Tag Archives: show

Looking for a video of that one time I sang “I Turned Into a Martian” on stage with the Misfits.

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Every once in a while, I just throw this into the æther just to see if it gets any response. One time, I got to pop up on stage and sing “I Turned Into a Martian” while Jerry Only played bass, sang, & Doyle Wolfgang Von Frankenstein played guitar, & Goat (a.k.a. Eric Acre, a.k.a. “Chupacabra”) played drums. I’d love to find a video of it if it’s out there.

We take for granted that everything is recorded these days, but back then it wasn’t. Misfits bootleg videos were a hot trade commodity at one point online. I’m pretty sure this show was recorded, because Crowbar had closed-circuit TV’s that were displaying the show as it happened. It may have been deleted or not recorded, it may have hit a personal private collection. Someone else may have been in-house recording. Not sure if Doug Evil was there?

Thanks to Misfits Central & Concert Archives, I now have a specific date: Sunday, November 5, 2000. It was at the now-defunct Crowbar in State College, PA.

Actually, thanks to the Wayback Machine, I found some old photos form the show! Problem being I guess that I took them, but did not hand off my camera while I was on stage.

An-Die & I road-tripped to State College several times with several different groups to see the Misfits in several iterations in addition to seeing them a bunch in Pittsburgh… so my memories may be conflated. I know Russ from TVCasualty.com was there!

I’m pretty sure Murphy’s Law & Impotent Sea Snakes also played. I only remember this because Goat was pulling double duty, and our friend Laurel was apparently hit in the face with an… adult toy… during the ISS set.

I remember An-Die telling me that I had stage presence, and obviously Jerry Only has a huge stage presence, and it did not jive. Ha ha. I’m sure I looked weird, but holy shit it was fun. (I always feel weird signing without a guitar in my hands anyway.)

Another fun fact, this was after I had broken my nose, and i was wearing a bandage covering most of my face. I know I have photos of that somewhere but I cannot find any.

The Misfits - 11/05/2000 lineup @ Crowbar in State College PA | Jerry Only, Doyle Wolfgang Von Frankenstein, Eric Goat/Chupacabra Acre, & some random a-hole.
The Misfits – 11/05/2000 lineup @ Crowbar in State College PA | Jerry Only, Doyle Wolfgang Von Frankenstein, Eric Goat/Chupacabra Acre, & some random a-hole.

Oh yeah, I broke my nose stage diving at American Music Café. Who’s set was it? I think it was Third Place, Tybalt, or maybe even Ten Pounds Lighter/Secrets Lie Within. I just remember someone fake kicking me that ended up not being a fake kick, a weird celery crunching noise, and my nose being mostly under one eye. I ought to try to chronicle old show stories some day.

I was the Fiend Club “Chapter Head” for a minute in the late 90’s early 00’s, so I got to see the band when they were in & around town. I think Jerry & Rocky sort-of kind-of knew who I was, but I always tried to not be a pain in the ass & ask for stuff or to get on the Turbo Die or anything. It was a fun time in life.

If you have the video, or have info that could help me track it down, I’d really appreciate it! Feel free to help by sharing this in fan forums & what-not online. We Are 138!

You can hit me up at the contact form here, on Threads, on FB, on Instagram, on BlueSky, TikTok, YouTube, or even X.

For more Misfits content here at the blog, check out:

For those about to rock, we salute yinz! (AC🗲DC • PWR🗲UP • Pittsburgh)

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• AC🗲DC • PWR🗲UP • Acrisure Stadium • Pittsburgh PA • Thursday May 8th, 2025 •

So, I have been a casual AC/DC fan for as long as I can remember getting into music. They were always there, always a mainstay, always the butt of “same sounding songs” jokes alongside fellow icons the Ramones. I believe I bought Razor’s Edge & Back in Black about the same time in Jr. High. I really dug “Big Gun” from the Last Action Hero soundtrack, and of course, loved the older stuff with Bon Scott as I got into them.

My kids heard me playing “Big Balls” when they were younger, and of course glommed onto it as the most hilarious song ever. I think I created a rock fan with my son, as he has really dug into the AC/DC catalog.

He wanted AC/DC tickets for his birthday, so we got some… then later traded up when a good friend said he wanted to come to town to catch the show with another buddy, as the speculation spread that it may be their last tour and they weren’t playing out his way.

