Tag Archives: Pat Finnerty

A Band Called Punchline | Podcast

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It took me forever to get into podcasts. Some I have been enjoying lately are Chris DeMakes a Podcast, One Hit Thunder, & more recently A Band Called Punchline. (The former two break-down & deep-dive into songs in totally different yet incredible ways… I highly recommend them to musicians and fans!)

🎶 Don’t sleep on One By Willie, In Defense of Ska, Gumbands (with the legendary Rick Sebak), Lobby Boys, What Makes This Song Stink (Pat Finnerty!), That One Time on Tour, Peer Pleasure, & Weird Al-gorithm. But, this isn’t about those. 🎶

You can listen to all of these anywhere you find podcasts, but I do mostly all of my listening on Amazon Music.

Collage of images featuring the band A Band Called Punchline performing live, showcasing musicians on stage and off, with the band's name prominently displayed in bold letters.

I have absolutely no idea why I didn’t get big into Punchline in the very late 90’s or early 00’s. We all frequented the same places. I had to have seen them. I was active in AiXeLsyD then Gasoline Dion at the time. Their music is in my wheelhouse. I have heard a lot of Chris Fafalios because he produces on Chris DeMakes a Podcast & co-hosts One Hit Thunder. Chis is a great co-host with Matt Kelly & producer with involvement in 2 quality shows. This came up, and I was like… I have no excuse to not check this out as I love music, music documentaries, stories about songs, stories about playing & touring. It’s a no-brainer, right?

Well, I’m 3½ episodes in and the name-dropping alone is mind-blowing. Laga, Logic, AMC, Berlin Project, Mr. Smalls, Soundscape Studios, Garfield Artworks, Josh Bakaitus, Drusky, Joker Productions, mp3.com, practicing in McKees Rocks, and more I am surely forgetting. It puts me back into the days when I worked on the assembly line at Sony with Alf from Circle of Dead Children, or when me & An-Die ran into the Zao guitarist at Westmoreland Mall. Everyone was in a band. Ha ha. I remember Dirtbag Rob saying he had an AiXeLsyD T-shirt or patch before he was in the band.

I was at so many shows at Laga. That’s where I got to see Doyle play the Misfits intro in their green room one time. I remember Logic from that killer Take Me To Your Leader compilation CD. Man I miss punk comps. AiXeLsyD was practically the house band at AMC for a bit. We played every open stage we could. Berlin Project always worked the crowd well. I remember playing Mr. Small’s at least once with Gasoline Dion, not sure if Ernie and the Berts ever played there or not. I also remember being in the back for some reason. Maybe hanging out with Dethlehem? Me & Jason were hanging out with Next Stop Detox when they recorded at Soundscape in McKeesport. I was in Detox for like 30 seconds and recorded a single at Studiophonix in Mt. Pleasant. I think Gasoline Dion played Garfield Artworks… Maybe EaTB too? I know I saw a bunch of shows there. Ernie and the Berts recorded drums there once, I think? (It’s oddly not on my places I have played map.) We practiced at the shady ABC Storage in McKees Rocks and up in Allentown for a bit.

It makes me think of all the cool bands & all the fun times we had back then!

But, the cool part is hearing Berlin Project’s story, from the guys themselves. They seem like genuine nice people who set out to make some music, make a living doing it, and accomplished that! It’s presented documentary style and sort of gives me NPR vibes.

I am rooting for them every step of the way while I listen, When they talk about literally losing a tire off their van, using calling cards & pay phones, running up cell phone bills in the Nokia brick & flip phone days, purposely putting music on Napster just to get it out there, paying way too much for recording, sleeping on floors & booking tours, meeting other great and not-so-great bands… it all just hits. I am not and never was a pro touring musician, but I get it. I respect the hustle, and I appreciate the insight & shared experiences.

If you were around the southwestern PA scene in the late 90’s or early 00’s, ever picked up a guitar (or bass or drums or keys or horns), or are a fan of punk, indie, & DIY… you gotta check this out.

It’s on a bunch of platforms, so find it how you find yours… or start here:

Apple | Spotify | Amazon | YouTube

I’m starting to dive into their stuff. I really dig the old stuff on their bandcamp that they sort of don’t recognize as much any more. Check out their website. I also want to see their music special on Amazon Prime. Punchline fans, what are your favorites? Can you make me a top 20 playlist in the comments? What are your memories of seeing them play or hearing their songs for the first time? What about if you played your own shows in & around that time?

I wish I had a pedal-mobile.

