Tag Archives: Music

Posted on by Aside Reply

An Ernie and the Berts update!

Ernie and the Berts's avatarErnie and the Berts

Yes, we’re recording a demo.  Yes, we’ve got some ridiculously excellent shows coming up.  Yes, we have crazy contests.  Yes, an actual album to be recorded & pressed is about to be funded.  Yes, we have crazy coded messages.  Yes, we have the coolest fans ever.

There’s one more thing Ernie wants you to do.  Join the email list!

There’s some absolutely ingenious stuff going on behind the curtain thanks to Ernie’s sheer dedication to complete and total insanity surrounding this band and our special brand of punk-ish yet poppy dirty rock n’ roll.

We hope to bring actual exclusive news & content to the list, as well as reminders of shows, events, more merch, contests and more!

If you have some extra cash and want a crazy reward, many are still available on our kickstarter page… get ’em before Sat. Oct. 15th

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Imaginary Misfits/Ramones Cover Band Set List

Posted on by Standard 18

So, a while ago… I stated in “print” on Facebook that I’d like to start a band that covered Misfits and Ramones songs… as well as some from the various related bands.  If this were something that I actually had the time to do, these are the songs I’d want to play:

Ramones vs. Misfits

Ramones vs. Misfits

I’d obviously like to play guitar, probably like to sing some.  Maybe it can be a project that plays once or twice a year around Halloween or something.  Maybe it’ll never happen.  I’m sure there are some glaring omissions in my list.  What songs do you like?  What would you add to the list?  What would you skip?  Would you come see this?  Would you want to be in the band?

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Guns N’ Roses – Rock & Roll Hall of Fame?

Posted on by Standard 3

Cover of "Appetite for Destruction"

Do you know where you aaaaaaarrre?

Guns N’ Roses was & has been one of my (many according to the wife) all-time favorite bands for quite some time.  I was the target audience when this stuff was being played on top 40 radio.  They stood out among all the hair metal that was going on because they were a little more raw.

The production on Appetite for Destruction wasn’t glossy by any means.  The guitars hit you right away.  I still say Slash & Izzy have this amazing guitar interplay that no one else can match.  Duff has a style playing bass where you know it’s him, and his sound complimented everything else that was going on perfectly.  They had punk sensibility, rock riffs, they seemed like a meaner Aerosmith.  Apparently they weren’t able to keep egos in check or an endless array of drugs out.  Perhaps it’s better that the original lineup blew up as the Illusions albums were being recorded.  Then we wouldn’t have crap like Metallica’s Load to blame on them.  The blame for Chinese Democracy can rest solely on Axl.

I’m sparked to write about Guns N’ Roses because I see that they’re finally eligible and nominated for the Rock and Roll Hall of Fame.  While I realize that the rock and roll hall of fame arguably has been, is, and will continue to be a sham for a small group of critics to fawn all over themselves…  The fact exists that it’s there, and it happens.  I enjoy the all-star jams.  I dug the Blondie appearance a few years back, and the tribute to Black Sabbath.  The non-appearance of Van Halen was a ridiculous disappointment.

I would love to see Slash, Duff, Izzy, Axl, & Steven Adler take the stage together before one of them dies.  Axl has made it pretty clear that he’ll never work with Slash again, and seems to be under some illusion that it was only his voice, personality, & songwriting that made the band what it was.  (Wasn’t the quote something like “Slash is a cancer”…?)  While Axl’s volatile nature clearly helped vault them to super-stardom, it would have been nothing without blistering guitar solos spewing forth from a chain-smoking, top hat-wearing, Les Paul-playing Cousin Itt… woven together by Izzy & Duff, with the attempt of holding things down by Steven.

I’m hoping the planets align, Axl takes some happy medicine,  and they all take the stage to rock out… even if it’s just a one-off and Axl goes back to the roving band of hooligans that is today’s (sad sad) GN’R.  I really wish Axl would just continue to write, record & tour as AXL… instead of pissing on the name & reputation of the band.  I wish Velvet Revolver would come in & play some songs with Miles Kennedy at the helm, and then go on to find a rock producer & record a new album.

Will Slash & Axl share the stage for an all-star jam?  Will they all be no-shows?  Will any incarnation of the band show up?  Will someone show up & play terrible covers?

