup would invalidate the existence of the current lineup of Guns N’ Roses.  The only thing that invalidates the current lineup is one W. Axl Rose.  You have made it unequivocally clear that the founding members of the band who wrote the songs that you’re surely playing on tour & developed the sound that you try so hard to get away from are nothing but hired guns (pun intended) to your apparently infallible and virtually unreachable artistic vision.  Why should we put any stock in the revolving door of members that has been present since the departure of core members Duff & Slash?  Perhaps Izzy was the most intelligent of the bunch, getting out shortly after Adler was ousted.  Gilby Clarke sure was never given status as a full band member.  Even Buckethead was called out for his apparent inabilities to record or tour when he left the band.  It’s always someone else’s fault, isn’t it?  Does Dizzy Reed know any other words than “Yes, Axl”?  (Surely even you have to notice how terrible the piano sounds on live versions of “Patience” and “Paradise City“.)

By all accounts it’s Axl who was always late to the stage, Axl who left everyone hanging in Chicago, Axl & some guy that wasn’t even in the band that included a hidden Charles Manson cover on an album despite the rest of the band’s wishes, Axl who called in Paul Tobias without asking anyone else, Axl who demanded legal ownership of the band name at a time when it was impossible for the others to refuse (all aiming to keep the fans happy), Axl who put out no albums while former bands mates cranked out multiple albums from multiple projects, and Axl who consistently points out the shortcomings of his peers and former friends through some self-created veil of paranoia while never taking the time to analyze or even admit to his own self-destructive actions.

Thank you for destroying my favorite band.

I guess I do have to thank you for making sure that the last memory of my favorite lineup won’t be some half-hearted attempt at recapturing some inspirational spark or any multitude of possibly disappointing outcomes.

Former Fan,
-ERiC AiXeLsyD

Appetite for Destruction

Appetite for Destruction (Photo credit: Wikipedia)

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Ink N’ Pages – The Guns N’ Roses Autobiographies

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Slash

Slash

So, it’s no secret that I’m a Guns N’ Roses fan.  Well, a fan of everything up until The Spaghetti Incident.  I like both of Duff‘s solo albums, all of Slash’s Snakepit & solo material, Velvet Revolver, I even have Hollywood Rose.  I still need to pick up a Loaded album, but I do have the Neurotic Outsiders.  This doesn’t dig into bootlegs of live and demo stuff… of which I have a plethora.

Appetite for Destruction generally tops my “all time favorites” album lists.  I go back to it time and time again, & get lost in between Slash & Izzy’s guitars spiraling around each other.

Of course, when the autobiographies started coming out, I had to read them.  I got Slash‘s book, then Duff’s then Steven’s.  Slash was a rock n’ roll hero to me when I was in Jr. High & high school, but out of the three books… I think Duff comes off the best  and most entertaining.  The writing is very fluid.  I found it easy to imagine Duff in the early days.  The stories are blunt & sincere, and he ties it all back to where it has led him & where he is now in life.  Duff seems like a great guy to hang out with.

It's So Easy: and Other Lies

It's So Easy: and Other Lies

Slash’s book is an easy read, but it jumps around quite a bit.  His recollection of events is really questionable.  It doesn’t necessarily feel like Slash is remembering things correctly, or even the one telling the story.  I might have to give it a re-read after finishing the other two books.

Steven’s book, like Steven, is a mess.  I can’t help but feel pity for the guy, mostly because he professes to not have a “poor me” attitude, but every single action the guy takes screams “oh poor me”.  This guy just can’t get it right, but he still seems like a likeable guy.

It comes across in all of them that they had fun times in the early days, with a vibe that can never be repeated.  Sadly, all these guys seem to have a habit of burning bridges… yet posses a decent history of patching things up.  I mean, Slash & Duff have never really stopped working together.  Duff has been on-stage with Axl’s band recently.  They both patched it up with Weiland recently.  Duff, Slash, & Izzy have jammed with Adler’s Appetite.