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I don’t have a pedal-mobile like the savagely sardonic Pat Finnerty, but I do have some weird mostly cheap pedals. You’ve seen my guitars, you may have heard some of my musical output, but I need to set up a spot to rock again after letting chaos accumulate in my jam space.

A bunch of guitar pedals on the dirty concrete floor.
Pedals-Schmeadals

I posited the following to social media, and AI:

How would you hook up the following components to maximize use/effectiveness of the given equipment for a guitar rig?

The Amps:

  • Gorilla TC-35 (Combo)
  • Fender Blues Jr. (Combo)
  • Positive Grid Spark (Combo)
  • Lil’ Smokey (Combo)
  • Orange Micro Terror (Head)
  • Laney 2×12 (Cab)
  • Yamaha MSR 100 (PA)

The Pedals:

  • D’Addario/Planet Waves PW-CT-04 Tuner
  • Ernie Ball 6185 Wah
  • Quinnamp Dirt & Ernie (Distortion/Boost)
  • The Spamp+ (Amp / Preamp)
  • Ammoon Pock Loop (Looper)
  • LiveWire Solutions ABY1 ABY Box
  • Joyo BAATSIN (Overdrive/Distortion)
  • Crazy Tube Circuits Unobtanium (Overdrive)
  • Mooer E7 Synth
  • DigiTech Trio Band Creator + FS3X Footswitch

Is there a good order to the pedals? Typically I have the Trio going out to the Yamaha PA, and the ABY going into the Micro Terror/Laney and the Blues Jr. Ignoring the Spark & (sadly) the TC-35. I’m not sure which way to order the pedals, though.

Also, do I split the signal early & put different effects to each amp? I have done that with the wah and it sounds neat.

I get that it’s all subjective, but I love to over-think things… so help me do that.

I did ask Perplexity, ChatGPT, & Gemini for advice, and they seem to provide pretty standard stuff that you may see in guitar forums.

From Perplexity:

🎸

To set up your guitar rig effectively, the goal is to optimize signal flow for tonal clarity while integrating the ABY box and DigiTech Trio Band Creator with your PA system. Here’s a structured approach:

Pedal Order Recommendations

  1. Tuner (D’Addario PW-CT-04):
    Place first to ensure a clean signal for accurate tuning136.
  2. Wah (Ernie Ball 6185):
    Follows the tuner, as wah pedals interact best with an unaltered guitar signal135.
  3. Distortion/Boost (Quinnamp Dirt & Ernie):
    Early gain staging preserves dynamic response. Stack with subsequent drives145.
  4. Overdrives (Joyo BAATSIN, Crazy Tube Circuits Unobtanium):
    Order these based on preference (e.g., lower-gain first into higher-gain)146.
  5. Preamp (The Spamp+):
    Acts as a tone-shaping buffer. Place after drives to avoid coloring their response34.
  6. Synth (Mooer E7):
    Position after drives for consistent tracking. Synths can behave unpredictably with distorted signals45.
  7. DigiTech Trio Band Creator:
    Place here to analyze your processed guitar signal. Route its output to the Yamaha PA for bass/drum separation24.
  8. Looper (Ammoon Pock Loop):
    Last in the chain to capture the entire signal, including the Trio’s guitar input. This ensures loops include all effects34.
  9. ABY Box (LiveWire ABY1):
    Split the final signal to your Orange Micro Terror/Laney 2×12 and Fender Blues Jr.2.
    • Enable ground lift/isolation if using both amps simultaneously to avoid hum2.

Amplifier Configuration

  • Orange Micro Terror: Connect to the Laney 2×12 cab (ensure impedance matching).
  • Fender Blues Jr.: Use as a standalone combo.
  • Yamaha PA: Dedicated to the Trio’s band mix for a full stereo/backing track experience24.

Key Considerations

  • Experiment with Drive Order: Test the Joyo BAATSIN and Unobtanium in different sequences (e.g., BAATSIN as a mid-boost into the Unobtanium’s higher gain)14.
  • Synth Placement: If tracking issues arise, try moving the Mooer E7 earlier (post-wah)5.
  • ABY Ground Noise: Use the LiveWire ABY1’s ground-lift feature if humming occurs2.

This setup balances conventional signal-chain logic with your specific gear, ensuring the Trio’s band tracks and dual-amp rig work cohesively. Always test and tweak to suit your playing style!