Only time will tell.

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Concert Stereotypes

Posted on by Standard 40

Rock Concert!

Rock Concert!

This topic was by my friend Laurel the other night at the Dropkick Murphys Shamrock-N-Roll tour.  I know I’ve had this conversation before with others.  I decided to take it & digitally run with it.  Stereotypes are generally a bad idea, but they sure are funny.  A punk rock show, or really any show… is full of them.  I’ll start a list.  You’ll contribute in the comments.

  • “That” guy.  Formerly known as “the guy that wears the shirt of the band he’s going to see”, but shortened to “that guy” because that’s a mouthful.  I’ve been that guy.  I bet you’ve been that guy.  Somehow it’s sometimes seen as cool… and sometimes not.  This is probably more acceptable/expected at a Misfits or ICP show than anywhere else.
  • The “Windmill” Guy.  Generally, he’s in a college hoodie, maybe even with his Greek letters on it.  He’s visibly drunk, and probably double-fisting when not in the pit, flailing his arms around in an effort to be cool and badass by totally missing the point of slam-dancing or moshing by trying to hurt people… and take as much punishment as they can get.  You can also spot them by the off-kilter fitted cap, thank Fred Durst for these toolbags.
  • Old Creepy Guy.  I’m rapidly becoming this guy.  I’m cool with that.  The recent Shamrock-N-Roll show saw a really diverse group of concert-goers.  There were grandmas & grandkids all over the place!  Generally though, at smaller shows… there’s a lone dude just hangin’ out that doesn’t seem like he’d be into whatever’s going on at all.
  • Your new best friend.  Cat comes up & starts talking like you’re old buds.  No big deal right?  You’re obviously both fans of the same band, you’re both there.  What’s the harm?  The conversation turns way too intimate or inappropriate quite soon.  You have no escape.  This guy’s probably drunk.  Hopefully, anyway.  He has no concept of personal space, and is telling you all about the band/joke/logo on your T-shirt.
  • The “Stuffed Sausage”.  Generally a petite-in-height but not in girth young lady with self-esteem issues.  Most likely she started as quite an attractive curvy woman, but donned about 3 lbs. of makeup, pushed up and bared most of her boobies, hung some butt cheeks out of a tiny skirt or shorts… and all of her clothing is about 2 sizes too small.  I’m not hatin’, I’m just sayin’.
  • The nearly blind-drunk guy.  There’s always a stumbler ambling through the crowd that’s just there for beer.  At $30-$50 for a concert ticket without TicketBastard fees, and $7-$9 per tiny draft beer… the whole concept is pretty ridiculous.  This guy generally looks like he doesn’t belong anyway.  He squints to see, walks sideways while looking straight ahead, and smells like the floor of a brewery.
  • The militant lesbian.  I’m not going to say much here, for fear of getting beat up.  The partially shaved head and camo pants are a sexy sexy combo that’s always in style.
  • Lookatmytats. This dude or dudette has spent thousands of dollars & hours under the needle, so they wear as little clothing as possible in order to bare their epidermal canvass.  I would too were I all inked up, I think.  Generally this is accompanied by gauges or other “non-traditional” piercings.  Not to be confused with Lookatmytatas, who needs no explanation.
  • Wikipedia Guy.  This one is always directly behind or in front of me at concerts where you have an actual seat… also prevalent at Pens games.  Wikipedia guy isn’t here to be entertained, he’s here to wow the people with him & anyone in earshot with his knowledge of the band’s formation, various lineups, demo material, and complete discography including various pressings and formats.  I’m in danger of being this guy, and it’s so annoying.  I love my music & trivia… but try to only spout when asked, & not broadcast it.

That’s my starter list.

I know I’m missing more than a few that I see regularly, but I’m hoping someone else will think of them too… so I’m not all alone here.  What about the kid with headphones?  The super-fan?  The crying girl?  The PDA couple?

Please, leave the name of your concert-going stereotype in the comments section below.  If you’re feeling creative, how about a description too?  If you have landed here via Facebook or Twitter & you’re still logged in there… you can comment below with no hassles.  You can also just comment w/o logging in.  WordPress just asks for a name & an email address to go along with your comments, with the option of a URL.