My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses

My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses

One thing is clear from all of these books… Axl is an absolute wild man, and these guys love & fear him.  I really hope Axl & Izzy churn out books someday.  Maybe somehow all of the events can get plotted out & reconstructed correctly.

Maybe they’ll even get together for the Rock N’ Roll Hall of Fame ceremony.

I’d love to check out some of the other GN’R biographies (like Reckless Road), but if the guys in the band can’t even get it right… then what hope does an outsider have?

♧♠♡♦♢♥♤♣

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Concert Stereotypes

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Rock Concert!

Rock Concert!

This topic was by my friend Laurel the other night at the Dropkick Murphys Shamrock-N-Roll tour.  I know I’ve had this conversation before with others.  I decided to take it & digitally run with it.  Stereotypes are generally a bad idea, but they sure are funny.  A punk rock show, or really any show… is full of them.  I’ll start a list.  You’ll contribute in the comments.

  • “That” guy.  Formerly known as “the guy that wears the shirt of the band he’s going to see”, but shortened to “that guy” because that’s a mouthful.  I’ve been that guy.  I bet you’ve been that guy.  Somehow it’s sometimes seen as cool… and sometimes not.  This is probably more acceptable/expected at a Misfits or ICP show than anywhere else.
  • The “Windmill” Guy.  Generally, he’s in a college hoodie, maybe even with his Greek letters on it.  He’s visibly drunk, and probably double-fisting when not in the pit, flailing his arms around in an effort to be cool and badass by totally missing the point of slam-dancing or moshing by trying to hurt people… and take as much punishment as they can get.  You can also spot them by the off-kilter fitted cap, thank Fred Durst for these toolbags.
  • Old Creepy Guy.  I’m rapidly becoming this guy.  I’m cool with that.  The recent Shamrock-N-Roll show saw a really diverse group of concert-goers.  There were grandmas & grandkids all over the place!  Generally though, at smaller shows… there’s a lone dude just hangin’ out that doesn’t seem like he’d be into whatever’s going on at all.
  • Your new best friend.  Cat comes up & starts talking like you’re old buds.  No big deal right?  You’re obviously both fans of the same band, you’re both there.  What’s the harm?  The conversation turns way too intimate or inappropriate quite soon.  You have no escape.  This guy’s probably drunk.  Hopefully, anyway.  He has no concept of personal space, and is telling you all about the band/joke/logo on your T-shirt.
  • The “Stuffed Sausage”.  Generally a petite-in-height but not in girth young lady with self-esteem issues.  Most likely she started as quite an attractive curvy woman, but donned about 3 lbs. of makeup, pushed up and bared most of her boobies, hung some butt cheeks out of a tiny skirt or shorts… and all of her clothing is about 2 sizes too small.  I’m not hatin’, I’m just sayin’.
  • The nearly blind-drunk guy.  There’s always a stumbler ambling through the crowd that’s just there for beer.  At $30-$50 for a concert ticket without TicketBastard fees, and $7-$9 per tiny draft beer… the whole concept is pretty ridiculous.  This guy generally looks like he doesn’t belong anyway.  He squints to see, walks sideways while looking straight ahead, and smells like the floor of a brewery.
  • The militant lesbian.  I’m not going to say much here, for fear of getting beat up.  The partially shaved head and camo pants are a sexy sexy combo that’s always in style.
  • Lookatmytats. This dude or dudette has spent thousands of dollars & hours under the needle, so they wear as little clothing as possible in order to bare their epidermal canvass.  I would too were I all inked up, I think.  Generally this is accompanied by gauges or other “non-traditional” piercings.  Not to be confused with Lookatmytatas, who needs no explanation.
  • Wikipedia Guy.  This one is always directly behind or in front of me at concerts where you have an actual seat… also prevalent at Pens games.  Wikipedia guy isn’t here to be entertained, he’s here to wow the people with him & anyone in earshot with his knowledge of the band’s formation, various lineups, demo material, and complete discography including various pressings and formats.  I’m in danger of being this guy, and it’s so annoying.  I love my music & trivia… but try to only spout when asked, & not broadcast it.