Citations:

  1. https://www.reddit.com/r/guitarpedals/comments/w23bgj/my_first_pedals_in_what_order_do_i_put_them/
  2. https://www.reddit.com/r/guitarpedals/comments/18q86t2/aby_with_pedal_boards_and_2_amps/
  3. https://spartanmusic.co.uk/blogs/smblog/12314153-the-essentials-of-setting-up-ordering-your-guitar-pedals
  4. https://www.strymon.net/setting-up-your-effect-signal-chain/
  5. https://www.earthquakerdevices.com/blog-posts/aarons-bass-hole-get-in-line-pedal-order-101
  6. https://articles.boss.info/is-there-a-perfect-pedal-order/
  7. https://www.sweetwater.com/insync/what-is-the-best-pedal-order/
  8. https://catalinbread.com/pages/pedal-order-101
  9. https://www.laney.co.uk/blog/an-easy-guide-to-ampless-guitar-rigs-explained/
  10. https://www.youtube.com/watch?v=LmSEigSiXXY
  11. https://articles.boss.info/the-ultimate-guide-to-guitar-effects-pedal-order-and-signal-chain/
  12. https://forum.orangeamps.com/viewtopic.php?t=22000
  13. https://www.guitarguitar.co.uk/news/141962/
  14. https://www.youtube.com/watch?v=LH9FO1EMIPQ
  15. https://www.radialeng.com/blog/understanding-aby-switchers
  16. https://thejhsshow.com/articles/understanding-pedal-order
  17. https://www.reddit.com/r/GuitarAmps/comments/lqs3c2/trading_orange_micro_terror_and_cab_for_a_blues/
  18. https://www.musiciansfriend.com/effects-pedals
  19. https://www.reddit.com/r/GuitarAmps/comments/11gnatf/how_do_people_setup_multiple_amps/
  20. https://forum.orangeamps.com/viewtopic.php?t=20110

Answer from Perplexity: https://www.perplexity.ai/search/how-would-you-hook-up-the-foll-tU6VWW5dR1eQrF1her2o1g?utm_source=copy_output

🎸

Perplexity would not generate a schematic, but ChatGPT & Gemini did… or they tried. They look cool upon first glance, then get real weird when you zoom in… and they don’t even follow the advice of the chain setup. Clearly there is a disparity between the text generation & the image generation. Some of the pedal representations are really cool though, especially with GhatGPT. I can’t help but wonder where it is stolen from. Guitar mag/website rig rundowns?

Gemini generated pedal schematic.

I dunno when Fender started using orange tolex & separate heads… but the pedals look fancy.

ChatGPT generated pedal schematic.

It clearly used the Dirt & Ernie art for the Unobtanium, but it stole that gorgeous Micro Terror from somewhere… and WTF is a Crazy Tauloc? Sounds like an extra on Star Trek.

Granted, I am generally a plug-in, crank the gain, and keep the volume low kind of player. I don’t so effects much. I would like to monkey around with that I have.

Here is where I solicit your advice in the comments and on social media. 🤘

🌽Maize Maze, 🦃Turkey Maze, & 🙁August is Falling Maze ✍️

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I can’t stop. Ha. I’ve been in a maze mood apparently. Someone complete some of these damn things! Here they are from Instagram.

Mike Duke requested a maize maze.

Thanksgiving is my favorite.

Have you heard about August is Falling? See the Gloom O’ Lantern.

Collage of recent mazes.

August is Falling :(

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If you don’t know about Pat Finnerty, you should. He has a YouTube channel and he does a series of videos titled What Makes This Song Stink? among others (Now there’s a podcast too!). He has some witty observations, harsh truths, and is just lampooning guitar guy videos on YouTube. The pedal mobile is a thing of genius and pure hilarious delight. He says what a lot of us are thinking. He catches some wild connections or callbacks. He takes a joke way too far, which has always been something I am a fan of. It’s defiant. It’s hilarious.

As someone who has made art for it to mostly serve as a creative outlet that happens to have a very small circle of people who may have enjoyed it to varying degrees… It’s nice to see this guy get traction.

Writing, recording, and performing your own stuff lends itself to a certain level of judgement of others’ art. There’s probably some narcissism in there, but not at an unhealthy level. It’s not necessarily mean spirited, but it can be. I remain humble and understand that my creative output is not for the masses. I cater to a very small crowd with very similar tastes and no hang-ups about production quality. You have to wonder though… on some stuff… Why is this objectively certifiable crap popular? It’s hard to pin. It’s hard to point out.

I have played with some awesome musicians that “get it.” I have encountered many who do not. We are not on the same page. You’re not wrong in your opinions, but then again… you are. Pat gets it. Pat & I would probably disagree on a lot of things…. but we’d both have arguments to back it up. I appreciate his overall music nerdiness.

August is Falling started as a joke, and took off. I am in awe and a bit jealous. I bought a T-shirt and downloaded the EP though. This “joke” output is quality stuff.

Do yourself a favor and dive in.