I prepped by making a playlist of suspected tunes on Amazon Music & Spotify thanks to Setlist.fm. I also have one called 100% Certified Angus on Amazon & Spotify that we rock sometimes too! And my son has been spinning Back in Black on vinyl of all things. (I refuse to get into vinyl or guitar pedals, because I already have a guitar problem.)

Off we went for my son’s first stadium show, first time seeing Heinz Field Acrisure Stadium, & first time seeing AC/DC live! We did catch The Aquabats! at the Roxian last year and that was super badass. That was his 1st concert (if we don’t count the incredible & talented Laurie Berkner for a Christmas concert when the kids were super small) and 1st punk rock show!

A pastiche of images from the AC/DC show in Pittsburgh in 2025.
🤘 For those about to rock, we salute you! 🤘

Just a mashup of clips I got that evening of my dude enjoying his night:

If you follow me on the socials, you probably saw a few signs that we were there. It’s super exciting to me to bond over music as it has been such an important thing to me over the years, as a creative outlet, a place of joy, and comfort.

I can say he said it was “the best night of his life,” so I think he had fun! Ha ha. I am glad I got to see Angus & Brian perform. Man, the band are tight, but with a nice loose groove. I knew they were powerhouse rock icons, but to see it? Absolutely amazing. The show production was crazy with the infamous bell, canons, fireworks, huge LED screens, pyrotechnics, confetti, on-the-fly graphics enhancing live video… but at the same time it all seemed very simple. I’m not sure how to convey it. The frills were not the focus. Obviously Angus and his SG’s are the focus. Even Brian knows this, and he looks like he is having the time of his life up there, knowing he has the coolest job in the world.

I think Angus may be slightly slower now that he was in the 80s or 90s, but at 70 years old… he is undeniably crushing it skipping, shimmying, and duck-walking around the stage while playing rambling angry blues licks, goading the crowd into cheering, stripping off parts of the schoolboy uniform, & taking 17 minute extended guitar solos. At one point, he even defiled the fretboard with his necktie as a slide. That is how you put on a show. Some sources online seemed to think Brian’s vocals were low in the mix. I think that was the case where we were at on the floor… but videos from elsewhere have it perfect. His voice is amazing, and again, at 77… he is running around belting out these immortal songs like it’s nothing for 2 damn hours.

The crowd was sedate, lots of people fist-bumping or throwing horns or thumbs up to my dude as we went through the crowd & got to our seats. There were obviously visible drunks, but nothing I saw got too out of hand, even the tailgating outside seemed to be chill.

Scott Mervis has a great review from the PG, and Mike Palm has one from the Trib. I was also able to find a TON of video on YouTube so we can remember the night as long as YouTube is a thing. Ha ha. Check out this bonkers playlist that I am still updating:

It has all kinds of videos from promo stuff, to stage setup, to pyrotechnic stuff, vloggers, and nearly every song individually, from a bunch of different vantage points, and someone grabbed the whole show!

We have had a lot of craziness going on lately, so this was a fun respite and I think we needed it. Hopefully this will be a day long remembered by both of us as a highlight to this year.

So, were you there? Share your stories, pictures, & videos in the comments! I’d love more YouTube stuff to add to the playlist too. I think the only individual song I’m missing is “Rock N’ Roll Train.”

If you weren’t there, or saw them some other time, or in your city, or just want to drop some AC/DC memories or lore, do that too!

🤘⚡🎸

The Aquabats!/The Aggrolites/Lost Again @ The Roxian Theater (Pgh) 07/08/2024

Posted on by Standard 1

So, it’s been a long time since I have been to a punk rock show… or really any kind of show or concert. It’s been even longer since I was a regular attendee or participant in such shenanigans.

I got the opportunity to take my son to his 1st ever punk rock show on Monday at The Roxian (a place I have never been), and we had a blast watching Left Alone, The Aggrolites, & The Aquabats! Left Alone were awesome, and I have seen the Aggrolites open for Flogging Molly before so I knew they were killer. (Although, I can’t remember exactly when.)

I posted about it on FB a bit, but wanted to share it here too and see if it sparked any discussion on obtaining bootlegs (or official recordings) on shows you have attended.

