Tag Archives: Rock music

Playlist | Bass Case

Posted on by Standard Reply

I’m building a Bass Case playlist on Amazon Music. I’m looking for songs with a killer bass-only or at least bass-heavy intro. Mostly punk, metal, rock, etc. but open to just about anything. Bass guitar or a bass VI, not electronic bass or keys.

This is the start of it (but not all of it) so far:

  • Metallica – “(Anesthesia)—Pulling Teeth”
  • Black Sabbath – “N.I.B.”
  • Misfits – “London Dungeon”
  • Type O Negative – “Black No. 1 (Little Miss Scare-All)”
  • Rancid – “Journey to the End of the East Bay”
  • Alice In Chains – “Would?”
  • Beastie Boys – “Gratitude”
  • Queen – “Under Pressure [feat. David Bowie]”
  • Green Day – “Longview”
  • Ozzy Osbourne – “No More Tears”
  • Motörhead – “Ace of Spades”
  • AFI – “Miss Murder”
  • Primus – “My Name Is Mud”
  • The White Stripes – “Seven Nation Army”
  • Metallica – “For Whom the Bell Tolls”
  • Beastie Boys – “Sabotage [Explicit]”
  • Queen – “Another One Bites The Dust”
  • The Cure – “Just like Heaven”
  • Guns N’ Roses – “Rocket Queen”
  • Megadeth – “Peace Sells”
  • Anthrax – “Got The Time”
  • The Cure – “Burn”
  • Operation Ivy – “Sound System”
  • Jimi Hendrix – “Born Under a Bad Sign”
  • Black Flag – “Six Pack”
  • Primus – “Jerry Was A Race Car Driver”
  • Fugazi – “Waiting Room”
  • Faith No More – “We Care a Lot”
  • Guns N’ Roses – “You Could Be Mine”
  • TOOL – “Schism”
  • The Dead Milkmen – “Bitchin’ Camaro”
  • Red Hot Chili Peppers – “Higher Ground”
  • Black Flag – “TV Party”
  • Violent Femmes – “Blister In The Sun”
  • Metallica – “Crash Course In Brain Surgery”
  • NOFX – “The Idiots Are Taking Over”
  • Faith No More – “Falling to Pieces”
  • The Breeders – “Cannonball”
  • Rick James – “Super Freak”
  • Duran Duran – “Rio”
  • Jane’s Addiction – “Mountain Song”
  • The B-52’s – “Rock Lobster”
  • Rage Against The Machine – “Bombtrack”
  • A Flock Of Seagulls – “What Am I Supposed To Do”
  • Weezer – “Only In Dreams”
  • The Commodores – “Brick House”
  • Death Cab For Cutie – “I Will Possess Your Heart”
  • Iron Maiden – “Killers”
  • Nirvana – “Lounge Act”
  • Jane’s Addiction – “Three Days”
  • Van Halen – “Runnin’ with the Devil”
  • The Cure – “Fascination Street”
  • The Smithereens – “Blood And Roses”
  • The Stone Roses – “I Wanna Be Adored”
  • Metallica – “King Nothing”
  • The Byrds – “Eight Miles High”
  • The Stone Roses – “She Bangs the Drums”
  • The Clash – “The Magnificent Seven”
  • Lou Reed – “Walk On the Wild Side”
  • Joe Jackson – “Got The Time”
  • Stevie Wonder – “I Wish”
  • War – “Low Rider”
  • The Jam – “Pretty Green”
  • The Temptations – “Papa Was A Rollin’ Stone”
  • Sonic Youth – “My Friend Goo”
  • Pennywise – “Ace of Spades”
  • The Beatles – “Come Together”
  • AFI – “Death Of Seasons”
  • NOFX – “Hobophobic (Scared of Bums)”
  • Thin Lizzy – “Dancing In The Moonlight (It’s Caught Me In It’s Spotlight)”
  • The Monkees – “You Just May Be The One”
  • Metallica – “The God That Failed”
  • Bad Brains – “The Regulator”
  • Rancid – “Maxwell Murder”
  • Deee-Lite – “Groove Is in the Heart”
  • Talking Heads – “Psycho Killer”
  • Dead Kennedys – “Viva Las Vegas”

Song name/artist would be more helpful than a Spotify link because I can’t copy/paste from there into Amazon Music.

…and this is subject to change pretty quickly & often.

A screenshot of a playlist titled 'Bass Case' on Amazon Music, featuring various songs with prominent bass lines.

