Every once in a while, I just throw this into the รฆther just to see if it gets any response. One time, I got to pop up on stage and sing “I Turned Into a Martian” while Jerry Only played bass, sang, & Doyle Wolfgang Von Frankenstein played guitar, & Goat (a.k.a. Eric Acre, a.k.a. “Chupacabra”) played drums. I’d love to find a video of it if it’s out there.
We take for granted that everything is recorded these days, but back then it wasn’t. Misfits bootleg videos were a hot trade commodity at one point online. I’m pretty sure this show was recorded, because Crowbar had closed-circuit TV’s that were displaying the show as it happened. It may have been deleted or not recorded, it may have hit a personal private collection. Someone else may have been in-house recording. Not sure if Doug Evil was there?
Thanks to Misfits Central & Concert Archives, I now have a specific date: Sunday, November 5, 2000. It was at the now-defunct Crowbar in State College, PA.
An-Die & I road-tripped to State College several times with several different groups to see the Misfits in several iterations in addition to seeing them a bunch in Pittsburgh… so my memories may be conflated. I know Russ from TVCasualty.com was there!
I’m pretty sure Murphy’s Law & Impotent Sea Snakes also played. I only remember this because Goat was pulling double duty, and our friend Laurel was apparently hit in the face with an… adult toy… during the ISS set.
I remember An-Die telling me that I had stage presence, and obviously Jerry Only has a huge stage presence, and it did not jive. Ha ha. I’m sure I looked weird, but holy shit it was fun. (I always feel weird signing without a guitar in my hands anyway.)
Another fun fact, this was after I had broken my nose, and i was wearing a bandage covering most of my face. I know I have photos of that somewhere but I cannot find any.
The Misfits – 11/05/2000 lineup @ Crowbar in State College PA | Jerry Only, Doyle Wolfgang Von Frankenstein, Eric Goat/Chupacabra Acre, & some random a-hole.
Oh yeah, I broke my nose stage diving at American Music Cafรฉ. Who’s set was it? I think it was Third Place, Tybalt, or maybe even Ten Pounds Lighter/Secrets Lie Within. I just remember someone fake kicking me that ended up not being a fake kick, a weird celery crunching noise, and my nose being mostly under one eye. I ought to try to chronicle old show stories some day.
I was the Fiend Club “Chapter Head” for a minute in the late 90’s early 00’s, so I got to see the band when they were in & around town. I think Jerry & Rocky sort-of kind-of knew who I was, but I always tried to not be a pain in the ass & ask for stuff or to get on the Turbo Die or anything. It was a fun time in life.
If you have the video, or have info that could help me track it down, I’d really appreciate it! Feel free to help by sharing this in fan forums & what-not online. We Are 138!
So, I recently got an interesting message via my contact form:
I did write back, but have yet to receive a reply. I would like to thank you Jakob, for reaching out! Not sure how you found me, but then again maybe I am sure as the one stolen maze is kind of highly specific in subject matter, but we’ll get to that.
I did do some light Googling though, like a modern-day super lazy Sherlock Holmes (or at least Dick Tracy). The ever-so-helpful auto AI summary was actually kind of enlightening…
Yeah. That one past stuck out.
“He finds inspiration for his books by browsing graphic portals and libraries.”
I take that to mean “Bruh finds shit on Pinterest or Google image search and steals it to put into his books.”
Mr. Heppke has a website, and apparently several books. I know that print-on-demand can be looked down upon by “real” publishers, and these are considered “low content” books, but theft is theft.
I have been drawing mazes since I was a kid, maybe 4th grade or so? I have put a bunch up on the internet (especially at this blog among other older sites) for free over the years. I don’t need this dude or anybody stealing my stuff, taking credit for it, or making money off of it. Oh yeah, taking credit? Dude has stones. That sure looks like a ยฉ 2022 to me by his name in a book full of mazes that he didn’t draw.
I know I have pinned them in the past, so they may be floating around there too. There are probably about 100 people on the planet who have heard, saw, heard about, or remember my old punk band, AiXeLsyD. Why take that maze? Our logo is right there beside a terrible drawing of my 1986 Buick SkyHawk. Weird. Also, it name drops Sheetz & Wendy’s as places to not stop (as well as a nudie bar). They may have a harder copyright infringement case than me? ๐คฃ I’m sure the maze is much older than 2012. The quality of the scan & the coloring is BAD.