What stereotype are you?  Which one do you love?  Which one do you hate?  Which one are you?  Which one am I?  Have any comments/additions/corrections to the ones I’ve already listed?

Perhaps I’ll compile another blog with all the results, perhaps they’ll just live in the comments section… but I need your help making the list!

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SHOW REVIEW: Dethlehem / The Bloody Seamen / The Approach and the Execution

Posted on by Standard 2

08/11/2011 @ Howler's

How cool is this flyer?

So, last night I broke my normal “school night” routine of hanging out at home (or at least getting home by a decent time) to check out a local show that I could not resist.  If you’ve read the blog, I’m obviously a Dethlehem fan.  In addition to those medieval fantasy knuckleheads, the Pirates that “crashed” their CD release party were on the bill; The Bloody Seamen (apparently known in some circles as The Flying Dutchmen).  I’ve been wanting to check those cats out for a while, so this alone was a no-brainer.  The other band was The Approach & The Execution.  They’re out on tour from Cleveland, OH… but we won’t hold that against them.  The place was Howler’s, and I know it well.  Bengt is a hell of a sound-guy.  I haven’t exercised my photography muscles in a while.  All of  the right ingredients added up to getting my lazy old musician behind out to a week-night show.

⚔☠⚔

☠ The Approach & The Execution ☠

The Approach & The Execution

These guys were up first, and they just ripped it all apart right out of the gate.  I’m pretty sure there were 5,692 guitars on stage and their lead cat went through all of them… even knocking one from the stage to the floor at one point.  There was screaming, there was “woah-ing”, there was shredding, there was thunderous drumming, there was harmonizing vocals, there was dueling leads, there was even muscle flexing choreography.  The one highlight of the set for me is when the one dude on vocals & guitar was playing a show soulful lead… and the dude next to him was shredding circles around it.  It was later in the set, and I hope that song’s on the CD that I picked up, The Blood March.  These guys were incredibly tight, & played really well off of each other.  Apparently they had some setbacks in the way of van trouble and had to have AAA & some friends bail ’em out.  They had a vehicle-less trailer out front.  Hopefully they make it to their next destination tonight, so they can melt the faces of the next group of new fans!  (Interestingly, I popped the CD in on the way to work this morning… and heard keyboards & a chick vocalist… neither of which were at the live show.  I’m only 3 songs in so far, but I wonder what’s up there?)

☠ The Bloody Seamen ☠

The Bloody Seamen

These dudes are hardcore.  They show up in full pirate regalia, and don’t break character easily.  I even got a “business scroll” from Captaine Blackguts when inquiring about obtaining some recorded material!  For all I know, these cats really are pirates, and have a ship docked somewhere on the Allegheny river.  (Although, the one guitar player Cheswick looks a lot like the guy from Deathmobile/The It’s Alive Show…)  This is a band of buccaneers that knows how to work a room, and work it they did.  They definitely put a gleaming sharp metal edge on some really catchy drinking songs, with fighting, fornicating, plundering, and treasure thrown in for good measure.  They seemed to cross musical genres with some straight up rock and some more funky/groovy stuff.  Any band with a guy named “pipes” that plays the accordion, what  think was a fife or some kind of small flute, and the bagpipes alongside screaming guitars is cool in my book.  These guys know what they’re doing.  I bought a T-shirt because no CD’s exist yet.  I had sort of hoped they’d bust into “Friggin’ in the Riggin’” or “Whiskey in the Jar“, but alas… they were more original than that.  I will definitely be at more of these guys’ shows.  I just hope they weren’t distracting us with awesome swashbuckling metal as the rest of their crew picked our pockets and stole our women.

☠ Dethlehem ☠

Dethlehem

Have I told you how much I hate these guys?  I mean, they have people that come out to their shows in costume.  How cool is that?  That’s fan dedication!  Bovice and Hildor make seemingly effortless movements across the fret-board that put me under a musical spell.  I wish I could unlock the secret to that power… or had the patience to practice like a madman.  Davidicus is indeed a wizard with the low-end, weaving together the ridiculous guitars and Brom’s pulverizing rhythms while managing to still have a voice of his own.  Lord Bonecrush commands your attention as he’s belting out tales of their conquests.  He even let a guest get up to help belt out “Blood Forest”.  Slaying orcs and harnessing dragons is hard work, but these guys have the time to do it, then to tell you about it.  They follow a rich oral tradition as old as the first hunter coming back and telling how he captured his prey to provide dinner for all, and you’d better appreciate it.  These warriors are going places.  I expect a cartoon series, live action movie, a graphic novel that transitions into a monthly series, and some damn stickers, patches, and pins soon.  I believe a side-quest with the Bloody Seamen is inevitable.  I vote that it gets put out on vinyl as well as digital download.