Went to Setlist.fm, & made a playlist of all 3 bands’ songs last night on Amazon. We live in the FUTURE.

Check out my playlist on Amazon Music: Full Show Setlist – The Aquabats @ The Roxian 07/08/2024 with Left Alone & the Aggrolites – Set List

Although, this is slightly less cool than when I found an “Import” at CD Warehouse in Monroeville of the Bloodhound Gang at a show I saw at Metropol. I wish I had the Nerf Herder set from that night!

Somewhere, I probably still have cassette tapes of the Guns N’ Roses set from Three Rivers Stadium in the early 90s. Anyone remember those rock conventions where you could buy mad bootlegs that sounded like someone had a Radio Shack tape recorder jammed squarely up their keister?

I have legally purchased digital versions Metallica and Willie Nelson shows that I have attended. This shit ought to be standard practice for even smaller shows. I’d slap $ on top of the ticket price for a live recording of a show I attended, no problem.

Would you like to more easily be able to buy downloadable audio/video of shows or concerts that you attend? I know I would.

Looks like someone posted the sets from Monday on YouTube:

@aixelsyd13

It was a late night for my dude, but he pepped up with these songs! We were up front (at Ian’s insistence) for #LeftAlone , the middle for #TheAggrolites , then hung back for #TheAquabats ! All the bands put one hell if a great show, and it will be a killer tour. I’ll have to wade through video & post some tomorrow night too. Maybe on YouTube. #PizzaDay #RoxianTheater #Pittsburgh #🍕📆

♬ original sound – Eric Carroll

The Metallica Playlist – Part II

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So, did you read my last post about making a playlist of Metallica songs so Bethany will be familiar with some of the music at the show?  l grabbed a few tracks from each album, popped them into a list, & mixed ’em up a bit.  It still seems a tad unwieldy.  It’s 47 songs, and I don’t even want to know what the run time would be.  (I still need to dig out all of my CD’s & rip some of these older songs.  I live in the stone age and listen to mp3’s saved to a thumb drive plugged into the car.)

Metallicollage

How would you pare it down?  Could you get it to 30 songs?  10 songs?  60 minutes?  What is the most essential stuff you’d need to grasp their overall sound and/or appreciate a live show?

I had Alexa playing some random Metallica this morning, and it wasn’t a bad mix.  This actually really has me appreciating Death Magnetic & Hardwired… To Self-Destruct more & more.

 

Metallica 101 Playlist…

  1. “Ecstasy of Gold” (We All Love Ennio Morricone) [Ennio Morricone]
  2. “Enter Sandman” (Metallica)
  3. “One” (…And Justice for All)
  4. “For Whom the Bell Tolls” (Ride the Lightning)
  5. “Whiskey in the Jar” (Garage, Inc.) [Thin Lizzy]
  6. “(Anesthesia)—Pulling Teeth” (Kill ‘Em All)
  7. “Whiplash” (Kill ‘Em All)
  8. “Last Caress” (Live Shit: Binge & Purge) [Misfits]
  9. “Master of Puppets” (Master of Puppets)
  10. “Cyanide” (Death Magnetic)
  11. “The Call of Ktulu” (S&M)
  12. “Nothing Else Matters” (Metallica)
  13. “Seek And Destroy”  (Live Shit: Binge & Purge)
  14. “Some Kind of Monster” (St. Anger)
  15. “Fade To Black” (Ride the Lightning)
  16. “Overkill” (Garage, Inc.) [Motörhead]
  17. “Hardwired”  (Hardwired… To Self-Destruct)
  18. “The Memory Remains” (Through The Never)
  19. “Four Horsemen” (Kill ‘Em All)
  20. “Creeping Death”  (Live Shit: Binge & Purge)
  21. “Until It Sleeps” (S&M)
  22. “Altas, Rise!” (Hardwired… To Self-Destruct)
  23. “Battery” (Master of Puppets)
  24. “Die, Die My Darling” (Garage, Inc.) [Misfits]
  25. “Frantic” (St. Anger)
  26. “Fuel” (Re-Load)
  27. “Orion” (Through the Never)
  28. “Unforgiven” (Metallica)
  29. “Unforgiven II” (Re-Load)
  30. “Unforgiven III” (Death Magnetic)
  31. “Sad But True” (Live Shit: Binge & Purge)
  32. “I Disappear” (Mission: Impossible 2 Soundtrack)
  33. “All Nightmare Long” (Death Magnetic)
  34. “Mama Said” (Load)
  35. “Welcome Home (Sanitarium)” (Master of Puppets)
  36. “Commando” (St. Anger Single) [Ramones]
  37. “Now That We’re Dead” (Hardwired… To Self-Destruct)
  38. “Stone Cold Crazy” (Garage, Inc.) [Queen]
  39. “Wherever I May Roam” (S&M)
  40. “The Day That Never Comes” (Death Magnetic)
  41. “Tuesday’s Gone” (Garage, Inc.) [Lynyrd Skynyrd]
  42. “Disposable Heroes” (Master of Puppets)
  43. “Blackened” (…And Justice for All)
  44. “St. Anger” (St. Anger)
  45. “Low Man’s Lyric” (Re-Load)
  46. “Harvester of Sorrow” (…And Justice for All)
  47. “One” (S&M)