The Best Rock ‘n’ Roll Movies

Posted on by Standard 29

I like movies, and I like rock ‘n’ roll.  You probably already knew (or assumed) that.  These are some of my favorite music-related films.  What are yours?

AirheadsAirheads – Such a great goofy film.  I feel that this one is underrated… maybe it has a “cult” sort of following.  The plot is ridiculous and it’s filled with all kinds of great actors.  It’s got some of the best quotes ever, and is why I will someday demand a football helmet filled with cottage cheese and naked pictures of Bea Arthur if ever given the chance to make crazy demands.  I could probably watch this movie over & over as much as I could watch the Star Wars films over & over.

The cover for Shark Sandwich, one of the band'...This is Spinal Tap – This is a no-brainer.  It goes to 11.  It’s the standard to which all other rock ‘n’ roll films are measured.  It has sustain.  Just let the DVD or Blu-ray or VHS tape or Laser Disc sit on the shelf and listen to it.

Music from the Motion Picture Josie and the Pu...Josie and the Pussycats – Laugh all you want, but this movie is super fun.  If you can’t enjoy this one, you have no soul.  I had no attachment to the cartoon in case there are purists out there that didn’t like it because fans of original things rarely like those things rehashed.  Orange is the new pink.  “3 Small Words” is a great pop song.

Empire RecordsEmpire Records – It’s not really about  band or musicians… but the chaos all over the store is all about rock ‘n’ roll, and it’s filled with great tracks from GWAR, AC/DC, Sponge, not quite Body Count’s “Hey Joe“, Coyote Shivers, and Rex Manning.  Ha ha.

Lemmy (film)Lemmy: 49% Motherf**ker, 51% Son Of A Bitch – If you haven’t seen this & you’re even a casual fan of metal, punk, rock docs in general, or even just heard “Ace of Spades” once, you need to see this.  That was a really long grammatically terrible sentence.  Lemmy would kick my ass for pointing that out.  Maybe not.  He seems like a really likeable dude to hang out with if you can get past the stink of cigarettes.

It Might Get LoudIt Might Get Loud – Not a huge fan of any of these dudes… except Jimmy Page is… well, Jimmy Page.  Led Zeppelin is amazing, I’m just not one of those dudes that has all the albums or knows all the riffs.  U2 actually kind or irks me, but the Edge seems like a cool dude & an effect wiz.  Jack White surprised me, but he’s kind of creepy.  Beyond all that, I still enjoyed this movie.  Guys talking about their love of music, the guitar, & playing… it’s incredible.

Walk the Line (soundtrack)Walk the Line – Probably one of the best biopics ever, if not the best.  Johnny Cash was a great man, and an asshole.  It’s all out there.  It’s a compelling story spanning many decades, and really a love story with Jone & Johnny.  The man in black went through a lot in life.

Ray (film)Ray – Ray & Johnny Cash had eerie similar back stories.  Jamie Foxx is a genius in this film.  It’s one hell of a great story.  Ray did it all, from R&B to pop to country.

Walk Hard: The Dewey Cox Story (soundtrack)Walk Hard: The Dewey Cox Story – This is hilarious. Watch Walk the Line & Ray first though.  Then laugh hard. (♫ Haaaaard! ♫)

Wayne's World (soundtrack)Wayne’s World – You’re hearing Queen in your head right now, aren’t you?  Well, either that or the theme song.  Excellent!

Detroit Rock City (film)Detroit Rock City – I’m not the biggest KISS fan, but this road-trip gone awry is all kinds of fun.  I have had many less interesting adventures on the way to gigs… just attending or playing.  And, KISS does have some catchy songs… and a great stage show.

Role ModelsRole Models – OK, not a rock movie… but the KISS theme throughout is just hilarious.

CrossroadsCrossroads – The Karate Kid does a guitar duel with Steve Vai.  It’s sort of like  “The Devil Went Down to Georgia” as a movie from the 80s.  Instead of Arnold from Happy Days, you have a Blues player, and instead of Karate you have the blues.

8 Mile8 Mile – The concept is weird… a biopic that isn’t quite.  It’s a great move though.  The struggle to make it as a musician/rapper is very compelling, and Eminem’s a pretty damn good actor… playing himself…  sort of.

Anvil! The Story of AnvilAnvil: The Story of Anvil – This movie makes me want to laugh & cry.  I feel the pain that these cats are going through.  It makes you want to punch Metallica for Some Kind of Monster.  After it all it’s all about friendship & the love of music.  Who can’t get behind that?

