Everything Changes but Guitars? I disagree.


I saw this graphic online through Guitar Fail the other day, & again through Guitar Squid:

Stratocaster Evolution / Everything Changes but Guitars (I wish I knew the original source.)

Stratocaster Evolution / Everything Changes but Guitars (I wish I knew the original source.)

At first, it made me laugh and think “humph, yeah…” in agreement.  The more I thought about it though… it’s wrong. How is it wrong?

Well as far as concept cars go, it’s a whole different world from everyday-use practical cars.  Nothing has gone all that far from 4 wheels, 2 headlights, gasoline powered.  (Yes, there are hybrids and flex-fuel all over the market… but arguably people don’t like them unless they look like “normal” cars.)  But, this blog isn’t about cars.  I’m sure you knew I was going to talk guitars, because that’s what I do.

There are a ridiculous amounts of varying styles of guitars & guitar innovations out there.  Some of them may not be “reinventing the wheel” exactly, but there is always some great stuff happening, and there has been since the inception of the stringed instrument.  How do you think we got so many varieties?

Krank Amplification | Evolution Of The Electric Guitar

Krank Amplification | Evolution Of The Electric Guitar

I agree that too many axe-slingers fall into the Stratocaster or Les Paul shape trap.  For years I held a disdain for both shapes… but I come back to them.  Why?  Perhaps they’re good designs.  Perhaps they’re iconic.  Perhaps they sound incredible.  Perhaps they work.  There are many other options out there.  If you find yourself chuckling to and agreeing with this graphic, I challenge you to help me to add to my list of innovative guitars.

Any fans of the Guitarz Blog, Tone Fiend, Guitar WTF?, or gUitarREN should be into this.  (Any cool guitar blogs I’m missing?)

Let’s talk about how the guitar is ever-evolving… Shape, materials, string count, innovation, & general insanity.

Indy Custom - Flycaster (Tele-V) Telecaster Flying V Hybrid

Indy Custom Flycaster (or Tele-V?)

There are lots of shapes out there past the Stratocaster or Les Paul, whether it’s somewhat normal or custom insanity.  There’s the SG, the Telecaster, V’s (Flying, Jackson & more), hollowbodies like the Artcore or Gretsch models, the Explorer, the Ravelle, all the crazy B.C. Rich shapes, the Airline, even the Flycaster.  Are there really not enough guitar design shapes out there to satisfy you?  The Stratocaster doesn’t need to change shape, because there are plenty of other options out there!  I’m barely hitting the tip of the iceberg here.  I didn’t even touch on my B.B. Stone, FlipOut, or Batman axes.  How many distinct guitar shapes can you name in the comments?  (Actual produced shapes, not one-offs!)  Bonus for posting or linking to photos.

There’s also material.  Certainly guitars are mostly made of all types of wood, but there’s also plastic, graphite, Res-O-Glass (fiberglass), the Lucite / plexiglass / acrylic transparent guitars, aluminum necks, and so much more.

Once we get past the plethora of guitar makes, models, & shapes available… there are so many other innovations.  Some are great, some not-so great.  Just off the top of my head I can think of:  Synthesizer & MIDI Guitars, Fretlights, 7/8/12 strings, double neck guitars, the chord buddy, the Coral Sitar, built-in-wireless, the robot guitar, 3D printed guitars, Evertune… but none of them have really busted the mold (yet).  They’re all niche stuff.  This doesn’t even get into the many styles of bridges, tuners, tremolos, locks, and other parts that have been refined… or wiring.  You can get CRAZY with wiring.

World's Largest Playable Guitar being set up at the Carnegie Science Center (Pittsburgh, PA)

World’s Largest Playable Guitar being set up at the Carnegie Science Center – Pittsburgh, PA (Photo Credit: Kara / @ohidontthinkso)

The traveling guitar exhibit is at the Carnegie Science Center in Pittsburgh right now.  I can’t wait to check it out.  It’s got the world’s largest playable guitar.  I was lucky enough to get a preview the other day via Twitter.  Tell me that’s not an innovation?  It will no doubt inspire many to pick up the guitar, or dust off the one they already have.  The entire exhibit displays guitars, how they work, their history, & all kinds of fun interaction.