Would you skip songs & go to videos, live sets or clips, or documentaries?

 

 

So, I have an idea for a TV show: #MissionariesImpossible ⛪

Posted on by Standard 1

Yup.

What do you think?  Would you watch it?  TLC is pretty close to that any way.  I’m fascinated by all the shows with the Browns and the Duggars and the crazy Amish and Mennonite kids.

OK, “Missionaries Impossible” isn’t the best title.  Have a better idea?

I’m not poking quite as much fun as you may think.  I have gotten into some lengthy discussions with evangelizing Jehovah’s Witnesses, and I have done some mad research on Mormonism.  They would both probably call themselves Christians, while most Christians from Roman Catholics to Creation-museum-loving Evangelicals to super liberal UCC‘ers would probably give a hearty “No, no, no, they’re not with us…” when they’re brought up.

I admire the chutzpah of anyone willing to “sell” their faith door-to-door.  Even if they do (like royal ass-hats) choose to do it on Christmas day.  Yes, that happened to us once at my wife’s parents’ house.

I can totally get not celebrating religious holidays with pretty much no regard as to the events they’re supposed to commemorate.  I don’t see a problem with polygamy (yes, I know that’s a very small percentage of fundamentalist Mormons that even Mormons don’t like to talk about) as long as all parties are consenting adults.

I would guess that there are things that we can learn from each of them, and what better way to do it that to let them try to out-missionary each other?

 

Guest Post: How to book your band.

Posted on by Standard 4

I’ve posted advice for existing and aspiring bands before, and I thought this email from a pro would be useful.  It was sparked when I saw his Facebook status the other day: “Great way to start the day: my favorite venue in the country complimented my email skills in contacting them to booking a date. It’s the highest praise I could hope for.”

The status went on to some comments & basically the author said he’d share the knowledge with those who cared to learn.  I asked if I could post it in a blog, and here we have it.  If you’re in a band on any level, pay heed to the advice below.

As far as background on Bengt, he’s in a band (& been in many), he records bands, he’s booked bands, and he’s generally been in every part of the scene.  He knows what he’s talking about.

Action Camp

Action Camp

On to the advice & the guest part of this guest post:

♪♫♩♬♩♫♪

Alright, so here is what we usually send like 99% of the time. There always a bit of customization but this is the basic format:

1. Greeting, name the booker if you know it (usually listed on indieonthemove.com or their website)

2. Band name (with a link to the website), genre, location.

3. Date(s) requested in bold. They love that, it makes it easier read. If you can swing 3-5 dates that’s best, it gives them room. Do them a favor and check the website for those dates first, they appreciate that a ton. Also make sure to follow their booking procedure to the T. A lot of places have a specific way they like to work (Facebook message, Sonicbids, email format, etc). If you do it right it shows you listened so you’re already at the top of the pile.

Also, if another band that’s played there before suggested it, tell them so. It’s like introducing yourself to anyone else and starting with saying you have a mutual friend. It’s a job reference.

4. Links to music, video, press – let them decide if they want to book you. The more you talk about how awesome you are and why you should be booked, the more they think you probably suck and are trying to gloss over it. It’s like handing someone your demo and saying it’s not your best work.