That’s my starter list.

I know I’m missing more than a few that I see regularly, but I’m hoping someone else will think of them too… so I’m not all alone here.  What about the kid with headphones?  The super-fan?  The crying girl?  The PDA couple?

Please, leave the name of your concert-going stereotype in the comments section below.  If you’re feeling creative, how about a description too?  If you have landed here via Facebook or Twitter & you’re still logged in there… you can comment below with no hassles.  You can also just comment w/o logging in.  WordPress just asks for a name & an email address to go along with your comments, with the option of a URL.

What stereotype are you?  Which one do you love?  Which one do you hate?  Which one are you?  Which one am I?  Have any comments/additions/corrections to the ones I’ve already listed?

Perhaps I’ll compile another blog with all the results, perhaps they’ll just live in the comments section… but I need your help making the list!

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Sat.08/27 @ GOOSKI’S! – The Dirty Charms / Ernie and the Berts / What Else? – 21+/$5/10:00pm (via Ernie and the Berts)

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I love Gooski’s. It’s a relaxing hole in the wall with a killer jukebox and ridiculously awesome honey BBQ wings. It’s always cool to play a place you’re so comfortable in, so please come out to this one, hang out, & have a fun time with Ernie and the Berts as we rock out with the Dirty Charms & What Else?.

Sat.08/27 @ GOOSKI'S! - The Dirty Charms / Ernie and the Berts / What Else? - 21+/$5/10:00pm GOOSKI’S.  That’s all I need to say.  Come early, stay late.  Rock out with some cheap beers, tasty wings & pierogies.  We all need a night of debauchery in Polish Hill every once in a while.  That’s what your favorite local rock n’ roll bands are for!  What Else? channels some glam, Ernie and the Berts will make you feel scuzzy & fuzzy, and the Dirty Charms just may make you need to take a shower… Read More

via Ernie and the Berts

If it’s too loud, you’re too old!

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☢ BOOM! ☢

Phallic-Atomic Wall Art

That’s what I used to think, anyway.  Over the years I’ve come to appreciate things like volume & tone… and dialing in a bit of control to the chaos.  Recently the following open letter/plea to local & touring musicians was posted in a semi-private Facebook group for the bands that rock out at the Fallout Shelter.  I asked permission to re-post, as it seems like a cool discussion starter.  As a dude in a band, I’m always up for talking about such things.  Permission was granted, and so we’ve arrived at:

PLEASE READ – An open letter to the bands in our musical community from Rick at the Fallout Shelter –

July 27, 2011:

The Fallout Shelter in Aliquippa is well into its fourth year of providing local bands in Beaver County with a venue where they can hone their skills, develop a following, and join a sincere and optimistic musical community. We are very proud of that. We also are committed to bringing excellent quality sound and professionalism to the music patrons who attend our shows. And we strive to help the bands that perform become more professional and polished as they gain experience in front of the crowds. With all of that in mind, I feel compelled to write this letter to everyone who has contributed so much to our journey.

Rock music is traditionally expected to be performed at loud volumes. Although we welcome all musical genres at the Shelter, we have tended to present rock, punk and metal acts more regularly. As such, volume frequently reaches levels that would severely damage the sensitive ears of small animals. So, the question becomes, can “loud” be too loud? Despite your inner rock god’s rabid denials, the truth is that, yes, it can be too loud. On more than a few occasions, I have witnessed young rock fans leave the Shelter shaking their heads and declaring that “it is too loud down there!” How can loud be too loud?