OnceOnce – Not really a rock movie, but a cool story intertwined with music, performing, songwriting, and even a love/friendship thing.

The Pick of DestinyThe Pick of Destiny – You can maybe skip this one.  Get the Complete Masterworks instead.  It’s slightly funnier.  These dudes are awesome rock ‘n’ rollers who capture the essence of the spirit of rock!  And they battle demons…

Purple Rain (album)Purple Rain – Musicians, watch this and learn how to own the stage from Morris Day.  Oh yeah, Prince is pretty badass too.  This is a weird 80s film, but it’s one you need to see.

Honeysuckle RoseHoneysuckle Rose – Willie Nelson is awesome.  This movie is about a traveling band that looks a lot like Willie’s… with the lead singer who looks a lot like Willie Nelson robbing his ex guitar player’s cradle to the chagrin of his wife. This soundtrack is excellent if you’re a Willie Nelson fan… highlight being a cover of Leon Russell’s “A Song For You”.

Bill & Ted's Excellent AdventureBill & Ted’s Excellent Adventure & Bill & Ted’s Bogus Journey – Well, the first one was cool.  I can’t wait for #3 if it ever happens!  Be excellent to each other.

Other cool movies where the music is integral… Scott Pilgrim vs. The World, The Rocker, The Last Dragon, SLC Punk, Some Kind of Monster, Bubba Ho-Tep, High Fidelity, Blues Brothers, Rock Star, The Runaways, and many more I’m sure.

Related articles

If it’s too loud, you’re too old!

Posted on by Standard 2

☢ BOOM! ☢

Phallic-Atomic Wall Art

That’s what I used to think, anyway.  Over the years I’ve come to appreciate things like volume & tone… and dialing in a bit of control to the chaos.  Recently the following open letter/plea to local & touring musicians was posted in a semi-private Facebook group for the bands that rock out at the Fallout Shelter.  I asked permission to re-post, as it seems like a cool discussion starter.  As a dude in a band, I’m always up for talking about such things.  Permission was granted, and so we’ve arrived at:

PLEASE READ – An open letter to the bands in our musical community from Rick at the Fallout Shelter –

July 27, 2011:

The Fallout Shelter in Aliquippa is well into its fourth year of providing local bands in Beaver County with a venue where they can hone their skills, develop a following, and join a sincere and optimistic musical community. We are very proud of that. We also are committed to bringing excellent quality sound and professionalism to the music patrons who attend our shows. And we strive to help the bands that perform become more professional and polished as they gain experience in front of the crowds. With all of that in mind, I feel compelled to write this letter to everyone who has contributed so much to our journey.

Rock music is traditionally expected to be performed at loud volumes. Although we welcome all musical genres at the Shelter, we have tended to present rock, punk and metal acts more regularly. As such, volume frequently reaches levels that would severely damage the sensitive ears of small animals. So, the question becomes, can “loud” be too loud? Despite your inner rock god’s rabid denials, the truth is that, yes, it can be too loud. On more than a few occasions, I have witnessed young rock fans leave the Shelter shaking their heads and declaring that “it is too loud down there!” How can loud be too loud?

The Fallout Shelter ☢

The Fallout Shelter ☢

As an old rock musician and former fine arts major who grew up in the 70’s listening to bands such as Zeppelin and the Who, let me offer my view on the matter: When the individual sounds of the instruments become too loud, they tend to meld together into what can essentially be described as a “mush” of sound emanating from the stage. As the on-stage musician, you no longer are providing the sustenance of musical nectar to the fans, but are instead dumping the digested excrement of the combined sounds upon them. Individual sounds are completely lost and thus, so are individual expression and critical accents of each musician which can significantly enhance the musical presentation. Some of you might argue that certain genres are intended to be presented as musical mush – and I cannot disagree because musical taste is indeed individual. But musical mush is not what we desire to showcase. The occasional unusual act that uses noise or volume for musical or artistic effect is welcome, but we do not wish to bombard our patrons with unnecessary volume. By beginning your performance at maximum volume, you lose nuance and dynamics, which eliminates your flexibility in making your performance so much more powerful. Being able to increase volume for that soaring lead, or for that key phrase, and using those skills, will make you better musicians and more polished performers. Dynamics is a natural emotional expression of the music, and its importance cannot be over-emphasized.