So, next time you think that the guitar has become stagnant, I ask you to go get your hands one one of the many non Strat options above… or even a non-standard Strat option… like a Fat Strat, hot-rodded wiring, or a backwards one.  There are plenty of different, innovative, and goofy guitars out there.  Rock out on something original!

Obey the Zone. (Rock Concert Etiquette)


So, I’ve been to many types of shows at many types of venues.  From stadiums to bars and from backyards to amphitheaters.  I’ve seen rock shows, rap shows, country shows, and even Weird Al.  Most of the shows I’ve attended fall in the punk or metal categories.  The crowds can get rowdy.  It’s expected, perhaps even demanded.  I’ve pogoed in a circle when commanded to by Joey Ramone, sat nearly motionless in a sea of silver hair at a Willie Nelson show, and lost my shoe once in a pit at a Misfits show (only monetarily, and it was the first & last pair of Airwalks I’ve ever owned).  I’ve been rubbed up against the sweaty shirtless guy, been flogged by the windmill hardcore kid, and burned buy the a-hole with a lit cigarette in the pit.  I chalk it all up to part of the experience.  Hell, I even had my nose broken in a stage diving incident.  I’m no stranger to the pit.

A man crowdsurfing in a moshpit, uploaded from...

The people are revolting, pushing the sweaty shirtless smelly guy out of the group.

I’m not saying that it doesn’t have it’s place.  I’m just tired of the people who don’t “get” it.  It always devolves into 2 or 3 probably drunken buttholes flailing around like fish out of water trying to start some kind of fight or prove their manliness.  Generally people have good manners.  Most people in the pit are just out to have fun bouncing around to the music, until it gets ruined by the few flailers.

It’s a weird topic to discuss.  Saying the word “mosh” makes it an instantly corny conversation.  I hate to say the word out loud because I’m old and it’s a young man’s (or brave young woman’s) game.  It’s just getting out of control.  I don’t want to see it stop, I just want to see it not be ruined by the few, the proud, the imbeciles.  This was all sparked by our recent adventures at the Flogging Molly show(Which musically, is a rather tame band… but crowd-excitement is off of the charts with them.)

We all know the “unwritten rules”, right?  The only one that I’ve ever seen obeyed consistently is: If someone falls down, pick them up.  This proves to me that we’re mostly all just out to have a good time & not hurt anyone.  As for the rest, I guess I’m going to have to write them for you.

The biggest one and my spark for writing this blog?

STAGE | PIT | CROWD

Fig. A

Obey the Zone.  This is the biggest rule that you need to adhere to.  You can see in figure A that there is a clearly defined acceptable zone for pogoing / slam-dancing / moshing activity.  It’s in yellow and black… for caution.  It can get a little bigger or even smaller depending on the ferocity of the act on stage.  The blue area is the crowd in general.  Generally, there’s a row or two of people up front really into the band or show and unwilling to move no matter how many goofballs are bouncing off of their backs. This spills out & around to people that are just trying to watch the band.  Is this that difficult?  Am I wrong here?

Please see my additional figures B & C to help drive my point home…

No means no.

Fig. B

Meathead Zone

Fig. C

In figure B we see the big red symbol recognized as “No”.  This is where you’re not supposed to flail, push, agitate, or try to cajole others into moshing.  The other night when we were safely in this zone, a chubby young ginger-headed frat boy was doing exactly that, and looking at all of us like we were crazy for not wanting to hardcore dance with him 1-on-1 when it was happening with willing participants mere feet away.  Was this kid afraid of the real pit?  I say put on your big boy pants & get in there, Skippy.  Or better yet, move into the Idoit Zone as illustrated by figure C.

NO HARDCORE DANCING

This unwritten rule is written for you.

The idiot zone is formed when the people who do know how to act at a show force out the people who don’t.  This is where the “too metal for you”, “hardcore windmillers”, and “guy with Greek letters on his hoodie & daddy issues” go to play.  They’re convinced that no one can have a good time unless you go home with bruises.  They feel that they are integral to your having the correct concert experience by placing an elbow repeatedly in your ribs or fist in your eye.  They’re irate when you don’t want to participate.  They go to the idiot zone to act like a wind-up toy and get out their frustration.  They just paid $30-60 for a ticket, $9+ per beer, and $10-$20 for parking to ignore the band on stage.