5. If you played there or in the city before tell them. If you know what you drew and stuff be honest, they love that.

6. Offer to help build the bill, and specifically name bands you know or have contacted already.

7. Thanks in advance, Thanks for your time, etc.

8. ALL of your contact info including phone numbers. It shows you are easy to reach and you have your shit together.

One final thing: DON’T say someone famous produced your record, quote random blog reviews, list facebook or twitter numbers, anything like that. No one cares about that if they know what their doing in the working touring circuit. Steve Albini producing your record won’t make 100 people come out in Dayton on a Monday night, and facebook and twitter followers are ostensibly your imaginary friends that only you can see. Plus, even you have 4,000 people odds are only 10 of them are near the venue you are trying to book.

Here is exactly what I sent to Southgate House:

Hello Morrella,

We are Action Camp, an art rock duo from Pittsburgh, PA.

We’re looking to see if you have Friday February 15th or Saturday the 16th available to book in the Revival Room – both look open on your calendar but I wasn’t sure if you would do a full house those nights. Our music is pretty different from what’s going on those nights so I’m not concerned about audience bleed over. This would be our 4th time to Southgate, 7th time in 3 years in the Cininnati/Newport scene. We know plenty of bands so we’d throw a bill together with 2 or 3 locals to help support.

– You can hear our music at actioncamp.bandcamp.com or at our website below.
– Here is a recent video from our 2012 summer tour
– And some press from our Winter tour just a couple weeks ago.

If these are unavailable I’d love to work something out in the future. Southgate was/is by far our favorite venue on tour, I can only assume the new house is great. Sincerely, I (Bengt) booked a venue in Pittsburgh, and based many of my practices on the way SGH was run by Rick and his crew.

Previous dates:

Parlour 10/1/2010 (Gallery Opening, free show, 100+ attending)
Parlour 1/2/2010 (w/ Duppy a Jamba, 97 paid)
Parlour Summer 2009 (Flux Capacitors last show, well attended, don’t have stats)

Our most recent dates in the area were both in Cincinnati:

12/8/2012 The Comet Cincinnati, OH (100+, free show)
7/5/2012 Sitwells Coffeehouse Cincinnati, OH (smaller acoustic show, last minute add on tour)

Thanks in advance, can’t wait to see the new place,

– Maura + Bengt (Action Camp)
http://www.action-camp.com
actioncamp@gmail.com
###.###.####

So that’s it, pretty simple. Just be honest and to the point. I also should point out that this was 1 of 10 venues we emailed on Christmas, and he got back just a day later with this response:

“Thanks for writing. Those dates aren’t announced yet, but they are spoken for. How about Wed Feb 13, or Sun Feb 17?

“PS – very well done email, especially listing previous show turnouts. You’re way ahead of the curve on that one, and it did persuade me to jump on this, and get you in!”

I always email every venue that would work for us in a city, it’s better to have choices than no show at all.

Hope this all helps,

– Maura + Bengt (Action Camp)
http://www.action-camp.com
actioncamp@gmail.com
###.###.####

♪♫♩♬♩♫♪

So, there you have it.  Got it?  Good.  Doing research in advance before you ask for dates seems like a no-brainer, but apparently it needs to be said.  I guess some bands naturally put more thought into stuff.

I’m not sure how you’d approach this if you had no previous gigs in an area… perhaps we can get Bengt to comment further for new bands, first time tours, etc.?

Check out the Action Camp video here:

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Bands vs. Venues: Who promotes? Who makes money? Can everyone “win”?

Posted on by Standard 11

Rick from the Fallout Shelter brought up a great discussion topic on Facebook, and it inspired me to blog about it.

That’s a private group on Facebook, so here’s what was said in case you’re not a member:

Rick D'Agostino Looking for some feedback from the music community out there. Do you think that the $5 cover charge keeps you or your friends from attending shows at the Fallout Shelter that they might otherwise attend to check out new bands? In other words, are folks only willing to pay a $5 cover to see bands that they already know? And as a band member, would you rather play to a larger crowd with a tip bucket or to just a few people and make some gas money? I am thinking of making some changes. you can reply here or message me if you want. thanks!

Rick D’Agostino is looking for some feedback from the music community out there..

Dig?  So now, you have the gist of it.  My blog may go on its own little tangent, you never really know with these things.  It’s certainly worth talking about.

First, it’s clear that I’ve never been in a band where making money is the ultimate goal.  I’m amazed over & over that venue owners let me come in, set up, and play in front of people.  Sometimes we get money from the door, sometimes we get money from tickets sold, sometimes we give it all to the touring band, sometimes it’s a charity gig, sometimes no one shows up to pay anyone, sometimes we get some gas money or a couple of bucks to dump back into merch or something.

This is how it’s worked nearly everywhere and every time I have played:  Most of the time, the cover is $3 to $5, unless we’re opening for a national act & it’s through a booker where we’re asked to sell tickets.  Some call the latter “pay to play“, and rail wholly against it.  Some people have no problem selling tickets.  Some bands like mine do, but we try anyway.  At bar gigs, the cover charge is usually $5.  Sometimes it all goes to the bands, especially if it’s a bar & if you provide your own door person.  Sometimes it pays for a sound guy (if there is one) & a cut goes to the bar, then the bands get paid.  Sometimes locals defer and let the out-of-town bands take the cash (if there is one).  Sometimes you can play for free at open stages, sometimes you pay to get in at open stages.  Sometimes no one comes out to see you, and no one gets paid.  Sometimes the band gets free or discounted drinks.  It’s generally a no pay or break even situation.  You hope to sell merchandise and/or CD‘s if you have them, and the bar hopes to sell drinks & food.  The bands should promote and the venues should promote.  Some venues think the bands should do it all, some bands think the venue should do it all.  Generally 3 or sometimes 4 bands are all on the same gig.  Sometimes, it all works out, sometimes… it doesn’t.  This is how bands who largely play their own music are forced to operate.

That’s only 1 way.  There are many other “scenes” here overlapping in the ‘Burgh.

Cover bands… or human jukebox bands, can generally charge a fee for playing a certain style, genre, or “songs that people know”.  This is to provide entertainment to drunken Yinzer patrons who want to yell out requests.  You probably usually play 3 sets, maybe 4… and you’re the only entertainment all night.  You’re probably playing pop country, classic rock, or a little mix of everything.  Professional singers/songwriters operate pretty much the same way as described above, but can get away with putting in more of their own material.

High-class…  I know a band that plays funk, and can get $5000 a gig at the least.  They put their twist on a bunch of songs, dress up, bring lights, and put on one hell of a show.  I’m pretty sure I could never command that much cash for what I do… but how is one less relevant or entertaining?  They do weddings, corporate parties, and “events”.

I’m sure there’s other stuff out there that I’m not even aware of.  I can’t really speak for any other parts of the scene than the one I’m in.

I’ve heard the argument that charging only $5 is devaluing our craft.  Bands should demand more to be heard live.  It worked for Yuengling.  They raised the price on their beer in the late 90s/early 00s and they took off ahead of the other “microbrews”.  Should we then put a higher value on ourselves & our art?  If we raise the price do we raise our expectations?  Do we raise our worth?  Do we raise the value of our music & entertainment?

I also see that a cover charge can make or break a show.  Times are changing.  People aren’t spending money on entertainment.  Music is seen like it’s all supposed to be free.  Why would someone pay for a live show?  To me, if you don’t have $5 on you for a show, maybe you shouldn’t be going to a bar in the 1st place.  $5 might get you 2 beers if you’re a butthole & don’t tip the bartender.  Then again, we hardly ever walk away with any money anyway (the Fallout Shelter is an exception here, we get paid well there, regardless of turnout), so why not let people in for free?

The tip bucket.  I’d play for one.  I have no doubt that we’re entertaining.  Why not, right?  Do all bands split the tip bucket?  Or go per performance?  That if the 1st band up gets all the cash & the “cleanup” band gets nothing simply because the patrons ran out of cash?  Are we nothing more than indoor buskers if we play for a tip jar?  Is it a better measurement of our entertainment value to work for tips?  Does it devalue our art to basically beg for donations to support the rock n’ roll cause?

I certainly don’t want to see my favorite venues close because they can’t afford to operate.  I like to play them, I like to see other bands in them… I want them to do well.  I want them to continue to host my band & other bands.  I even want them to make a buck so it’s all worth their while, and so they can do it to make a living.

I just want to play.  I don’t care where, or for how much.  I have fun doing it.  I think this is an important discussion to have, though.  What is the value of live rock n’ roll?