The Fallout Shelter ☢

The Fallout Shelter ☢

As an old rock musician and former fine arts major who grew up in the 70’s listening to bands such as Zeppelin and the Who, let me offer my view on the matter: When the individual sounds of the instruments become too loud, they tend to meld together into what can essentially be described as a “mush” of sound emanating from the stage. As the on-stage musician, you no longer are providing the sustenance of musical nectar to the fans, but are instead dumping the digested excrement of the combined sounds upon them. Individual sounds are completely lost and thus, so are individual expression and critical accents of each musician which can significantly enhance the musical presentation. Some of you might argue that certain genres are intended to be presented as musical mush – and I cannot disagree because musical taste is indeed individual. But musical mush is not what we desire to showcase. The occasional unusual act that uses noise or volume for musical or artistic effect is welcome, but we do not wish to bombard our patrons with unnecessary volume. By beginning your performance at maximum volume, you lose nuance and dynamics, which eliminates your flexibility in making your performance so much more powerful. Being able to increase volume for that soaring lead, or for that key phrase, and using those skills, will make you better musicians and more polished performers. Dynamics is a natural emotional expression of the music, and its importance cannot be over-emphasized.

As a young bassist, I recall performing many times and falling into the same bad habit of turning up during performances – or leaning over to place my ear near my speaker so I can hear my bass. The sound was essentially blowing past my legs so I could not hear myself well enough. The temptation to turn up in such a case is inescapable. This problem can be solved by either asking the sound man to increase your instrument volume through the monitors, or by raising the speaker to be closer to your ear level. We provide one amp stand that leans back to direct the amp speaker to the performer for this purpose. We also intend to build crates to keep on stage which all amp speakers must be placed on to raise them up. Hopefully, this will solve some of the volume problems. We also provide a drum shield for those drummers who play very loudly. When our sound man asks you to use it, it is because he is trying to make you all, as a band, sound the best that you can. Please do not refuse to use it. Trust our sound man – he is working in a very small venue with a powerful sound system. If you maintain the volume that he requests, he will make you sound spectacular. Doing a sound check to establish an excellent level, and then turning up, just creates a cascade of each musician turning up, one after another, and destroys the effort that went into doing the sound check. When you turn up, he has to fight the instrument and drum volumes to bring vocals up to be heard and the result is often feedback and “mush” coming from the stage.

Please help us present the best local performances to your fans and experiment with volume for maximum effect, not just maximum levels. We will not continue to book bands at the Shelter who cannot realize that learning to use volume properly is as important as learning to master their instruments. Personally, I feel that such bands are either incapable of learning what it takes to perform meaningfully, or are simply fulfilling some narcissistic rock star fantasy.

Once again, thank you to all of the fine musicians and people who make the Shelter such a special venue. Let’s continue to work together to make it, and our bands, the best that they can be.

Rick

Ernie and one of the Berts

Ernie and one of the Berts...

You can pick up on the frustration in Rick’s message.  I get it.  There’s a good discussion already going if you’re part of the group.  Rick, Randy, & everyone at the Fallout Shelter have always been really cool to us.  The sound guys have been great…  I’m absolutely terrible with names or I’d mention them here.

My focus/attention span has been crazy lately, so I think the best way to organize my thoughts on this is a completely random bulleted list.

  • I used to want a wall of Marshall cabinets…  I don’t anymore.  In a stadium?  Sure!  But, the reality is that I play mostly bars…  Bars that are small, and sometimes too small to host bands but do it anyway.  Lately I have been digging using Erin’s little Fender Hot Rod Deluxe amp or Dave’s killer Egnater Rebel head with my 4×12 Mesa Boogie cabinet.  (My Crate Power Block is oddly “OK” live, but absolutely terrible when being recorded.)  Not only do we have to provide entertainment, but we have to carry our own crap in & out.  An amp that’s a quarter of the size & has twice the balls of most other amps?  It’s a win every time in my book.  Try it out!  (Especially if you’re playing a place downstairs like the Fallout Shelter or upstairs at the Smiling Moose.)
  • Let the sound guy do his job.  The sound guy at any given venue has been hired to make you sound good.  Don’t piss him (or her) off.  Don’t insist on turning your stage volume up until you hear the mix from the monitors, or go sit in the house yourself to hear the mix.  Want to have the most rock n’ roll attitude in the room?  Just play, and don’t give a crap what it sounds like.
  • Suck it up.  Shit happens.  Monitors screech, cut out, blow up, sound like mud, or are entirely non-exsitant at times.  There are still people sitting there waiting for you to play.  Play!  Don’t ask the sound guy to adjust a different level after every song.  Once one or two songs in?  No problem.  All night long?  Just deal with it.
  • Use the drum shield.  I think I’ve only ever played at one place where the drummer sits behind a shield.  They asked, so we did it.  I even put a sign on it that says something like “don’t tap on glass” that I think is still there.  It gives the sound guy further control over the room… and the monitors.  As long as you have a monitor in there for the drummer, it shouldn’t be a huge issue.  It might feel & look weird, but if Dave Grohl can do it, you can do it.

Please don't feed the drummer.

Please don't feed the drummer.

That’s all that comes to mind right now.  I’m sure there will be more.  For their part, it looks like the Fallout Shelter is open to suggestions in improving their monitoring system & the overall sound for the room.  I’d suggest some kind of acoustic wall tiles to keep already loud noises from reverberating, but that’s just me.

I’d like this to start a discussion about sound at smaller venues all around Pittsburgh, & well… everywhere.  In the comments section below, post your thoughts!

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Guitars & Rock N’ Roll

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I like guitars.  I blog about a bunch of stuff, but I can’t believe I neglected adding a guitar category before now.  Perhaps because I’m back to rocking out again, I’ve been more aware of guitars and music in general.

I have always loved music from an early age, and the guitar has always been my favorite instrument.  Of course I wanted to learn how to play.  I took a class in school because I needed 2 music electives one year.  We did the Mel Bay “Marry Had a Little Lamb” crap and I skimmed through only sort-of learning to read music while I bought guitar magazines and learned my favorite riffs by tab at home or from the kids in the guitar class who already knew how to play & were taking it for an easy A.

I was also learning at church camp… the minister in charge used to play campfire standards & hymns for the sing-alongs, and taught me how to play chords to a whole song instead of the riffs that I was used to half-assedly piecing together.  I think through this is where I first felt comfortable singing & playing at the same time.  I remember that being a huge obstacle at one point, but now it almost seems ridiculous.

I took lessons at a music store for a while, and it was cool… but basically I learned 1 scale and how to play by ear.  It wasn’t very structured, and I wasn’t a great student.  I just wanted to rock… not learn.

Around the same time, I re-discovered punk rock.  I had always been a fan of pop rock, punk rock, metal, & more… but when I learned that I could pop in the Misfits or Ramones and play along to the whole record, something just clicked.  I fell into a three-chord way of life… and discovered that I didn’t need to be a great guitar player.  Sure, there’s always room to improve, but I’m not trying to be Yngwie Malmsteen or Jimi Hendrix or anything.

With the punk re-awakening that I had, I wanted to write songs and be in a band.  Playing the guitar was the means to that end.  Luckily this was happening at the same time for me as some other good friends & eventually AiXeLsyD was born.  I’ve played on & off in a handful of bands & projects since then and been part of a few different scenes.  I’m very thankful for being introduced all the people that I’ve met through those endeavors.  There’s a weird bond with other people in bands that you just don’t get if you’re not part of the whole thing.  It’s like a weird brotherhood or religion or secret club… even within that I guess there are still more than a few who still don’t get it once they’re in it, but that’s a whole other blog.

This went a different direction than I intended, but you’ll have that.  Maybe I’ll blog more about the band experience… I’ve had a few standard rants about bands over the years that I’ll have to rehash here.

My original intent was just to say that I was going to start blogging about guitars.  I love guitars.  I like to play all kinds, I’d love to own them all.  I like normal guitars, but I gravitate toward the weird ones.  I’ll blog about all of them here.  Hopefully it’ll spark some discussions, awe, and ire.