No moshing sign, Bumbershoot 2010

Weenies.

You have to understand that the whole floor has the potential turn into that zone, and accept your risk of taking a wild hit or someone landing on you if you’re going to get down there anywhere close to the action.  You most likely dropped some serious cash to see this show, and you’re there to see and hopefully enjoy the band… not to get distracted or assaulted by some self-appointed chairman of the mosh commission.

Well, that’s the big rule.  What’s your take on concert etiquette?  I’ll list some others, you give me more in the comments.

  • No lit cigarettes (or other burning substances) in the pit.  Most venues in Pittsburgh don’t allow you to smoke in the first place.  Besides billowing toxic crap into my air, burning someone while thrashing around like a toolbag is not cool.  If you need to get high, go do it in a dark corner.
  • Don’t scream off-key into your neighbor’s ear.  I paid lots of money for the people on stage to scream into my ear, not you.  Shut up unless it’s a sing-along rock anthem.
  • If you’re on the edge of the circle, keep it from spilling over.  Push the lugheads back into the fold.  Protect the people around you who don’t want in it, and watch out for that kid that’s way too young to be there.  Might be good to not trample him to death before he can drive.
  • You are not a windmill.  No one thinks this is cool.  No one likes getting punched in the head.  No one is more entertained by you dancing like Frankenstein than by the band on stage.
  • We’re there to see the band, not you.  You are not that guy on the runway, a traffic cop, or a cheer-leading coach.  Stop gesturing wildly at people trying to get them to go in a circle, spin you around, run into you, or do the safety dance.

Now it’s your turn.  While you think/type, please enjoy the following…

Vodpod videos no longer available.
Windmill

This is not a dance.

(Also, feel free to post other songs about moshing, slam-dancing, circle pits, pogoing, or any related ridiculousness.)

Also… to the people who drink in the parking lot through the opening acts, then come in during the headliner barely knowing where you are or that you’re alive.  Just stay home & get drunk.  It’s cheaper and safer, and you don’t have the potential to puke on my shoes.

Nostalgia…


So, I upped a bunch of old songs to SoundCloud.  Some aren’t bad.  Some are terrible.  (There’s some AiXeLsyD, some Gasoline Dion, & even some Ernie and the Berts for good measure.)  Feel free to enjoy and/or ignore.

AiXeLsyDI have had many many fun times writing songs & jamming with all of these cats over the years. We have recorded some good stuff, met interesting people, and played some absolutely wild parties & shows.  It’s awesome to have played at parks, in basements, on small stages, in garages, in countless dive bars, on big stages, in back yards, a sports bar, band battles, in cool rock bars, an Elks lodge, a dorm room, American Legions, skate parks, VFW’s, theaters, Fire Halls, and even live on the radio.  (Places I haven’t played yet… on a boat, under-water, on a moving flatbed, outside of the U.S., on TV – Ernie, can you get on booking that?)  Some people even dug our stuff.

Gasoline DionI’m glad to be able to continue to rock out with some old faces & some new faces.  I enjoy that I’m still playing shows, going to shows, rocking out with talented dudes, & continually meeting & being influenced by local musicians & those that are just passing through.  We get together to rock out & have a great time doing so …all while trying to be as goofy as possible.  I’m glad I fell into punk rock as there’s a sense of humor about it all.

Ernie and the BertsI enjoy the exchange of knowledge, whether it’s music trivia geekery, guitars & amps & how they work & how to play them, or just general rock n’ roll legends.  I enjoy being obsessed with goofy guitars yet able to appreciate a nice normal axe.  I enjoy making fun of bands that are doing absolutely terrible things, taking too long to set up, playing too long, or have terrible names.  I enjoy being the target of the same kinds of jeers.

In honor of Saint Patrick’s Day coming soon, I’d like to toast my fellow musicians whether I’ve been in a band with you, shared a stage with you, or just been to one of your shows and told you how much it rocked.

☘  Here’s to cheating, stealing, fighting, and drinking! ☘

If you cheat, may you cheat death.
If you steal, may you steal a woman’s heart.
If you fight, may you fight for a brother.
And if you drink, may you drink with me.

Please, share with me some memories of the crazy paces you’ve played, the fun (or terrible) times you’ve had with your bands… whether you were in one with me or not.  Share some of the music too!

Locksley is a class act.


Last night Ernie and the Berts had the opportunity to share the stage with D.I.Y. wizards, Locksley.  First off, these cats exude cool.  They look like they just walked out of the studio at Sun Records, or belonged on the Chess Records roster in the late 50’s.  In full confidence of all my manhood, I can say that if I were a woman, and into dudes, my panties would have been thrown onto the stage last night.  The best part is that they lack the pretentiousness sometimes associated with such a look.

Locksley is self-described as “doo-wop punk”, but it sure sounds like straight-up super poppy rock n’ roll to me.  Part 50’s ballads, part garage rock, part “Beatles just slashed the speakers” kind of vibe…. I even picked up a little Who and maybe even Pinhead Gunpowder.

These dudes explode on stage.  After their roadies got them all set up, drummer Sam Bair took nonchalantly to the stage, sat down, and started pounding like a madman.  As everyone in the room was spinning their head to see what was going on… the rest of the guys hopped up on stage, picked up their instruments, and joined in with a catchy number.  Bass player Jordan Laz called us all to action, Eastwood Airline bass slung to the side; No feet were to be still, no hands were to be left idle.

They actually implored us to go downstairs during the second song, and try to bring up Smiling Moose bar patrons from downstairs.  Not even the incredible fans that drove in from Ohio donning homemade letter jackets and poodle skirts emblazoned with Locksley logos went downstairs as we was requested.  No one wanted to miss whatever happened next!

Hooky melodies with a beat meant to keep your feet tapping is Locksley’s thing, and they do it well.  Their self-titled record comes across as a little softer, more polite, and gentle than the live show… but make no mistakes, these guys are mean on stage.

Guitarist Kai Kennedy was channeling Johnny Cash in all black with his well-worn cream colored Stratocaster wailing crazy poppy licks, and sweating bullets from the get-go.  Lead vocalist Jesse Laz let bass player & brother Jordan handle most of the inter-song banter, then would step in to croon and make jangly chord changes with his Epiphone Wilshire… A commanding presence that reminded me of Morris Day in Purple Rain.

Locksley

These guys have crazy stage presence.  Any inter-song banter was backed by soft rocking that ramped up just in time to jump into the next tune.  Moves that had to be choreographed but looked like they may have had an organic origin peppered the set.  Microphone sharing with killer vocal harmonies was all over the place.  Everyone who wasn’t tied to a drum kit was in the audience at one point, dancing, rocking, and singing away.  Kai and Jesse locked into this weird grappling maneuver where they played each others’ guitars while spinning around looking like someone trying to get out of a straightjacket.

After the set, handlebar-moustached drummer Sam wouldn’t let me purchase a CD.  Instead, he gave me a stack to pass along.  We gave some out to those who had attended the show, but I still have 2 unclaimed.  Let me know if you’re interested.  The 1st 2 to claim the disc in the comments below, it’s all yours.

Erin “Ernie” Payne & Dave “Bert” (or “the other Bert”) Warren went to a Fountains of Wayne show in Philly a while back, and Locksley was the opener.  Erin really dug what they were all about, and set out on a personal mission to bring them to the ‘Burgh.  I’m glad he did.  I had a great time last night, and I know the whole shebang was a big deal to Erin.  From what I can tell, all of the guys in Locksley and their friends/crew are all-around nice guys who have a genuine love for the music, the stage-show, and the adventure of being a rock n’ roll band.

Stay tuned to Ernie and the Berts’ Facebook page to see photos of the show!

http://twitter.com/#!/LocksleyMusic/status/136883071373942785

EatB in the Pgh CP


I found this rather amusing:

Pittsburgh City Paper - 11/02/2011

We're famous!

Ernie and the Berts – November Shows


We have some shows coming up.  You ought to attend.  We’re a good time.  I promise.

The Punk Rock Sock Hop Invades Pittsburgh! Sat.11/05/2011

The Punk Rock Sock Hop Invades Pittsburgh! Sat.11/05/2011

This is going to be one crazy show… bands, magic, a DJ spinning 50’s tunes, zombies, contests, prizes, and probably even drunk chicks.  You can get free admission and some other goodies from Pittsburgh Punk Rock with very minimal effort (if he extends the contest).  This benefits Free Ride Pittsburgh, and is a Pittsburgh City Paper Critic’s Pick for this weekend!  Click the flyer for details, links to all the other bands & entertainment!

Locksley, Ernie and the Berts, & The Mondze! 11/15/2011 @ The Smiling Moose!

Locksley, Ernie and the Berts, & The Mondze! 11/15/2011 @ The Smiling Moose!

Click the flyer for details, to see videos from all 3 bands, the link to buy tickets, and check the comments for the link to a free EP called Ghosts from Locksley with a fun Halloween theme!  Erin saw these guys in concert, and wanted to bring ’em here to the ‘Burgh.  You’ve heard the song “The Whip”.  Lets show them some love!  Help spread the word.

Sat.08/27 @ GOOSKI’S! – The Dirty Charms / Ernie and the Berts / What Else? – 21+/$5/10:00pm (via Ernie and the Berts)


I love Gooski’s. It’s a relaxing hole in the wall with a killer jukebox and ridiculously awesome honey BBQ wings. It’s always cool to play a place you’re so comfortable in, so please come out to this one, hang out, & have a fun time with Ernie and the Berts as we rock out with the Dirty Charms & What Else?.

Sat.08/27 @ GOOSKI'S! - The Dirty Charms / Ernie and the Berts / What Else? - 21+/$5/10:00pm GOOSKI’S.  That’s all I need to say.  Come early, stay late.  Rock out with some cheap beers, tasty wings & pierogies.  We all need a night of debauchery in Polish Hill every once in a while.  That’s what your favorite local rock n’ roll bands are for!  What Else? channels some glam, Ernie and the Berts will make you feel scuzzy & fuzzy, and the Dirty Charms just may make you need to take a shower… Read More

via Ernie and the Berts

Your attendance is required.


Sun. 08/14 @ The Fallout Shelter:

Ernie and the Berts
Hopeless Otis
The Awful Waffles

$5 / 21+ / 9:00pm

Click the link for details & links to the venue & other bands.

Sun.08/14 @ The Fallout Shelter - Ernie and the Berts/Hopeless Otis/The Awful Waffles - $5/21+/9:00pm Beat the heat, not your meat!  Hang out in the cool relaxing not-humid soothing basement of Sheffield Lanes… a little place we like to call the Fallout Shelter.  Well, they called it that, so that’s why we call it that.  We didn’t name it.  Although, it is a pretty good name.  For some reason, they like us there, and keep letting us come back.  Randy just may be a little insane.  That’s OK, I think we are too.  At any rate, they have good drink … Read More

via Ernie and the Berts

Tickets still available for Thu. March 17th w/ the Blasters! (via Ernie and the Berts)


Tickets still available for Thu. March 17th w/ the Blasters! So, we still need you to buy some tickets for the St. Patrick’s Day gig at the Altar Bar with the Blasters. We have tickets available for $15 each & no TicketBastard processing fees.  Leave a message here, hit us up on Facebook as a band or individually and we’ll hook you up, or email ernie@ernieandtheberts.c … Read More

via Ernie and the Berts

The Blasters - Thu. March 17th, 2001 @ The Altar Bar!

The Blasters - Thu. March 17th, 2001 @ The Altar Bar!

Last night’s Tubonegro tribute! (via Ernie and the Berts)


Ernie and the Berts did some crazy Turbonegro covers last night… “Suffragette City” (a cover of a cover), “I Got Erection”, and “Sell Your Body (To the Night)”. It was captured in photo and video.  It’s a good thing we have no shame.

Last night's Tubonegro tribute! One lucky Ernie and the Berts friend & fan who goes by the YouTube handle johnnyaUSA captured a very special moment last night.  Ernie got to live out 3 rock n’ roll dreams (a.k.a. “steps to becoming a man”) at the 31st Street Pub and it’s all captured here on video.  What are they?  Well, you’ll just have to watch and see! … Read More

via Ernie and the Berts