So…

  • Would you play for less of a cover charge?
  • Should we charge more for shows?
  • Should bands play for tips?
  • How should the tips be split?
  • How does the venue make money?
  • Who pays the sound guy?

Leave your opinions in the comments below!

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Ernie and the Berts “EveryBody Poops” [Video]

Posted on by Standard 7

Have you seen this yet?  It’s a work in progress.  We need your feedback.  Comment here, on ErnieAndTheBerts.com, or on YouTube.  Please?

Thanks to Howler’s and their new recording setup for this awesome video!

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You ought to come see some of these shows.

Posted on by Standard Reply

I’m sure you know I’m one of the Berts in Ernie and the Berts.  I’m sure you know we play shows.  I’m sure you’d have fun at one (or two or three or four).  Come rock out with us some time…

Tue. 06/05/2012 @ Altar Bar - Real McKenzies, Goddamn Gallows, Bloody Seamen, Ernie and the Berts

✟ The Real McKenzies ✟ The Goddamn Gallows ✟ The Bloody Seamen ✟ Ernie and the Berts ✟

Tuesday June 5th, 2012 at the Altar Bar (Also, win Ernie’s Pants!)

Fri. 06/22 @ Ozzie's - Nervous Aggression, Don't Wake the Dead, Ernie and the Berts

☠ Nervous Aggression ☠ Don’t Wake the Dead ☠ Ernie and the Berts ☠

Friday June 22nd, 2012 at Ozzie’s Bar & Grill

Fri. 06/23/2012 @ The Fallout Shelter: Ernie and the Berts, Johnnie Lee Jordan, Alex Payne, Joey Molinaro

☢ Ernie and the Berts ☢ Johnnie Lee Jordan ☢ Alex Payne ☢ Joey Molinaro ☢

Saturday June 23rd, 2012 at the Fallout Shelter

Fri. 07/20/2012 @ The Fallout Shelter: OTiS, Scratch n' Sniffs, Ernie and the Berts

☢ OTiS ☢ Scratch n’ Sniffs ☢ Ernie and the Berts ☢

Friday July 20th, 2012 at the Fallout Shelter

As you can see we have a bunch of stuff coming up.  We generally try to be all kinds of fun.  We’re playing with some exciting bands & artists.  We’re playing some new venues & some old favorites.  We’re playing with bands we love & bands we’ve never met.  Each show is an adventure.  Join us!

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Obey the Zone. (Rock Concert Etiquette)

Posted on by Standard 8

So, I’ve been to many types of shows at many types of venues.  From stadiums to bars and from backyards to amphitheaters.  I’ve seen rock shows, rap shows, country shows, and even Weird Al.  Most of the shows I’ve attended fall in the punk or metal categories.  The crowds can get rowdy.  It’s expected, perhaps even demanded.  I’ve pogoed in a circle when commanded to by Joey Ramone, sat nearly motionless in a sea of silver hair at a Willie Nelson show, and lost my shoe once in a pit at a Misfits show (only monetarily, and it was the first & last pair of Airwalks I’ve ever owned).  I’ve been rubbed up against the sweaty shirtless guy, been flogged by the windmill hardcore kid, and burned buy the a-hole with a lit cigarette in the pit.  I chalk it all up to part of the experience.  Hell, I even had my nose broken in a stage diving incident.  I’m no stranger to the pit.

A man crowdsurfing in a moshpit, uploaded from...

The people are revolting, pushing the sweaty shirtless smelly guy out of the group.

I’m not saying that it doesn’t have it’s place.  I’m just tired of the people who don’t “get” it.  It always devolves into 2 or 3 probably drunken buttholes flailing around like fish out of water trying to start some kind of fight or prove their manliness.  Generally people have good manners.  Most people in the pit are just out to have fun bouncing around to the music, until it gets ruined by the few flailers.

It’s a weird topic to discuss.  Saying the word “mosh” makes it an instantly corny conversation.  I hate to say the word out loud because I’m old and it’s a young man’s (or brave young woman’s) game.  It’s just getting out of control.  I don’t want to see it stop, I just want to see it not be ruined by the few, the proud, the imbeciles.  This was all sparked by our recent adventures at the Flogging Molly show.  (Which musically, is a rather tame band… but crowd-excitement is off of the charts with them.)