I have thought about collecting all my old stuff for a book… but the thought of checking to see if they’re passable & providing solutions is overwhelming, and now that I put out You Can See Yourself Out, I feel like I have a level of quality that I need to maintain. Drawing the mazes & posting them has always kind of been a creative outlet & stress relief for me. I think I’d need to re-scan the pile of stuff that I have, and the stuff that I just posted to social media with phone pictures if I were to do it right… and include solitions.
I’m not doing art to get rich, or even make a living… but if I can fund keeping this blog AiXeLsyD13.com, and buy some art supplies, that would be awesome. I have made tens of dollars off of my books and merch. That’s not a complaint by any means, but some dude across the globe shouldn’t be making money off of my art. (As an aside, check this shit out! Art theft is rampant, and following @kilkennycat_art on Threads has opened my eyes to it.)
I’m unsure of my next step. Is reaching out directly to Norderstedt Books on Demand and/or Kurt Heppke directly via email with some sort of cease and desist the way to go? Is that at all official? Is Google Translate even gonna get it right?
I don’t have any written verbiage here about my mazes being copyrighted, but I do have dated posts, and I think copyright is implied with any created works… no? I have no idea how any of it works really within the US, let alone internationally & specifically in Germany.
It also looks like this damn thing is available on more than a few sites:
At any rate, I implore you to by mazes (or any art) from the artist through their official channels… or enjoy the many free mazes that are put out there by all of us.
So, Cease-and-Desist email or letter? DMCA Takedown? Both? Lawyer up? I’m assuming there is not much to financially recover with print-on-demand sales. I just don’t want anyone making money off of my art other than myself.
Well then, it’s finally here. I finished maze book number two! This one is better than the last one, I promise. The first was sort of a test run just to see how Amazon KDP works. I wholeheartedly appreciate everyone that bought that book, but this one just objectively looks better and much more time was put into its creation. It ought to be much more challenging and enjoyable, IMHO.
This book a collection of a bunch more larger mazes, and a few small ones that I have been drawing since late 2023. There’s no common theme other than most of the mazes have a silly vibe. A few have no vibe at all. There’s aliens, rodents, yard work, holiday stuff, rock n’ roll, a treasure map, food, retail aversion, gross stuff, & more.
You Can See Yourself Out: A Collection of Fun, Irreverent, Festive, & Wild Hand-Drawn Mazes (Front Cover)
I hope you consider picking up a copy for yourself, & maybe even one for a friend? If not, just sharing the link to someone who you think may enjoy it, or just sharing it in general would be awesome.
The link is https://www.amazon.com/dp/B0F9Y7SFXS and I’d love if you could share it, review it, favorite it or save it to a list… anything to help even if you’re not interested in a purchase. You could give me a good (or terrible) review or add it to your list on GoodReads too, if that’s your thing.
I had fun making a collage with punk ‘zine vibes for the cover. I busted out the mixed media, printed on weird paper, got two cutting, ripping, & coffee staining… and unearthed the leopard & cheetah print tape.
All of the mazes were hand-drawn, scanned in, edited (& “solved”) in paint.NET, & put together with Open Office. I haven’t stepped into the world of digital drawing yet, and I like my free programs. Someday, I’ll probably dive into GIMP a little more.
I love drawing the mazes, and it’s a great creative outlet like blogging or making music or playing out live. I’m sitting on a pile of old ones that I can convert into a book… but I need to make sure they’re all solvable and do the solutions.
Some are too big to fit on my scanner, and scanning with my phone has less than desirable results… so I’m gonna have to go somewhere like a FedEx Office store and hope they can help before they all disappear. I have a problem picking up any notebook that catches my eye and is the right price, regardless of size & paper type. I like the feel & the calming of pen on paper.
Because I have been excited about this, and I made a small collage with leftover bits, I popped up some new merch designs in my TeePublic & RedBubble stores with that new collage & the book cover images. I do have some older designs there with a few of the mazes that are featured in this book too. If you have an account & follow me on either of those sites, it may help my stuff get seen a bit more. I’d appreciate any form of liking/sharing/tagging if you’re so inclined!
In fact, check out all these designs from or inspired by the book, you can get them on all kinds of merch at each store! (I ordered a sticker, a magnet, a coffee cup, & a hoodie so I’m already in the hole.)
โข AC๐ฒDC โข PWR๐ฒUP โข Acrisure Stadium โข Pittsburgh PA โข Thursday May 8th, 2025 โข
So, I have been a casual AC/DC fan for as long as I can remember getting into music. They were always there, always a mainstay, always the butt of “same sounding songs” jokes alongside fellow icons the Ramones. I believe I bought Razor’s Edge& Back in Black about the same time in Jr. High. I really dug “Big Gun” from the Last Action Hero soundtrack, and of course, loved the older stuff with Bon Scott as I got into them.
My kids heard me playing “Big Balls” when they were younger, and of course glommed onto it as the most hilarious song ever. I think I created a rock fan with my son, as he has really dug into the AC/DC catalog.
He wanted AC/DC tickets for his birthday, so we got some… then later traded up when a good friend said he wanted to come to town to catch the show with another buddy, as the speculation spread that it may be their last tour and they weren’t playing out his way.
I prepped by making a playlist of suspected tunes on Amazon Music & Spotifythanks to Setlist.fm. I also have one called 100% Certified Angus on Amazon & Spotify that we rock sometimes too! And my son has been spinning Back in Black on vinyl of all things. (I refuse to get into vinyl or guitar pedals, because I already have a guitar problem.)
Off we went for my son’s first stadium show, first time seeing Heinz Field Acrisure Stadium, & first time seeing AC/DC live! We did catch The Aquabats! at the Roxian last year and that was super badass. That was his 1st concert (if we don’t count the incredible & talented Laurie Berkner for a Christmas concert when the kids were super small) and 1st punk rock show!
๐ค For those about to rock, we salute you! ๐ค
Just a mashup of clips I got that evening of my dude enjoying his night:
If you follow me on the socials, you probably saw a few signs that we were there. It’s super exciting to me to bond over music as it has been such an important thing to me over the years, as a creative outlet, a place of joy, and comfort.
I can say he said it was “the best night of his life,” so I think he had fun! Ha ha. I am glad I got to see Angus & Brian perform. Man, the band are tight, but with a nice loose groove. I knew they were powerhouse rock icons, but to see it? Absolutely amazing. The show production was crazy with the infamous bell, canons, fireworks, huge LED screens, pyrotechnics, confetti, on-the-fly graphics enhancing live video… but at the same time it all seemed very simple. I’m not sure how to convey it. The frills were not the focus. Obviously Angus and his SG’s are the focus. Even Brian knows this, and he looks like he is having the time of his life up there, knowing he has the coolest job in the world.
I think Angus may be slightly slower now that he was in the 80s or 90s, but at 70 years old… he is undeniably crushing it skipping, shimmying, and duck-walking around the stage while playing rambling angry blues licks, goading the crowd into cheering, stripping off parts of the schoolboy uniform, & taking 17 minute extended guitar solos. At one point, he even defiled the fretboard with his necktie as a slide. That is how you put on a show. Some sources online seemed to think Brian’s vocals were low in the mix. I think that was the case where we were at on the floor… but videos from elsewhere have it perfect. His voice is amazing, and again, at 77… he is running around belting out these immortal songs like it’s nothing for 2 damn hours.
The crowd was sedate, lots of people fist-bumping or throwing horns or thumbs up to my dude as we went through the crowd & got to our seats. There were obviously visible drunks, but nothing I saw got too out of hand, even the tailgating outside seemed to be chill.
It has all kinds of videos from promo stuff, to stage setup, to pyrotechnic stuff, vloggers, and nearly every song individually, from a bunch of different vantage points, and someone grabbed the whole show!
We have had a lot of craziness going on lately, so this was a fun respite and I think we needed it. Hopefully this will be a day long remembered by both of us as a highlight to this year.
So, were you there? Share your stories, pictures, & videos in the comments! I’d love more YouTube stuff to add to the playlist too. I think the only individual song I’m missing is “Rock N’ Roll Train.”
If you weren’t there, or saw them some other time, or in your city, or just want to drop some AC/DC memories or lore, do that too!
I don’t have a pedal-mobile like the savagely sardonic Pat Finnerty, but I do have some weird mostly cheap pedals. You’ve seen my guitars, you may have heard some of my musical output, but I need to set up a spot to rock again after letting chaos accumulate in my jam space.
Pedals-Schmeadals
I posited the following to social media, and AI:
How would you hook up the following components to maximize use/effectiveness of the given equipment for a guitar rig?
The Amps:
Gorilla TC-35 (Combo)
Fender Blues Jr. (Combo)
Positive Grid Spark (Combo)
Lil’ Smokey (Combo)
Orange Micro Terror (Head)
Laney 2×12 (Cab)
Yamaha MSR 100 (PA)
The Pedals:
D’Addario/Planet Waves PW-CT-04 Tuner
Ernie Ball 6185 Wah
Quinnamp Dirt & Ernie (Distortion/Boost)
The Spamp+ (Amp / Preamp)
Ammoon Pock Loop (Looper)
LiveWire Solutions ABY1 ABY Box
Joyo BAATSIN (Overdrive/Distortion)
Crazy Tube Circuits Unobtanium (Overdrive)
Mooer E7 Synth
DigiTech Trio Band Creator + FS3X Footswitch
Is there a good order to the pedals? Typically I have the Trio going out to the Yamaha PA, and the ABY going into the Micro Terror/Laney and the Blues Jr. Ignoring the Spark & (sadly) the TC-35. I’m not sure which way to order the pedals, though.
Also, do I split the signal early & put different effects to each amp? I have done that with the wah and it sounds neat.
I get that it’s all subjective, but I love to over-think things… so help me do that.
I did ask Perplexity, ChatGPT, & Gemini for advice, and they seem to provide pretty standard stuff that you may see in guitar forums.
From Perplexity:
๐ธ
To set up your guitar rig effectively, the goal is to optimize signal flow for tonal clarity while integrating the ABY box and DigiTech Trio Band Creator with your PA system. Here’s a structured approach:
Pedal Order Recommendations
Tuner (D’Addario PW-CT-04): Place first to ensure a clean signal for accurate tuning136.
Wah (Ernie Ball 6185): Follows the tuner, as wah pedals interact best with an unaltered guitar signal135.
Distortion/Boost (Quinnamp Dirt & Ernie): Early gain staging preserves dynamic response. Stack with subsequent drives145.
Overdrives (Joyo BAATSIN, Crazy Tube Circuits Unobtanium): Order these based on preference (e.g., lower-gain first into higher-gain)146.
Preamp (The Spamp+): Acts as a tone-shaping buffer. Place after drives to avoid coloring their response34.
Synth (Mooer E7): Position after drives for consistent tracking. Synths can behave unpredictably with distorted signals45.
DigiTech Trio Band Creator: Place here to analyze your processed guitar signal. Route its output to the Yamaha PA for bass/drum separation24.
Looper (Ammoon Pock Loop): Last in the chain to capture the entire signal, including the Trioโs guitar input. This ensures loops include all effects34.
ABY Box (LiveWire ABY1): Split the final signal to your Orange Micro Terror/Laney 2×12 and Fender Blues Jr.2.
Enable ground lift/isolation if using both amps simultaneously to avoid hum2.
Amplifier Configuration
Orange Micro Terror: Connect to the Laney 2×12 cab (ensure impedance matching).
Fender Blues Jr.: Use as a standalone combo.
Yamaha PA: Dedicated to the Trioโs band mix for a full stereo/backing track experience24.
Key Considerations
Experiment with Drive Order: Test the Joyo BAATSIN and Unobtanium in different sequences (e.g., BAATSIN as a mid-boost into the Unobtaniumโs higher gain)14.
Synth Placement: If tracking issues arise, try moving the Mooer E7 earlier (post-wah)5.
ABY Ground Noise: Use the LiveWire ABY1โs ground-lift feature if humming occurs2.
This setup balances conventional signal-chain logic with your specific gear, ensuring the Trioโs band tracks and dual-amp rig work cohesively. Always test and tweak to suit your playing style!
Perplexity would not generate a schematic, but ChatGPT & Gemini did… or they tried. They look cool upon first glance, then get real weird when you zoom in… and they don’t even follow the advice of the chain setup. Clearly there is a disparity between the text generation & the image generation. Some of the pedal representations are really cool though, especially with GhatGPT. I can’t help but wonder where it is stolen from. Guitar mag/website rig rundowns?
I dunno when Fender started using orange tolex & separate heads… but the pedals look fancy.
It clearly used the Dirt & Ernie art for the Unobtanium, but it stole that gorgeous Micro Terror from somewhere… and WTF is a Crazy Tauloc? Sounds like an extra on Star Trek.
Granted, I am generally a plug-in, crank the gain, and keep the volume low kind of player. I don’t so effects much. I would like to monkey around with that I have.
Here is where I solicit your advice in the comments and on social media. ๐ค
Teriyaki Stuff [November 19, 2023] Why I want this sauce.
La Choy Teriyaki Terror [December 8, 2023] ยท I sent a maze to La Choy (Conagra) to literally illustrate my fristration at not being able to find their sauce.
I have blogged about the song from Airheads before, just wondering about the recording of the Reagan Youth cover song, and never really uncovered much about the specific process or the whole change of lyrics & the arrangement, but I did get some replies from various social media from Paul Cripple, Rich Wilkes, & Sean Yseult. (Rich made a really informative comment on my post here. You should check out all of his work!)
There is, however, an incredible article from The Hard Noise about how the song came to be used in the film, & how the band eventually got paid a bit for it… Which is great to know.
So, who is with me? Social media seems to be on board if you read my comments/replies. Can we get a petition or something? Or the comments here going? Or a social media campaign? Let’s get Rich Wilkes the resources he needs to do a 2nd script and get it in front of the actors! Nostalgia waves are at an all time high.
Perhaps a stupid blog post can get the ball rolling?
TeePublic is having a sale, and they encouraged me to spread the word. I did on various social media platforms, and Ill post those here. I’d appreciate a share if you have the time or are so inclined, and it would be cool if you’re inspired to pick something up for yourself or as a gift!
There’s also always my RedBubble shop and Maze Book, too. (I’m still slowly working on a 2nd book.)
Apologies for the shameless pug, but I have to get the word out somehow. I don’t pay for advertising, as the artist profit for print-on-demand services is pretty small. If I can simply fund my creative outlets, it’s a nice lil’ personal win.
So, TeePublic is having a sale, which means you can get my art on all kinds of stuff for cheaper than usual. It's mostly mazes, but I may occasionally do other silly stuff.tee.pub/lic/AiXeLsyD13Check out some unique stuff for yourself or for your holiday gift list! Maybe share too, please?
So, I guess I had no idea that AI music was as advanced as it is. I assumed the stuff I saw on social medial was from paid or sophisticated programs. I have been monkeying casually with text prompts at ChatGPT or Meta AI, and image generators at DALL-E 2, Craiyon, & in the PicsArt app for a while. Luma AI even animates photos in the creepiest way possible. I have recently started messing with Google’s Gemini, too.
While the first two AI song generators that popped up when I googled did not require me to download an app or pay any money, I was able to have them bang out a song in less than a minute. The second one even let me insert lyrics, so I used ChatGPT & Gemini to write lyrics. Of course I chose punk rock, and the subject matter was just me poorly describing the blog. This stuff is wild.
The prompt was: “World (and Lunar) Domination” a punk rock song about drawing mazes and writing goofy letters.
For some reason, I can’t seem to embed these ones. ๐คท
AI Music Factory automatically spits out 2 songs from the same prompts.
All of the songs are generic pop punk, street punk, and a weird attempt at some uncanny valley-ish horns. They are formulaic pop punk, of which I could certainly be accused of doing when I was actively playing in bands. The weird part is that is not all that dissimilar from my actual creative output. The lyrics have some interesting ideas & hooks too, if I’m being honest. Does that mean I am a terrible and generic songwriter? Perhaps my lack of commercial success in that area speaks to that. ๐
Self-depreciating humor aside, I feel like I have been involved in the creation of some fun, silly, & kick-ass music, and I was never really doing it for financial gain or recognition. It was an itch that I needed to scratch. I needed to make art via punk rock.
The above songs are derivative of a thousand different punk bands, but the one vocalist sounds oddly like Bad Religion. All of it is stealing from something though. Is it scouring the whole internet? Is it using Spotify, YouTube, Pandora, Apple Music, or Amazon Music? Is it creeping on hard drives in home studios or at record companies?
I feel like this is really close to having the ability to be passed off as a real band. It even reminds me of Crotchduster,
Is it theft, or inspiration? I would not have picked up a guitar and tried to write punk rock songs if I had not heard the Ramones & the Misfits doing what they did. Led Zeppelin’s entire catalog is arguably not entirely derivative of everything that passed through Jimmy Page’s earholes. (I mean, George Lucas did the same thing with Star Wars – it was just Flash Gordon, The Seven Samurai, The Hidden Fortress, & Dune.)
It can be argued that the music is soulless. I get that. I need music to move me in some way, in order to feel that connection. There are already lots of human generated songs out there that don’t really hit me that way. It’s terrible when a song evokes no emotion. I feel that way about Nickelback, even though it’s unironically cool to like them now. Ha ha.
In keeping with the theme of this post, I also used a bunch of AI image generators with various prompts about my blog, and got some weird weird wild stuff. None of them seem to accurately display text whatsoever at all… but the compositions, colors, & design choices are interesting. Is is stolen work though?
It was said that Robin Williams was notorious for stealing bits, but I have read/heard that he was always “on,” and just pulling in ideas and churning out jokes at a constant speed… he may not have realized that his thoughts weren’t entirely his own. But then again, were they? Everything we think, say, & do is a response to our own audio & visual input. (And, all the other senses.)
If AI is putting something out, and the way it “senses” is browsing the internet, what’s wrong with that? Is it stealing because it is not alive? Is it just a tool like a paintbrush or a calculator? Is AI song generation different than loops or sampling or guitar pedals that drastically change a tone?
Images generated by various AI image generators, with prompts pretty much just describing my blog.
๐ค๐โโฌ๐ธ
Because every single one of my thoughts also has an incomprehensibly tangential aside, I just did this as the idea came to me while blogging:
๐ฟ๐๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ – I had ChatGPT write those lyrics a long time ago to be silly. It deleted the chat from the history as it found the content to perhaps be “inappropriate.” Luckily I grabbed a screenshot. I just used my last freebie at AI Music Factory to make this, and unlike with the other songs, I actually downloaded the mp3’s because I find it wildly amusing. AI plays guitar better than Kerry King.
“FEED THE KITTEN” album art by Meta AI“Feed The Kitten” by ChatGPT
So, did I just write a song? No. But… I had the idea for one. It, much like my own artistic output, was a silly idea. (I was always sad that Gasoline Dion never completed songs that we were working on, including but not limited to “667, Across the Street From the Beast” and the ever poetic line “Let me put my meat hook in your beef curtains.”)
I just let my 10yo daughter hear the metal kitten song. She laughed and said it sounds like everything else I listen to (she’s a Taylor Swift fan). When I told her it was AI generated in under a damn minute & that ChatGPT wrote the lyrics, her eyes got wide and was all “That’s not good…”
She immediately understood the implications. Anyone could make a hit album. We could all be Milli Vanilli. Even better, you could probably create a video avatar of an artist or band. I haven’t delved into AI generated video past the tiny Luma AI clips.
Would using AI as a muse, or to flesh out partial lyric ideas be “wrong?” Are we in an era like the early days of sampling where soon someone will figure out how to give artists royalties for music or artwork being fed into AI? I know there are already cases out there. I also know you can’t copyright AI images. Not sure about music, though? I know Mรถtley Crรผe was accused of using AI to write songs.
Will commercials, social media, radio, TV, & movies forgo traditional composers and just make their own jingles, scores, & soundtracks?
It was fun to play with, but do I like it enough that I will pay for it? I doubt it. I can’t think of a practical use for myself other than making a fictional band or something… and who would want AI generated crap content right now? If I paid to put it on streaming services (if you can even copyright it), how would that generate income or even be sustainable? Live shows would be (for now) out of the question. I don’t think it would “feel good” to put that out, like it does to release actual music you created. Maybe kids will dig AI music in the future… or our eventual robot overlords might.
Because I can’t stop, Luma AI animations of AI generated images:
OK, I went back & messed with Udio again. I found where you could pop in the kitten lyrics from Chat GPT. I do not like the output nearly as much, but it’s still pretty wild:
So, what are your thoughts on AI generated stories, art, music, & video? Are we in the wild west? Do you use any of it? If you do use it, what sites/apps, and to what end? Please, hit up the comments!
Oh yeah, those sites automatically generated videos I could download too.