⚔☠⚔

As stated above, I got some photos from the show.  I have them up on Photobucket and will probably eventually have them all on Facebook too.

Photobucket:
Grid View | Slideshow

Facebook Photos:
The Approach & The Execution | The Bloody Seamen | Dethlehem

Here are some Photobucket highlights:

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If it’s too loud, you’re too old!

Posted on by Standard 2

☢ BOOM! ☢

Phallic-Atomic Wall Art

That’s what I used to think, anyway.  Over the years I’ve come to appreciate things like volume & tone… and dialing in a bit of control to the chaos.  Recently the following open letter/plea to local & touring musicians was posted in a semi-private Facebook group for the bands that rock out at the Fallout Shelter.  I asked permission to re-post, as it seems like a cool discussion starter.  As a dude in a band, I’m always up for talking about such things.  Permission was granted, and so we’ve arrived at:

PLEASE READ – An open letter to the bands in our musical community from Rick at the Fallout Shelter –

July 27, 2011:

The Fallout Shelter in Aliquippa is well into its fourth year of providing local bands in Beaver County with a venue where they can hone their skills, develop a following, and join a sincere and optimistic musical community. We are very proud of that. We also are committed to bringing excellent quality sound and professionalism to the music patrons who attend our shows. And we strive to help the bands that perform become more professional and polished as they gain experience in front of the crowds. With all of that in mind, I feel compelled to write this letter to everyone who has contributed so much to our journey.

Rock music is traditionally expected to be performed at loud volumes. Although we welcome all musical genres at the Shelter, we have tended to present rock, punk and metal acts more regularly. As such, volume frequently reaches levels that would severely damage the sensitive ears of small animals. So, the question becomes, can “loud” be too loud? Despite your inner rock god’s rabid denials, the truth is that, yes, it can be too loud. On more than a few occasions, I have witnessed young rock fans leave the Shelter shaking their heads and declaring that “it is too loud down there!” How can loud be too loud?

The Fallout Shelter ☢

The Fallout Shelter ☢

As an old rock musician and former fine arts major who grew up in the 70’s listening to bands such as Zeppelin and the Who, let me offer my view on the matter: When the individual sounds of the instruments become too loud, they tend to meld together into what can essentially be described as a “mush” of sound emanating from the stage. As the on-stage musician, you no longer are providing the sustenance of musical nectar to the fans, but are instead dumping the digested excrement of the combined sounds upon them. Individual sounds are completely lost and thus, so are individual expression and critical accents of each musician which can significantly enhance the musical presentation. Some of you might argue that certain genres are intended to be presented as musical mush – and I cannot disagree because musical taste is indeed individual. But musical mush is not what we desire to showcase. The occasional unusual act that uses noise or volume for musical or artistic effect is welcome, but we do not wish to bombard our patrons with unnecessary volume. By beginning your performance at maximum volume, you lose nuance and dynamics, which eliminates your flexibility in making your performance so much more powerful. Being able to increase volume for that soaring lead, or for that key phrase, and using those skills, will make you better musicians and more polished performers. Dynamics is a natural emotional expression of the music, and its importance cannot be over-emphasized.

As a young bassist, I recall performing many times and falling into the same bad habit of turning up during performances – or leaning over to place my ear near my speaker so I can hear my bass. The sound was essentially blowing past my legs so I could not hear myself well enough. The temptation to turn up in such a case is inescapable. This problem can be solved by either asking the sound man to increase your instrument volume through the monitors, or by raising the speaker to be closer to your ear level. We provide one amp stand that leans back to direct the amp speaker to the performer for this purpose. We also intend to build crates to keep on stage which all amp speakers must be placed on to raise them up. Hopefully, this will solve some of the volume problems. We also provide a drum shield for those drummers who play very loudly. When our sound man asks you to use it, it is because he is trying to make you all, as a band, sound the best that you can. Please do not refuse to use it. Trust our sound man – he is working in a very small venue with a powerful sound system. If you maintain the volume that he requests, he will make you sound spectacular. Doing a sound check to establish an excellent level, and then turning up, just creates a cascade of each musician turning up, one after another, and destroys the effort that went into doing the sound check. When you turn up, he has to fight the instrument and drum volumes to bring vocals up to be heard and the result is often feedback and “mush” coming from the stage.

Please help us present the best local performances to your fans and experiment with volume for maximum effect, not just maximum levels. We will not continue to book bands at the Shelter who cannot realize that learning to use volume properly is as important as learning to master their instruments. Personally, I feel that such bands are either incapable of learning what it takes to perform meaningfully, or are simply fulfilling some narcissistic rock star fantasy.

Once again, thank you to all of the fine musicians and people who make the Shelter such a special venue. Let’s continue to work together to make it, and our bands, the best that they can be.

Rick

Ernie and one of the Berts

Ernie and one of the Berts...

You can pick up on the frustration in Rick’s message.  I get it.  There’s a good discussion already going if you’re part of the group.  Rick, Randy, & everyone at the Fallout Shelter have always been really cool to us.  The sound guys have been great…  I’m absolutely terrible with names or I’d mention them here.

My focus/attention span has been crazy lately, so I think the best way to organize my thoughts on this is a completely random bulleted list.

  • I used to want a wall of Marshall cabinets…  I don’t anymore.  In a stadium?  Sure!  But, the reality is that I play mostly bars…  Bars that are small, and sometimes too small to host bands but do it anyway.  Lately I have been digging using Erin’s little Fender Hot Rod Deluxe amp or Dave’s killer Egnater Rebel head with my 4×12 Mesa Boogie cabinet.  (My Crate Power Block is oddly “OK” live, but absolutely terrible when being recorded.)  Not only do we have to provide entertainment, but we have to carry our own crap in & out.  An amp that’s a quarter of the size & has twice the balls of most other amps?  It’s a win every time in my book.  Try it out!  (Especially if you’re playing a place downstairs like the Fallout Shelter or upstairs at the Smiling Moose.)
  • Let the sound guy do his job.  The sound guy at any given venue has been hired to make you sound good.  Don’t piss him (or her) off.  Don’t insist on turning your stage volume up until you hear the mix from the monitors, or go sit in the house yourself to hear the mix.  Want to have the most rock n’ roll attitude in the room?  Just play, and don’t give a crap what it sounds like.
  • Suck it up.  Shit happens.  Monitors screech, cut out, blow up, sound like mud, or are entirely non-exsitant at times.  There are still people sitting there waiting for you to play.  Play!  Don’t ask the sound guy to adjust a different level after every song.  Once one or two songs in?  No problem.  All night long?  Just deal with it.
  • Use the drum shield.  I think I’ve only ever played at one place where the drummer sits behind a shield.  They asked, so we did it.  I even put a sign on it that says something like “don’t tap on glass” that I think is still there.  It gives the sound guy further control over the room… and the monitors.  As long as you have a monitor in there for the drummer, it shouldn’t be a huge issue.  It might feel & look weird, but if Dave Grohl can do it, you can do it.
Please don't feed the drummer.

Please don't feed the drummer.

That’s all that comes to mind right now.  I’m sure there will be more.  For their part, it looks like the Fallout Shelter is open to suggestions in improving their monitoring system & the overall sound for the room.  I’d suggest some kind of acoustic wall tiles to keep already loud noises from reverberating, but that’s just me.

I’d like this to start a discussion about sound at smaller venues all around Pittsburgh, & well… everywhere.  In the comments section below, post your thoughts!

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Guitarz 2012 Calendar!

Posted on by Standard 5

Some people who read this blog may, like myself, have an appreciation for guitars.  I like the weird, the odd, the strange, & the rare.

Not Enough Batman
Not Enough Batman

Guitarz is putting together a 2012 calendar of such guitars.

These guys put together a great blog, and I’m looking forward to their calendar.  I might take an artful photo of one of my weird axes, but with only 12 months in the year mine won’t be a slam-dunk… and sadly aren’t the weirdest/rarest out there.

Take some photos of your weird/rare/beautiful guitars and send them in!

They probably won’t take this photo.  So, get your axe in gear!  (Get it?)  Submit a photo of your rare/weird/cool guitar, or take a photo of a friend’s to submit.

Guitar Blog: The Paradox of Tone

Posted on by Standard 1

DuncanDesigned

Image via Wikipedia

Killer article about tone & the myriad of choices available today:

Guitar Blog: The Paradox of Tone

I don’t know how I missed it, it’s a rather old post… but is a great read.  I’ve gone through bouts of “I don’t care what it sounds like as long as it’s loud and dirty”… mostly to ignorance, and I’m still like that for the most part… but I do know bad tone when I hear it, at least as it stems from my guitars/amps (the rare effect), and any more I’d rather not put out bad tone… I’d like my bad playing to come through as well as possible.  Ha ha.

Epic Metal :: It’s not too late to join the quest!

Posted on by Standard 7

So, the warriors of Dethlehem have dropped a second album, aptly named The Ghorusalem Codex Vol. 2: Of Magick and Tyranny.  (This would be a follow-up to their 2009 disc, The Ghorusalem Codex Vol 1: Enthroned Upon A Spire.)  If you’re a fan of metal, or a fan of chaos involving things like trolls and dragons and wizards… you need this album.

DETHLEHEM | The Ghorusalem Codex, Vol 2: Of Magick & Tyranny

DETHLEHEM | The Ghorusalem Codex, Vol 2: Of Magick & Tyranny

Listen to this and try to tell me I’m wrong:  Dethlehem “Hypergates of Infinitude”  It’s one of my favorite tracks off of the album.

I’m big a fan of their first album, but this one blows it away in terms of recording, production, and overall album cohesiveness.  The interludes in between songs have become a much better over-all narrative to help guide you along the quest.  (The full story is coming soon to their website.)

Bovice and Hildor are the six-string men-at-arms, and the musicianship here makes me sick.  The guitars are ridiculous, it’s almost too over the top… but with what Dethlehem has going on, it needs to be ridiculous.  I’m talking shredding, sweeps, blazing riffs, and all manner of fretboard insanity.  If I didn’t know these guys, I’d hate them… they make a punk rock power chord chump like me almost too embarrassed to pick up a guitar.  Luckily for the Ernie and the Berts fan(s), I have no shame.

A slight lineup change on this album, Davidicus the Black replaces Galagore… not sure what the official story is, if Gallagore was eaten by a dragon or transformed into a toad by an evil witch or what.  Davidicus is a wizard, and adds a dynamic both in story & in playing style.  You can hear less doubling of guitar parts by the bass, more restraint where called-for musically, and stomping all over the place where appropriate.

Overlord Brom bangs on the drums like nobody’s business, and even my untrained ear can tell there’s all manner of math going on here with time-signature changes.  This is not 4/4 rock n’ roll.  Plus, when he plays live… he starts out with a bucket-like Helmet on his head where it must be impossible to see anything.  (By the way, funniest character voice ever in the narratives.)

Lord Bonecrush has developed what I can only call a battle-hardened confidence in his vocals.  While they were strong on Vol. 1, on Vol. 2 they’ve progressed to a point where any shred of vocal uncertainty is gone.  The vocals are honed sharp like any good weapon should be before going into battle… yet there’s a double-edge… clean for slicing backed up with growling with a ferocity akin to aurally ripping you asunder.  The backing vocals also stand out a little clearer on their own on this one… not sure who’s where… but it’s all done sparingly, tastefully, and appropriately.

While not a technical review by any means, I hope to have conveyed the overall feel of the album, and to have piqued your curiosity.

These guys put on an incredible live show… I suggest you buy the album to learn their songs, and then go see them when they come to plunder and pillage a venue near you.  I’m not sure if you can fully appreciate the epic-ness through just a recording or video.  They’re on tour now if you can catch them!

(In the interest of full disclosure, this may not be a completely objective review… I do know the guys, and they awesomely thanked me in the liner-notes of this disc…  But I’d like to think that those who know me know I wouldn’t push crappy music on anyone.)