We all know the “unwritten rules”, right?  The only one that I’ve ever seen obeyed consistently is: If someone falls down, pick them up.  This proves to me that we’re mostly all just out to have a good time & not hurt anyone.  As for the rest, I guess I’m going to have to write them for you.

The biggest one and my spark for writing this blog?

STAGE | PIT | CROWD

Fig. A

Obey the Zone.  This is the biggest rule that you need to adhere to.  You can see in figure A that there is a clearly defined acceptable zone for pogoing / slam-dancing / moshing activity.  It’s in yellow and black… for caution.  It can get a little bigger or even smaller depending on the ferocity of the act on stage.  The blue area is the crowd in general.  Generally, there’s a row or two of people up front really into the band or show and unwilling to move no matter how many goofballs are bouncing off of their backs. This spills out & around to people that are just trying to watch the band.  Is this that difficult?  Am I wrong here?

Please see my additional figures B & C to help drive my point home…

No means no.

Fig. B

Meathead Zone

Fig. C

In figure B we see the big red ⃠ symbol recognized as “No”.  This is where you’re not supposed to flail, push, agitate, or try to cajole others into moshing.  The other night when we were safely in this zone, a chubby young ginger-headed frat boy was doing exactly that, and looking at all of us like we were crazy for not wanting to hardcore dance with him 1-on-1 when it was happening with willing participants mere feet away.  Was this kid afraid of the real pit?  I say put on your big boy pants & get in there, Skippy.  Or better yet, move into the Idoit Zone as illustrated by figure C.

NO HARDCORE DANCING

This unwritten rule is written for you.

The idiot zone is formed when the people who do know how to act at a show force out the people who don’t.  This is where the “too metal for you”, “hardcore windmillers”, and “guy with Greek letters on his hoodie & daddy issues” go to play.  They’re convinced that no one can have a good time unless you go home with bruises.  They feel that they are integral to your having the correct concert experience by placing an elbow repeatedly in your ribs or fist in your eye.  They’re irate when you don’t want to participate.  They go to the idiot zone to act like a wind-up toy and get out their frustration.  They just paid $30-60 for a ticket, $9+ per beer, and $10-$20 for parking to ignore the band on stage.

No moshing sign, Bumbershoot 2010

Weenies.

You have to understand that the whole floor has the potential turn into that zone, and accept your risk of taking a wild hit or someone landing on you if you’re going to get down there anywhere close to the action.  You most likely dropped some serious cash to see this show, and you’re there to see and hopefully enjoy the band… not to get distracted or assaulted by some self-appointed chairman of the mosh commission.

Well, that’s the big rule.  What’s your take on concert etiquette?  I’ll list some others, you give me more in the comments.

  • No lit cigarettes (or other burning substances) in the pit.  Most venues in Pittsburgh don’t allow you to smoke in the first place.  Besides billowing toxic crap into my air, burning someone while thrashing around like a toolbag is not cool.  If you need to get high, go do it in a dark corner.
  • Don’t scream off-key into your neighbor’s ear.  I paid lots of money for the people on stage to scream into my ear, not you.  Shut up unless it’s a sing-along rock anthem.
  • If you’re on the edge of the circle, keep it from spilling over.  Push the lugheads back into the fold.  Protect the people around you who don’t want in it, and watch out for that kid that’s way too young to be there.  Might be good to not trample him to death before he can drive.
  • You are not a windmill.  No one thinks this is cool.  No one likes getting punched in the head.  No one is more entertained by you dancing like Frankenstein than by the band on stage.
  • We’re there to see the band, not you.  You are not that guy on the runway, a traffic cop, or a cheer-leading coach.  Stop gesturing wildly at people trying to get them to go in a circle, spin you around, run into you, or do the safety dance.

Now it’s your turn.  While you think/type, please enjoy the following…

Vodpod videos no longer available.

Windmill

This is not a dance.

(Also, feel free to post other songs about moshing, slam-dancing, circle pits, pogoing, or any related ridiculousness.)

Also… to the people who drink in the parking lot through the opening acts, then come in during the headliner barely knowing where you are or that you’re alive.  Just stay home & get drunk.  It’s cheaper and safer, and you don’t have the potential to puke on my shoes.

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