As a young bassist, I recall performing many times and falling into the same bad habit of turning up during performances – or leaning over to place my ear near my speaker so I can hear my bass. The sound was essentially blowing past my legs so I could not hear myself well enough. The temptation to turn up in such a case is inescapable. This problem can be solved by either asking the sound man to increase your instrument volume through the monitors, or by raising the speaker to be closer to your ear level. We provide one amp stand that leans back to direct the amp speaker to the performer for this purpose. We also intend to build crates to keep on stage which all amp speakers must be placed on to raise them up. Hopefully, this will solve some of the volume problems. We also provide a drum shield for those drummers who play very loudly. When our sound man asks you to use it, it is because he is trying to make you all, as a band, sound the best that you can. Please do not refuse to use it. Trust our sound man – he is working in a very small venue with a powerful sound system. If you maintain the volume that he requests, he will make you sound spectacular. Doing a sound check to establish an excellent level, and then turning up, just creates a cascade of each musician turning up, one after another, and destroys the effort that went into doing the sound check. When you turn up, he has to fight the instrument and drum volumes to bring vocals up to be heard and the result is often feedback and “mush” coming from the stage.

Please help us present the best local performances to your fans and experiment with volume for maximum effect, not just maximum levels. We will not continue to book bands at the Shelter who cannot realize that learning to use volume properly is as important as learning to master their instruments. Personally, I feel that such bands are either incapable of learning what it takes to perform meaningfully, or are simply fulfilling some narcissistic rock star fantasy.

Once again, thank you to all of the fine musicians and people who make the Shelter such a special venue. Let’s continue to work together to make it, and our bands, the best that they can be.

Rick

Ernie and one of the Berts

Ernie and one of the Berts...

You can pick up on the frustration in Rick’s message.  I get it.  There’s a good discussion already going if you’re part of the group.  Rick, Randy, & everyone at the Fallout Shelter have always been really cool to us.  The sound guys have been great…  I’m absolutely terrible with names or I’d mention them here.

My focus/attention span has been crazy lately, so I think the best way to organize my thoughts on this is a completely random bulleted list.

  • I used to want a wall of Marshall cabinets…  I don’t anymore.  In a stadium?  Sure!  But, the reality is that I play mostly bars…  Bars that are small, and sometimes too small to host bands but do it anyway.  Lately I have been digging using Erin’s little Fender Hot Rod Deluxe amp or Dave’s killer Egnater Rebel head with my 4×12 Mesa Boogie cabinet.  (My Crate Power Block is oddly “OK” live, but absolutely terrible when being recorded.)  Not only do we have to provide entertainment, but we have to carry our own crap in & out.  An amp that’s a quarter of the size & has twice the balls of most other amps?  It’s a win every time in my book.  Try it out!  (Especially if you’re playing a place downstairs like the Fallout Shelter or upstairs at the Smiling Moose.)
  • Let the sound guy do his job.  The sound guy at any given venue has been hired to make you sound good.  Don’t piss him (or her) off.  Don’t insist on turning your stage volume up until you hear the mix from the monitors, or go sit in the house yourself to hear the mix.  Want to have the most rock n’ roll attitude in the room?  Just play, and don’t give a crap what it sounds like.
  • Suck it up.  Shit happens.  Monitors screech, cut out, blow up, sound like mud, or are entirely non-exsitant at times.  There are still people sitting there waiting for you to play.  Play!  Don’t ask the sound guy to adjust a different level after every song.  Once one or two songs in?  No problem.  All night long?  Just deal with it.
  • Use the drum shield.  I think I’ve only ever played at one place where the drummer sits behind a shield.  They asked, so we did it.  I even put a sign on it that says something like “don’t tap on glass” that I think is still there.  It gives the sound guy further control over the room… and the monitors.  As long as you have a monitor in there for the drummer, it shouldn’t be a huge issue.  It might feel & look weird, but if Dave Grohl can do it, you can do it.

Please don't feed the drummer.

Please don't feed the drummer.

That’s all that comes to mind right now.  I’m sure there will be more.  For their part, it looks like the Fallout Shelter is open to suggestions in improving their monitoring system & the overall sound for the room.  I’d suggest some kind of acoustic wall tiles to keep already loud noises from reverberating, but that’s just me.

I’d like this to start a discussion about sound at smaller venues all around Pittsburgh, & well… everywhere.  In the comments section below, post your thoughts!

(WordPress recommended) Related articles: